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Author: Alison McMahan
Publisher: Bloomsbury Publishing USA
ISBN: 150130268X
Category : Social Science
Languages : en
Pages : 385
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Book Description
Alice Guy BlachT (1873-1968), the world's first woman filmmaker, was one of the key figures in the development of narrative film. From 1896 to 1920 she directed 400 films (including over 100 synchronized sound films), produced hundreds more, and was the first--and so far the only--woman to own and run her own studio plant (The Solax Studio in Fort Lee, NJ, 1910-1914). However, her role in film history was completely forgotten until her own memoirs were published in 1976. This new book tells her life story and fills in many gaps left by the memoirs. Guy BlachT's life and career mirrored momentous changes in the film industry, and the long time-span and sheer volume of her output makes her films a fertile territory for the application of new theories of cinema history, the development of film narrative, and feminist film theory. The book provides a close analysis of the one hundred Guy BlachT films that survive, and in the process rewrites early cinema history.
Author: Alison McMahan
Publisher: Bloomsbury Publishing USA
ISBN: 150130268X
Category : Social Science
Languages : en
Pages : 385
Get Book Here
Book Description
Alice Guy BlachT (1873-1968), the world's first woman filmmaker, was one of the key figures in the development of narrative film. From 1896 to 1920 she directed 400 films (including over 100 synchronized sound films), produced hundreds more, and was the first--and so far the only--woman to own and run her own studio plant (The Solax Studio in Fort Lee, NJ, 1910-1914). However, her role in film history was completely forgotten until her own memoirs were published in 1976. This new book tells her life story and fills in many gaps left by the memoirs. Guy BlachT's life and career mirrored momentous changes in the film industry, and the long time-span and sheer volume of her output makes her films a fertile territory for the application of new theories of cinema history, the development of film narrative, and feminist film theory. The book provides a close analysis of the one hundred Guy BlachT films that survive, and in the process rewrites early cinema history.
Author: Jane Gaines
Publisher: Whitney Museum of American Art
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
Alice Guy Blaché was the first woman to produce & direct motion pictures, first in Paris for Gaumont & later in the US, where she founded her own company. this volume celebrates her achievements as a pioneer of motion picture techniques & technologies.
Author: Anthony Slide
Publisher: Rowman & Littlefield
ISBN: 1538165511
Category : Biography & Autobiography
Languages : en
Pages : 211
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Book Description
The fascinating memoir of influential French filmmaker Alice Guy Blaché, one of the industry’s most significant pioneers and a trailblazer for female directors. Alice Guy Blaché (1873-1968) is a unique pioneer of the motion picture, being not only a female filmmaker but also one of the first, if not the first, to make a narrative film. Her career spanned from 1894, when she became secretary to the legendary Léon Gaumont, through 1920, working in both her native France and the United States. In all, she was responsible for approximately 1,000 films, possibly more than any other director or producer. The Memoirs of Alice Guy Blaché was first published in 1976, and to a large extent led to her rediscovery after decades of relative obscurity. Guy Blaché writes of her beginnings in the motion picture industry, her direction not only of silent films but also some of the earliest synchronized sound motion pictures, her marriage and journey to the United States, the founding of her own studio in New Jersey, her fame, and the sad journey into obscurity in the 1920s. Her story reveals both the opportunities and the ultimate rejection facing a woman director in the early years of the twentieth century. These first-hand and original memoirs are enhanced with a complete filmography, an epilogue by her daughter Simone, a brief biography of her director husband, Herbert Blaché, a remembrance by feminist actress/writer Madame Olga Petrova, a sampling of contemporary articles on the director, and a new foreword by editor Anthony Slide. Through it all, Alice Guy Blaché’s personal charm, good humor, and modesty shines.
Author: Mara Rockliff
Publisher: Chronicle Books
ISBN: 1452146098
Category : Juvenile Nonfiction
Languages : en
Pages : 61
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Book Description
Meet Alice Guy-Blaché. She made movies—some of the very first movies, and some of the most exciting! Blow up a pirate ship? Why not? Crawl into a tiger's cage? Of course! Leap off a bridge onto a real speeding train? It will be easy! Driven by her passion for storytelling, Alice saw a potential for film that others had not seen before, allowing her to develop new narratives, new camera angles, new techniques, and to surprise her audiences again and again. With daring and vision, Alice Guy-Blaché introduced the world to a thrilling frontier of imagination and adventure, and became one of filmmaking's first and greatest innovators. Mara Rockliff tells the story of a girl who grew up loving stories and became an acclaimed storyteller and an inspiration in her own right.
Author: Jill Tietjen
Publisher: Rowman & Littlefield
ISBN: 1493037064
Category : History
Languages : en
Pages : 401
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Book Description
The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.
Author: Rosanne Welch
Publisher: McFarland
ISBN: 1476668876
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
This collection of 23 new essays focuses on the lives of female screenwriters of Golden Age Hollywood, whose work helped create those unforgettable stories and characters beloved by audiences--but whose names have been left out of most film histories. The contributors trace the careers of such writers as Anita Loos, Adela Rogers St. Johns, Lillian Hellman, Gene Gauntier, Eve Unsell and Ida May Park, and explore themes of their writing in classics like Gentlemen Prefer Blondes, Ben Hur, and It's a Wonderful Life.
Author: Janelle Dietrick
Publisher: Life and Work of Alice Guy Bla
ISBN: 9781682227664
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
A beautifully written and deeply sensitive biography of Alice Guy Blache, now regarded as the mother of cinema, and Gustave Eiffel, two compelling figures in Paris at the beginning of the 20th century.During a time when business was dominated by men, Alice Guy Blaché wrote and directed hundreds of films in Paris for the Gaumont film company, and then continued her career as the first female film director in New York and Fort Lee, New Jersey before the film industry moved to Hollywood. Gustave Eiffel, whose name is synonymous with his famous tower, advanced both the business and technology of motion pictures. He was a founding partner of Gaumont and president of the company from its inception in 1895 until 1907 when Alice left for the United States.Using clear, flowing language and a wealth of historically accurate detail, Janelle Dietrick draws on memoirs, autobiographical texts, correspondence, and interviews to create an intimate portrait of these two remarkable people. The result is a unique love story in another time and place--Alice and Eiffel in the context of Belle Époque Paris where they shared a glittering social life, family ties, work, and a deep bond. This double biography will be of great interest to those specializing in early cinema and anyone interested in the enigmas that are Alice Guy Blaché and Gustave Eiffel.
Author: Elizabeth Weitzman
Publisher: Clarkson Potter
ISBN: 0525574549
Category : Young Adult Nonfiction
Languages : en
Pages : 130
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Book Description
A charmingly illustrated and timely tribute to the women who broke glass ceilings in film and television, debuting during an historic time of change in the entertainment industry. Renegade Women in Film and TV blends stunning illustrations, fascinating biographical profiles, and exclusive interviews with icons like Barbra Streisand, Rita Moreno, and Sigourney Weaver to celebrate the accomplishments of 50 extraordinary women throughout the history of entertainment. Each profile highlights the groundbreaking accomplishments and essential work of pioneers from the big and small screens, offering little-known facts about household names (Lucille Ball, Oprah Winfrey, Nora Ephron) and crucial introductions to overlooked pioneers (Alla Nazimova, Anna May Wong, Frances Marion). From 19th century iconoclast Alice Guy Blaché to 21st century trailblazer Ava DuVernay, Renegade Women honors the women who succeeded against all odds, changing their industry in front of the camera and behind the scenes.
Author: José-Louis Bocquet
Publisher: SelfMadeHero
ISBN: 9781914224034
Category :
Languages : en
Pages : 400
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Book Description
The inspiring story of Alice Guy, the first female movie director in film history, chronicles her contribution to the birth of cinema in France in the late 19th century In 1895 the Lumière brothers invented the cinematograph. Less than a year later, 23-year-old Alice Guy, the first female filmmaker in cinema history, made The Cabbage Fairy, a 60-second movie, for Léon Gaumont, and would go on to direct more than 300 films before 1922. Her life is a shadow history of early cinema, the chronicle of an art form coming into its own. A free and independent woman who rubbed shoulders with masters such as Georges Méliès and the Lumières, she was the first to define the professions of screenwriter and producer. She directed the first feminist satire, then the first sword-and-sandal epic, before crossing the Atlantic in 1907 to the United States and becoming the first woman to found her own production company. Guy died in 1969, excluded from the annals of film history. In 2011 Martin Scorsese honored this cinematic visionary, "forgotten by the industry she had helped create," describing her as "a filmmaker of rare sensitivity, with a remarkable poetic eye and an extraordinary feel for locations." The same can be said of Catel and Bocquet's luminous account of her life.
Author: Jennifer M. Bean
Publisher: Duke University Press
ISBN: 9780822329992
Category : Literary Criticism
Languages : en
Pages : 604
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Book Description
A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies. While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism. Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics—from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films—looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic. Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen
