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Author: Pattimari & Peter Cacciolfi
Publisher: Lulu.com
ISBN: 1312698586
Category : Fiction
Languages : en
Pages : 154
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Book Description
Early in the spring of 2010, it was one of the biggest stories on Long Island. All across the globe, television and radio stations broadcasted the gruesome, staggering murders of Alison's parents. Then five years later, just when Alison was healing & feeling good about her life, her two best friends were murdered and again she survived. Will Alison's tragedies ever end?
Author: Pattimari & Peter Cacciolfi
Publisher: Lulu.com
ISBN: 1312698586
Category : Fiction
Languages : en
Pages : 154
Get Book Here
Book Description
Early in the spring of 2010, it was one of the biggest stories on Long Island. All across the globe, television and radio stations broadcasted the gruesome, staggering murders of Alison's parents. Then five years later, just when Alison was healing & feeling good about her life, her two best friends were murdered and again she survived. Will Alison's tragedies ever end?
Author: Ovid
Publisher: Oxford University Press, USA
ISBN: 9780199941650
Category : Anthologie
Languages : en
Pages : 0
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Book Description
Ovid's stories melt moral conventions, explore ambiguities, and dissolve boundaries between men, women, animals, gods, plants, and the mineral world; in doing so they contrive to seduce readers. Ovid's dark pleasure in telling such stories with a full register of tones is palpable. But the stories of sexual encounter in the Metamorphoses are also infused with deep questions. What does it mean to have thoughts and passions trapped inside a changeable body? What is a self, and where are its edges? If someone can pierce you in sex and in love, how do you survive? And if your outer form changes, what lasts? In Change Me, Jane Alison, critically acclaimed author of The Love-Artist, renders substantial portions of Ovid's great epic into elegant and remarkably faithful English. Her focus is on episodes that involve desire, sexuality, and the transformations brought about by powerful emotion; because these themes are so central to the Metamorphoses, Alison introduces them with a selection of elegies from Ovid's Amores, the collection with which the poet launched his career. When these selections are taken together, Alison's Ovid comes alive; the Roman poet's great ability to perform contemporary themes through mythical subject matter, and vice versa, is Alison's guiding principle and Muse. Change Me will transform forever readers' experience of this most ingenious of poets. FEATURES The thematically organized translations are lucid, apt, precise, and playful Elaine Fantham's Foreword places Ovid in his Augustan context Alison Keith's introduction offers an overview of gender and sexuality in the ancient world Incorporates sixteen color plates from classical antiquity that illustrate Ovidian themes Audio recordings (read by Alison) of sixteen selected passages are available at www.oup.com/us/alison
Author: John P. Edwards
Publisher: Bloomsbury Publishing
ISBN: 0567689069
Category : Religion
Languages : en
Pages : 225
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Book Description
Opening with a Foreword by James Alison, this volume is the first in-depth treatment of Alison's theological method. John P. Edwards shows that Alison's theological project outstrips René Girard's application of mimetic theory to theology. He concludes that an explicitly Christian theological perspective is necessary for providing a fully coherent account of Girard's notions of "conversion" and "mimetic desire". This volume grounds Alison's theological method in his understanding of the ongoing interaction between conversion and theological reflection, which is informed by his use of mimetic theory. While Alison describes this method as “theology in the order of the discovery”, the author refers to it as an “inductive theology”. The volume closes by demonstrating that such a theology bears fruit in a renewed understanding of the value of Christian doctrines and, particularly, the doctrine of revelation.
Author: Alison Landsberg
Publisher: Columbia University Press
ISBN: 9780231129268
Category : History
Languages : en
Pages : 248
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Book Description
Prosthetic Memory argues that mass cultural forms such as cinema and television in fact contain the still-unrealized potential for a progressive politics based on empathy for the historical experiences of others. The technologies of mass culture make it possible for anyone, regardless of race, ethnicity, or gender, to share collective memories--to assimilate as deeply felt personal experiences historical events through which they themselves did not live.
Author: Jane Alison
Publisher: Catapult
ISBN: 1948226138
Category : Language Arts & Disciplines
Languages : en
Pages : 273
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Book Description
"How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one we’re actually told to follow―and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides . . . But something that swells and tautens until climax, then collapses? Bit masculosexual, no? So many other patterns run through nature, tracing other deep motions in life. Why not draw on them, too?" W. G. Sebald’s Emigrants was the first novel to show Alison how forward momentum can be created by way of pattern, rather than the traditional arc--or, in nature, wave. Other writers of nonlinear prose considered in her “museum of specimens” include Nicholson Baker, Anne Carson, Marguerite Duras, Gabriel García Márquez, Jamaica Kincaid, Clarice Lispector, Susan Minot, David Mitchell, Caryl Phillips, and Mary Robison. Meander, Spiral, Explode is a singular and brilliant elucidation of literary strategies that also brings high spirits and wit to its original conclusions. It is a liberating manifesto that says, Let’s leave the outdated modes behind and, in thinking of new modes, bring feeling back to experimentation. It will appeal to serious readers and writers alike.
Author: Patricia D. Denison
Publisher: Routledge
ISBN: 1136546677
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter.
Author: ANNE DROVER
Publisher: Xlibris Corporation
ISBN: 1493182447
Category : Fiction
Languages : en
Pages : 292
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Book Description
Jeffrey Coleman and Alison Goodrich, both college juniors when the story begins, are members of two wealthy and influential families from Biltmore Forrest, North Carolina. Jeffrey's mother traces her family lineage back to ancestors who came to America on the Mayflower and some who were proud participants in the Civil War. Jeffrey's dad, a North Carolina state senator, believes his destiny is to become president of the United States. His friend Alison's dad is the successful political force behind him. the lifelong close relationship between Jeffrey and Alison fills the story with wonderful insights into their spiritual and intellectual growth. Both are determined to help make the world a better place and move beyond what they consider to be the selfish lives their parents have lived. While Alison remains in Cambridge, Massachusetts, attending Harvard, Jeffrey spends his junior year at King's College in London, England, where he meets and becomes intimately involved with A'la, a beautiful young woman from Saudi Arabia. Thus begins Jeffrey's unwitting journey amid an intricate terrorist plot aimed at wreaking havoc on the United States. the resulting terrorist trial lays bare many of the family secrets of both Coleman and Goodrich family members. This book's twists and turns finally draw readers toward an ending that is surprising, poignant, and hopeful.
Author: Yufang Ho
Publisher: A&C Black
ISBN: 1441124713
Category : Language Arts & Disciplines
Languages : en
Pages : 273
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Book Description
In this book, Yufang Ho compares the text style difference between the two versions of John Fowles' The Magus, exemplifying the methodological principles and analytic practices of the corpus stylistic approach. The Magus was first published in 1966 and was revised and republished by Fowles in 1977. Fowles' own comment on the second edition was that it was 'rather more than a stylistic revision.' The book explores how the revised version is linguistically different from the original, especially in terms of point of view (re) representation. The corpus stylistic approach adopted combines qualitative and quantitative comparison to confirm the overall text style difference. The analysis demonstrates that computer assisted methods can identify significant linguistic features which literary critics have not noticed and provide a more detailed descriptive basis for literary interpretation of (either edition) of the novel. This analysis of The Magus serves as a case study and exemplar of how corpus techniques may be used generally in the study of linguistics.
Author: Robert Edgar
Publisher: Taylor & Francis
ISBN: 1000951855
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
The Routledge Companion to Folk Horror offers a comprehensive guide to this popular genre. It explores its origins, canonical texts and thinkers, the crucial underlying themes of nostalgia and hauntology, and identifies new trends in the field. Divided into five parts, the first focuses on the history of Folk Horror from medieval texts to the present day. It considers the first wave of contemporary Folk Horror through the films of the ‘unholy trinity’, as well as discussing the influence of ancient gods and early Folk Horror. Part 2 looks at the spaces, landscapes, and cultural relics, which form a central focus for Folk Horror. In Part 3, the contributors examine the rich history of the use of folklore in children’s fiction. The next part discusses recent examples of Folk Horror-infused music and image. Chapters consider the relationship between different genres of music to Folk Horror (such as folk music, black metal, and new wave), sound and performance, comic books, and the Dark Web. Often regarded as British in origin, the final part analyses texts which break this link, as the contributors reveal the larger realms of regional, national, international, and transnational Folk Horror. Featuring 40 contributions, this authoritative collection brings together leading voices in the field. It is an invaluable resource for students and scholars interested in this vibrant genre and its enduring influence on literature, film, music, and culture.
Author: Tan Hoang Nguyen
Publisher: Duke University Press
ISBN: 0822376601
Category : Social Science
Languages : en
Pages : 305
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Book Description
A View from the Bottom offers a major critical reassessment of male effeminacy and its racialization in visual culture. Examining portrayals of Asian and Asian American men in Hollywood cinema, European art film, gay pornography, and experimental documentary, Nguyen Tan Hoang explores the cultural meanings that accrue to sexual positions. He shows how cultural fantasies around the position of the sexual "bottom" overdetermine and refract the meanings of race, gender, sexuality, and nationality in American culture in ways that both enable and constrain Asian masculinity. Challenging the association of bottoming with passivity and abjection, Nguyen suggests ways of thinking about the bottom position that afford agency and pleasure. A more capacious conception of bottomhood—as a sexual position, a social alliance, an affective bond, and an aesthetic form—has the potential to destabilize sexual, gender, and racial norms, suggesting an ethical mode of relation organized not around dominance and mastery but around the risk of vulnerability and shame. Thus reconceived, bottomhood as a critical category creates new possibilities for arousal, receptiveness, and recognition, and offers a new framework for analyzing sexual representations in cinema as well as understanding their relation to oppositional political projects.
