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Author: Jane Vogel
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 376
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Author: Jane Vogel
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 376
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Author:
Publisher: Routledge
ISBN: 1134298315
Category :
Languages : en
Pages : 201
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Author: Jeremy Tambling
Publisher: Routledge
ISBN: 1317612892
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Focusing on the language, style, and poetry of Dickens’ novels, this study breaks new ground in reading Dickens’ novels as a unique form of poetry. Dickens’ writing disallows the statement of single unambiguous truths and shows unconscious processes burrowing within language, disrupting received ideas and modes of living. Arguing that Dickens, within nineteenth-century modernity, sees language as always double, Tambling draws on a wide range of Victorian texts and current critical theory to explore Dickens’ interest in literature and popular song, and what happens in jokes, in caricature, in word-play and punning, and in naming. Working from Dickens’ earliest writings to the latest, deftly combining theory with close analysis of texts, the book examines Dickens’ key novels, such as Pickwick Papers, Martin Chuzzlewit, Dombey and Son, Bleak House, Little Dorrit, Great Expectations, and Our Mutual Friend. It considers Dickens as constructing an urban poetry, alert to language coming from sources beyond the individual, and relating that to the dream-life of characters, who both can and cannot awake to fuller, different consciousness. Drawing on Walter Benjamin, Lacan, and Derrida, Tambling shows how Dickens writes a new and comic poetry of the city, and that the language constitutes an unconscious and secret autobiography. This volume takes Dickens scholarship in exciting new directions and will be of interest to all readers of nineteenth-century literary and cultural studies, and more widely, to all readers of literature.
Author: John O. Jordan
Publisher: University of Virginia Press
ISBN: 0813930928
Category : Literary Criticism
Languages : en
Pages : 202
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Supposing "Bleak House" is an extended meditation on what many consider to be Dickens’s and nineteenth-century England’s greatest work of narrative fiction. Focusing on the novel’s retrospective narrator, whom he identifies as Esther Woodcourt in order to distinguish her from her younger, unmarried self, John Jordan offers provocative new readings of the novel’s narrative structure, its illustrations, its multiple and indeterminate endings, the role of its famous detective, Inspector Bucket, its many ghosts, and its relation to key events in Dickens’s life during the years 1850 to 1853. Jordan draws on insights from narratology and psychoanalysis in order to explore multiple dimensions of Esther’s complex subjectivity and fractured narrative voice. His conclusion considers Bleak House as a national allegory, situating it in the context of the troubled decade of the 1840s and in relation to Dickens’s seldom-studied A Child’s History of England (written during the same years as his great novel) and to Jacques Derrida’s Specters of Marx.Supposing "Bleak House" claims Dickens as a powerful investigator of the unconscious mind and as a "popular" novelist deeply committed to social justice and a politics of inclusiveness. Victorian Literature and Culture Series
Author: J. Tambling
Publisher: Springer
ISBN: 0230378323
Category : Fiction
Languages : en
Pages : 248
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In a radical reassessment of one of the greatest writers of all time, Dickens, Violence and the Modern State draws on the theories of Foucault, Deleuze and Guattari, in addition to Julia Kristeva and Edward Said, to situate Dickens within the discourses circulating within his society - in particular those associated with modernity. Focussing on Dickens's novels written after 1848, his relationship to modernity can be seen in his treatment of violence, seen in two forms in his writing: that of the state (in the rationalising powers of Victorian bourgeois modernisation), and physical violence, as portrayed in Dickens's criminals and interest in masochism and corpses.
Author: Eileen Gillooly
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 406
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Edited by Eileen Gillooly and Deirdre David, Contemporary Dickens is a collection of essays that presents some of the most intriguing work being undertaken in Dickens studies today. Through an emphasis on the nineteenth-century origins of our current critical preoccupations and ways of knowing, these essays reveal Dickens to be our contemporary. The contributors argue that such issues as gender and sexuality, environmentalism, and the construction of national identity were frequently explored and sometimes problematically resolved by Dickens himself. They also illuminate the importance of Dickens's place in our current reassessment of critical methodologies. Drawing freely upon a variety of reading strategies (materialist, deconstructive, new historical, psychoanalytic, and feminist), the essays disclose new aspects of Dickens's engagements with a number of Victorian concerns--moral philosophy, the psychology of the emotions, and life writing among them--that have once again emerged as significant objects of study in early-twenty-first century criticism. Looking at such familiar topics from fresh perspectives, Contemporary Dickens is an original and challenging contribution to Dickens studies in particular and Victorian criticism in general. Contemporary Dickens will appeal to general readers and students of Victorian culture, as well as specialists in nineteenth-century literature, cultural studies, literary formalism, psychology, and gender studies.
Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
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Author: Julian Wolfreys
Publisher: Edinburgh University Press
ISBN: 0748656057
Category : Literary Criticism
Languages : en
Pages : 272
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This phenomenological exploration of the streets of Dickens's London opens up new perspectives on the city and the writer.
Author: Jane K. Brown
Publisher: University of Pennsylvania Press
ISBN: 0812209389
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
A century before psychoanalytic discourse codified a scientific language to describe the landscape of the mind, Johann Wolfgang von Goethe explored the paradoxes of an interior self separate from a conscious self. Though long acknowledged by the developers of depth psychology and by its historians, Goethe's literary rendering of interiority has not been the subject of detailed analysis in itself. Goethe's Allegories of Identity examines how Goethe created the essential bridge between the psychological insights of his contemporary, Jean-Jacques Rousseau, and the psychoanalytic theories of his admirer Sigmund Freud. Equally fascinated and repelled by Rousseau's vision of an unconscious self, Goethe struggled with the moral question of subjectivity: what is the relation of conscience to consciousness? To explore this inner conflict through language, Goethe developed a unique mode of allegorical representation that modernized the long tradition of dramatic personification in European drama. Jane K. Brown's deft, focused readings of Goethe's major dramas and novels, from The Sorrows of Young Werther to Elective Affinities, reveal each text's engagement with the concept of a subconscious or unconscious psyche whose workings are largely inaccessible to the rational mind. As Brown demonstrates, Goethe's representational strategies fashioned a language of subjectivity that deeply influenced the conceptions of important twentieth-century thinkers such as Freud, Michel Foucault, and Hannah Arendt.
Author: George Orwell
Publisher:
ISBN:
Category :
Languages : en
Pages : 243
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