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Author: Allan Sekula
Publisher:
ISBN: 9781910164495
Category : Photography
Languages : en
Pages : 259
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Book Description
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent - women, labourers, minorities and the institutional structures that reinforce cultural biases. Allan Sekula (1951-2013) was an American artist, whose work spans multiple media: long form photographic series (Aerospace Folktales, 1973; School as a Factory,1980; War Without Bodies, 1991/96), critical texts (The Body and the Archive, 1986 and Debating Occupy, 2012) and film (The Forgotten Space, 2012).
Author: Allan Sekula
Publisher:
ISBN: 9781910164495
Category : Photography
Languages : en
Pages : 259
Get Book Here
Book Description
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent - women, labourers, minorities and the institutional structures that reinforce cultural biases. Allan Sekula (1951-2013) was an American artist, whose work spans multiple media: long form photographic series (Aerospace Folktales, 1973; School as a Factory,1980; War Without Bodies, 1991/96), critical texts (The Body and the Archive, 1986 and Debating Occupy, 2012) and film (The Forgotten Space, 2012).
Author: Mack
Publisher:
ISBN: 9781912339846
Category :
Languages : en
Pages :
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Book Description
Author: Allan Sekula
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Published to accompany an exhibition held at Witte de With, Centre for Contemporary Art, Rotterdam, 21 January -12 March 1995, Fotografiska Museet in Moderna Museet, Stockholm, 6 May - 27 August 1995, Tramway, Glasgow, 6 October - 12 November 1995, Le Channel, Scene Nationale and Musee des Beaux Arts et de la Dentalle, Calais, 16 December 1995 - 25 February 1996.
Author: Alexander Cockburn
Publisher: Verso
ISBN: 9781859847794
Category : Business & Economics
Languages : en
Pages : 160
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Book Description
This work is an account of the most intense popular uprising since the protests against the Vietnam War, exploring the convergence and victory of trade unionists, environmentalists, human rights advocates and farmers over the WTO in Seattle.
Author: Allan Sekula
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 272
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Book Description
"On the surface, our society looks much different than it did when Allan Sekula began writing criticism and making photographic works. In the late 1960s and early 1970s there was an identifiable counterculture, struggling, for example, to end the war in Vietnam. By contrast, today's social fabric seems both less tattered and more opaque. We can no longer identify a specific ""enemy"" as a tangible force that can be grasped or pictured, and perhaps it is even harder now to recognize our own complicity."
Author: Thyssen-Bornemisza Art Contemporary Foundation (Vienne, Autriche).
Publisher:
ISBN:
Category :
Languages : en
Pages : 277
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Book Description
This publication intersperses essays from scholars, historians, and thinkers with a selection of Allan Sekula's seminal texts and excerpts from his private notebooks. The title is a reference to Okeanos -- son of Gaia, the Greek goddess of the earth -- who ruled over the oceans and water. Made and written across the decades, Sekula's sketches and texts focus on maritime space and the material, economic, and ecological implications of globalization. In projects such as his magnum opus Fish Story (1989-95), or films like Lottery of the Sea (2006) and The Forgotten Space (2010), Sekula provided a view from and of the sea. This publication expands on these oceanic themes, seeking to honor the scope and complexity of the late artist-theorist's work, and situate his ideas in current political, social, and environmental discourses. The book is divided thematically: the section “Containerization” focuses on the sea as a site of infrastructural complication; Sekula's work Black Tide / Marea negra (2002-3) is also revisited, which explores environmental violence and contamination as well as their social implications; a selection from Sekula's personal drawings are accompanied by an essay by photo historian Sally Stein; various essays readdress Sekula's legacy in the age of the Anthropocene; and a number of case studies by contemporary artists, writers, and thinkers examine ideas that overlap with Sekula's and expand on his interests
Author: Jill Dawsey
Publisher: Univ of California Press
ISBN: 0520290593
Category : Photography
Languages : en
Pages : 224
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Book Description
The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today. Contributors include David Antin, Pamela M. Lee, Judith Rodenbeck, and Benjamin J. Young. Published in association with the Museum of Contemporary Art San Diego. Exhibition dates: Museum of Contemporary Art San Diego: September 24, 2016ÐJanuary 2, 2017
Author: Richard Bolton
Publisher: MIT Press
ISBN: 9780262521697
Category : Photography
Languages : en
Pages : 438
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Book Description
Photography's great success gives the impression that the major questions that have haunted the medium are now resolved. On the contrary, the most important questions about photography are just beginning to be asked. These fourteen essays, with over 200 illustrations, critically examine prevailing beliefs about the medium and suggest new ways to explain the history of photography. They are organized around the questions: What are the social consequences of aesthetic practice? How does photography construct sexual difference? How is photography used to promote class and national interests? What are the politics of photographic truth? The Contest of Meaning summarizes the challenges to traditional photographic history that have developed in the last decade out of a consciously political critique of photographic production. Contributions by a wide range of important Americans critics reexamine the complex—and often contradictory—roles of photography within society. Douglas Crimp, Christopher Phillips, Benjamin Buchloh, and Abigail Solomon Godeau examine the gradually developed exclusivity of art photography and describe the politics of canon formation throughout modernism. Catherine Lord, Deborah Bright, Sally Stein, and Jan Zita Grover examine the ways in which the female is configured as a subject, and explain how sexual difference is constructed across various registers of photographic representation. Carol Squiers, Esther Parada, and Richard Bolton clarify the ways in which photography serves as a form of mass communication, demonstrating in particular how photographic production is affected by the interests of the powerful patrons of communications. The three concluding essays, by Rosalind Krauss, Martha Rosler, and Allan Sekula, critically examine the concept of photographic truth by exploring the intentions informing various uses of "objective" images within society.
Author: Jan Baetens
Publisher: Presses Universitaires de Louvain - UCL
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
As scratches of reality, Sekula's photographs and films leave their traces in our minds. They encourage, yes, even force reflection, and through that, slow changes can probably become a reality, certainly at the level of the individual.
Author: Don Macgillivray
Publisher: Halifax, N.S. : Press of the Nova Scotia College of Art and Design and the University College of Cape Breton Press
ISBN:
Category : Photography
Languages : en
Pages : 320
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Book Description
A presentation of the archive of Leslie Sheddon which intends to function as a critical investigation of the conditions of cultural production at a very specific moment: their historical intersection between colonization and marginalization, its social and political implications, and its cultural consquences.
