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Author: Andrei Molotiu
Publisher: Getty Publications
ISBN: 9780892368976
Category : Art
Languages : en
Pages : 136
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Book Description
Jean-Honoré Fragonard (1732-1806) was a French painter whose late manner is distinguished by remarkable facility, exuberance, and hedonism. A prolific artist, Fragonard produced more than 550 paintings. The J. Paul Getty Museum's Fragonard masterpiece, The Fountain of Love, is part of a series of his most striking works called the Allegories of Love, exquisite paintings that convey an atmosphere of intimacy and eroticism. This lavishly illustrated book compares and analyzes the compositions, iconography, and sources of the Allegories in the context of ancien régime Preromanticism. The author discusses the transcendental aspect of love in the Allegories and the concept of Romantic love and painting on the eve of the French Revolution. The book accompanies Consuming Passion: Fragonard's Allegories of Love, an exhibition of the artist's work that opens at the Sterling and Francine Clark Art Institute on October 28, 2007, and at the J. Paul Getty Museum on February 12, 2008.
Author: Andrei Molotiu
Publisher: Getty Publications
ISBN: 9780892368976
Category : Art
Languages : en
Pages : 136
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Book Description
Jean-Honoré Fragonard (1732-1806) was a French painter whose late manner is distinguished by remarkable facility, exuberance, and hedonism. A prolific artist, Fragonard produced more than 550 paintings. The J. Paul Getty Museum's Fragonard masterpiece, The Fountain of Love, is part of a series of his most striking works called the Allegories of Love, exquisite paintings that convey an atmosphere of intimacy and eroticism. This lavishly illustrated book compares and analyzes the compositions, iconography, and sources of the Allegories in the context of ancien régime Preromanticism. The author discusses the transcendental aspect of love in the Allegories and the concept of Romantic love and painting on the eve of the French Revolution. The book accompanies Consuming Passion: Fragonard's Allegories of Love, an exhibition of the artist's work that opens at the Sterling and Francine Clark Art Institute on October 28, 2007, and at the J. Paul Getty Museum on February 12, 2008.
Author: C. S. Lewis
Publisher: Cambridge University Press
ISBN: 1107659434
Category : Literary Criticism
Languages : en
Pages : 489
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Book Description
A classic study of the allegorical power of love in literature, traced through the medieval and Renaissance periods.
Author: Diana de Armas Wilson
Publisher: Princeton University Press
ISBN: 1400861799
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
In the work he considered his masterpiece, Persiles and Sigismunda, Cervantes finally explores the reality of woman--an abstraction largely idealized in his earlier writing. Traditional critics have perpetuated this disembodied ideal woman: "Every Man," claimed the translators of the 1706 Don Quixote, has "some darling Dulcinea of his Thoughts." As Diana de Armas Wilson shows, however, Cervantes himself envisioned the radical embodiment of "Dulcinea" in the later Persiles, a pan-European Renaissance allegory. Wilson illuminates Cervantes's strategic use of the ancient genre of Greek romance to contest various chivalric fictions about women, love, and marriage--fictions collapsing under the constraints of an emerging bourgeois culture. Taking as her subject Cervantes's erotic imperative--to leave behind "barbaric" notions of love in quest of a new conceptual space--Wilson demonstrates how the heroes of the Persiles, unlike Don Quixote, learn to cross the borders of difference. Their journey toward marriage is illustrated by thirteen inset "exemplary novels," perhaps the most exploratory of Cervantes's writings. Allegories of Love not only examines the fundamental importance of sexual and cultural difference in Cervantes's last romance, but also reveals the historical conditions of representation itself during the late Renaissance. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Xavier F. Salomon
Publisher:
ISBN:
Category : Allegories
Languages : en
Pages : 60
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Book Description
Author: Matilde Battistini
Publisher: Getty Publications
ISBN: 9780892368181
Category : Art
Languages : en
Pages : 384
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Book Description
"The purpose of this volume is to provide today's readers and museum-goers with a tool for orienting themselves in the world of images and learning to read the hidden meanings of certain famous paintings."--Introduction.
Author: Stephen A. Barney
Publisher: Hamden, Conn. : Archon Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
Author: Jürgen Leonhardt
Publisher: Harvard University Press
ISBN: 0674726278
Category : Language Arts & Disciplines
Languages : en
Pages : 349
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Book Description
The mother tongue of the Roman Empire and the lingua franca of the West for centuries afterward, Latin survives today primarily in classrooms and texts. Yet this "dead language" is unique in the influence it has exerted across centuries and continents. Juergen Leonhardt offers the story of the first "world language," from antiquity to the present.
Author: Maureen Quilligan
Publisher: Cornell University Press
ISBN: 150172956X
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
The first professional female writer, Christine de Pizan (1363-1431) was widowed at age twenty-five and supported herself and her family by enlisting powerful patrons for her poetry. Her Livre de la Cité des Dames (1405) is the earliest European work on women's history by a woman. An allegorical poem that revises masculine traditions, it asserts and defends the authority of women in general and of its author in particular. In this generously illustrated book, Maureen Quilligan provides a persuasive and penetrating interpretation of the Cité.
Author: Rita Copeland
Publisher: Cambridge University Press
ISBN: 0521862299
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
Traces the development of allegory in the European and American tradition from antiquity to the modern era.
Author: Fredric Jameson
Publisher: Verso Books
ISBN: 1788730453
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
Fredric Jameson takes on the allegorical form Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.
