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Author: Mungo Campbell
Publisher: Prestel Publishing
ISBN: 9783791348780
Category : Enlightenment
Languages : en
Pages : 0
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Book Description
This book examines the cultural, intellectual, and social contexts in which Allan Ramsay produced his renowned portraits, along with other key works. Allan Ramsay's accomplished canvases and refined drawings offer us some of the defining portraits of the Enlightenment. He was as well equipped to offer a deep sense of engagement with his Enlightenment sitters through his intellectual and cultural upbringing as he was trained to create elegantly constructed paintings through his extended education as a painter in Italy. Establishing himself in London and Edinburgh, Ramsay was admired for his understanding of contemporary political, cultural, and intellectual issues, as well as for his portraits of key protagonists in these debates. This beautiful volume brings together Ramsay's most celebrated sitters, such as Rousseau, Hume, and William Hunter, along with numerous drawings and prints to consider his critical role in the British Enlightenment. Many of the artist's rarely seen portraits of women are included. Alongside exquisite reproductions, the volume presents fascinating new research exploring the unique sensitivity of Ramsay's painting, the development of his technique, and familial influences on his work.
Author: Mungo Campbell
Publisher: Prestel Publishing
ISBN: 9783791348780
Category : Enlightenment
Languages : en
Pages : 0
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Book Description
This book examines the cultural, intellectual, and social contexts in which Allan Ramsay produced his renowned portraits, along with other key works. Allan Ramsay's accomplished canvases and refined drawings offer us some of the defining portraits of the Enlightenment. He was as well equipped to offer a deep sense of engagement with his Enlightenment sitters through his intellectual and cultural upbringing as he was trained to create elegantly constructed paintings through his extended education as a painter in Italy. Establishing himself in London and Edinburgh, Ramsay was admired for his understanding of contemporary political, cultural, and intellectual issues, as well as for his portraits of key protagonists in these debates. This beautiful volume brings together Ramsay's most celebrated sitters, such as Rousseau, Hume, and William Hunter, along with numerous drawings and prints to consider his critical role in the British Enlightenment. Many of the artist's rarely seen portraits of women are included. Alongside exquisite reproductions, the volume presents fascinating new research exploring the unique sensitivity of Ramsay's painting, the development of his technique, and familial influences on his work.
Author: Cyrus Adler
Publisher: The Floating Press
ISBN: 1776580494
Category : Fiction
Languages : en
Pages : 112
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Book Description
Arkansas-born educator and scholar Cyrus Adler had the opportunity to spend a significant amount of time in and around Constantinople in the late nineteenth century. During his time there, he became fascinated by the rich tradition of storytelling that was carried on in the region's coffeehouses. This collection brings together a treasure trove of Turkish stories, fables, legends, and parables.
Author: Allan Ramsay
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 388
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Book Description
Author: Murray Pittock
Publisher: OUP Oxford
ISBN: 0191617008
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Scottish and Irish Romanticism is the first single-author book to address the main non-English Romanticisms of the British Isles. Murray Pittock begins by questioning the terms of his chosen title as he searches for a definition of Romanticism and for the meaning of 'national literature'. He proposes certain determining 'triggers' for the recognition of the presence of a national literature, and also deals with two major problems which are holding back the development of a new and broader understanding of British Isles Romanticisms: the survival of outdated assumptions in ostensibly more modern paradigms, and a lack of understanding of the full range of dialogues and relationships across the literatures of these islands. The theorists whose works chiefly inform the book are Bakhtin, Fanon and Habermas, although they do not define its arguments, and an alertness to the ways in which other literary theories inform each other is present throughout the book. Pittock examines in turn the historiography, prejudices, and assumptions of Romantic criticism to date, and how our unexamined prejudices still stand in the way of our understanding of individual traditions and the dialogues between them. He then considers Allan Ramsay's role in song-collecting, hybridizing high cultural genres with broadside forms, creating in synthetic Scots a 'language really used by men', and promoting a domestic public sphere. Chapters 3 and 4 discuss the Scottish and Irish public spheres in the later eighteenth century, together with the struggle for control over national pasts, and the development of the cults of Romance, the Picturesque and Sentiment: Macpherson, Thomson, Owenson and Moore are among the writers discussed. Chapter 5 explores the work of Robert Fergusson and his contemporaries in both Scotland and Ireland, examining questions of literary hybridity across not only national but also linguistic borders, while Chapter 6 provides a brief literary history of Burns' descent into critical neglect combined with a revaluation of his poetry in the light of the general argument of the book. Chapter 7 analyzes the complexities of the linguistic and cultural politics of the national tale in Ireland through the work of Maria Edgeworth, while the following chapter considers of Scott in relation to the national tale, Enlightenment historiography, and the European nationalities question. Chapter 9 looks at the importance of the Gothic in Scottish and Irish Romanticism, particularly in the work of James Hogg and Charles Maturin, while Chapter 10, 'Fratriotism', explores a new concept in the manner in which Scottish and Irish literary, political and military figures of the period related to Empire.
Author: Allan Ramsay
Publisher:
ISBN: 9780521352369
Category : Computers
Languages : en
Pages : 279
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Book Description
This book covers the background of classical logic, including the major meta-theorems, and the state of the art in theorem proving.
Author: Allan Ramsay
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 296
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Book Description
Author: Alastair Smart
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300081107
Category : Art
Languages : en
Pages : 432
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Book Description
"This is the first complete catalogue of oil paintings by Allan Ramsay (1713-84), whose career spanned the period in which British art established a national identity." "More than six hundred portraits are catalogued here in detail. Each is illustrated in black and white in chronological sequence indicating, with the forty-eight colour plates and selected relevant drawings, the full range of Ramsay's art. There is an introductory essay and biographical summary, a chronological list of portraits, statistical surveys of Ramsay's production and prices, and indices of engravers and of sales."--BOOK JACKET.
Author: Adam Fox
Publisher:
ISBN: 0198791291
Category : History
Languages : en
Pages : 466
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Book Description
This groundbreaking study examines the production of ephemeral literature and the creation of a mass reading public in lowland Scotland between the sixteenth and eighteenth centuries. The Press and the People transforms our understanding of popular culture in early modern Scotland and Britain more widely.
Author: William Anderson
Publisher:
ISBN:
Category : Heraldry
Languages : en
Pages : 796
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Book Description
Author: Gerard Carruthers
Publisher: Oxford University Press
ISBN: 0192548441
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Literature and Union opens up a new front in interdisciplinary literary studies. There has been a great deal of academic work--both in the Scottish context and more broadly--on the relationship between literature and nationhood, yet almost none on the relationship between literature and unions. This volume introduces the insights of the new British history into mainstream Scottish literary scholarship. The contributors, who are from all shades of the political spectrum, will interrogate from various angles the assumption of a binary opposition between organic Scottish values and those supposedly imposed by an overbearing imperial England. Viewing Scottish literature as a clash between Scottish and English identities loses sight of the internal Scottish political and religious divisions, which, far more than issues of nationhood and union, were the primary sources of conflict in Scottish culture for most of the period of Union, until at least the early twentieth century. The aim of the volume is to reconstruct the story of Scottish literature along lines which are more historically persuasive than those of the prevailing grand narratives in the field. The chapters fall into three groups: (1) those which highlight canonical moments in Scottish literary Unionism--John Bull, 'Rule, Britannia', Humphry Clinker, Ivanhoe and England, their England; (2) those which investigate key themes and problems, including the Unions of 1603 and 1707, Scottish Augustanism, the Burns Cult, Whig-Presbyterian and sentimental Jacobite literatures; and (3) comparative pieces on European and Anglo-Irish phenomena.
