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Author: Tony Tremblay
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228000556
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
For many Canadians, the small province of New Brunswick on Canada's scenic east coast is "a nice place to visit but no place to live," plagued for generations by outmigration and economic stagnation. In The Fiddlehead Moment Tony Tremblay challenges this potent stereotype by showcasing the work of a group of literary modernists who set out to change the meaning of New Brunswick in the national lexicon. Alfred Bailey, Desmond Pacey, Fred Cogswell, and a formidable group of local poets and cultural workers - collectively, New Brunswick's Fiddlehead School - sought to restore New Brunswick's literary reputation by adapting avant-garde modernist practices to the contours of the province, opening it to the contemporary world while also encouraging writers to make it their subject. The result was a non-urban form of modernism that was as responsive to technical innovation as to the human geographies of New Brunswick. By placing New Brunswick writers and critics at the forefront of Canadian literature in the midcentury modernist project, Tremblay adds an important new chapter to our understanding of Canadian modernism. The Fiddlehead Moment is the first critical examination of this group's considerable influence. Whether through Bailey's ethnomethodology, Pacey's critical ordering, or Cogswell's editorial eclecticism in the Fiddlehead magazine and Fiddlehead Poetry Books, authors in New Brunswick, Tremblay argues, had a profound impact on writing in Canada.
Author: Tony Tremblay
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228000556
Category : Literary Criticism
Languages : en
Pages : 315
Get Book Here
Book Description
For many Canadians, the small province of New Brunswick on Canada's scenic east coast is "a nice place to visit but no place to live," plagued for generations by outmigration and economic stagnation. In The Fiddlehead Moment Tony Tremblay challenges this potent stereotype by showcasing the work of a group of literary modernists who set out to change the meaning of New Brunswick in the national lexicon. Alfred Bailey, Desmond Pacey, Fred Cogswell, and a formidable group of local poets and cultural workers - collectively, New Brunswick's Fiddlehead School - sought to restore New Brunswick's literary reputation by adapting avant-garde modernist practices to the contours of the province, opening it to the contemporary world while also encouraging writers to make it their subject. The result was a non-urban form of modernism that was as responsive to technical innovation as to the human geographies of New Brunswick. By placing New Brunswick writers and critics at the forefront of Canadian literature in the midcentury modernist project, Tremblay adds an important new chapter to our understanding of Canadian modernism. The Fiddlehead Moment is the first critical examination of this group's considerable influence. Whether through Bailey's ethnomethodology, Pacey's critical ordering, or Cogswell's editorial eclecticism in the Fiddlehead magazine and Fiddlehead Poetry Books, authors in New Brunswick, Tremblay argues, had a profound impact on writing in Canada.
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Category : Law reports, digests, etc
Languages : en
Pages : 1190
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Book Description
Author: Kenneth M. Morrison
Publisher: State University of New York Press
ISBN: 0791488403
Category : Social Science
Languages : en
Pages : 256
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Book Description
Arguing that Native Americans' religious life and history have been misinterpreted, author Kenneth M. Morrison reconstructs the Eastern Algonkians' world views and demonstrates the indigenous modes of rationality that shaped not only their encounter with the French but also their self-directed process of religious change. In reassessing controversial anthropological, historical, and ethnohistorical scholarship, Morrison develops interpretive strategies that are more responsive to the religious world views of the Eastern Algonkian peoples. He concludes that the Eastern Algonkians did not convert to Catholicism, but rather applied traditional knowledge and values to achieve a pragmatic and critical sense of Christianity and to preserve and extend kinship solidarity into the future. The result was a remarkable intersection of Eastern Algonkian and missionary cosmologies.
Author: Elizabeth Mancke
Publisher: University of Toronto Press
ISBN: 1487531613
Category : History
Languages : en
Pages : 534
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Book Description
This edited collection offers a broad reinterpretation of the origins of Canada. Drawing on cutting-edge research in a number of fields, Violence, Order, and Unrest explores the development of British North America from the mid-eighteenth century through the aftermath of Confederation. The chapters cover an ambitious range of topics, from Indigenous culture to municipal politics, public executions to runaway slave advertisements. Cumulatively, this book examines the diversity of Indigenous and colonial experiences across northern North America and provides fresh perspectives on the crucial roles of violence and unrest in attempts to establish British authority in Indigenous territories. In the aftermath of Canada 150, Violence, Order, and Unrest offers a timely contribution to current debates over the nature of Canadian culture and history, demonstrating that we cannot understand Canada today without considering its origins as a colonial project.
Author: Calvin Martin
Publisher: Univ of California Press
ISBN: 0520342216
Category : History
Languages : en
Pages : 240
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Book Description
Examines the effects of European contact and the fur trade on the relationship between Indians and animals in eastern Canada, from Lake Winnipeg to the Canadian Maritimes, focusing primarily on the Ojibwa, Cree, Montagnais-Naskapi, and Micmac tribes.
Author: Julia Harrison
Publisher: UBC Press
ISBN: 0774840358
Category : Social Science
Languages : en
Pages : 351
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Book Description
Historicizing Canadian Anthropology is the first significant examination of the historical development of anthropological study in this country. It addresses key issues in the evolution of the discipline: the shaping influence of Aboriginal-anthropological encounters; the challenge of compiling a history for the Canadian context; and the place of international and institutional relations. The contributors to this collection reflect on the definition and scope of the discipline and explore the degree to which a uniquely Canadian tradition affects anthropological theory, practice, and reflexivity.
Author:
Publisher: New Canadian Library
ISBN: 0771086334
Category : Poetry
Languages : en
Pages : 490
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Book Description
The best in four decades of exceptional Canadian poetry, now in a limited hardcover edition. The poets in this anthology, all of whom matured creatively between 1920 and 1960, considered it one of their primary obligations to modernize Canadian writing, to bring the country's poetry out of late Romantic stasis after the Great War into a fertile and combative response to the cultural, political, technological, philosophical, religious, and economic conditions of the modern era. In their common reaction against Romanticism, and in their commitments to modern poetry's possibilities of profound newness, the poets in this volume make up one great movement in Canada's cultural history. The anthology includes: • 250 poems by 44 poets • Regionally diverse voices from Newfoundland, the Maritimes, Quebec, Ontario, the Prairies, and B.C. • Extensive selections of the work of major poets • An afterword and biographical headnotes provide important historical and literary context The poets included in Canadian Poetry from 1920 to 1960 are: Frank Oliver Call; Louise Morey Bowman; Raymond Knister; Joe Wallace; E.J. Pratt; W.W. E. Ross; F.R. Scott; A.J.M. Smith; Charles Bruce; Earle Birney; A.M. Klein; Dorothy Livesay; Leo Kennedy; Audrey Alexandra Brown; Kenneth Leslie; Robert Finch; Floris Clark McLaren; L.A. Mackay; Anne Marriott; Bertram Warr; Patrick Anderson; P.K. Page; Kay Smith; Miriam Waddington; Margaret Avison; A.G. Bailey; Louis Dudek; John Glassco; Ralph Gustafson; Raymond Souster; Irving Layton; Roy Daniells; Douglas LePan; George Whalley; James Reaney; Elizabeth Brewster; George Johnston; Goodridge MacDonald; Jay MacPherson; Anne Wilkinson; Phyllis Webb; Wilfred Watson; R.A.D. Ford; Eldon Grier.
Author: Aileen Dunham
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773591222
Category : History
Languages : en
Pages : 209
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Book Description
First published in 1927, this account of the political struggles of Upper Canada prior to the Rebellion of 1837 remains a classic piece of Canadian historical scholarship.
Author: Stephen J. Hornsby
Publisher: McGill-Queen's Press - MQUP
ISBN: 077357266X
Category : History
Languages : en
Pages : 424
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Book Description
A significant addition to the growing field of transnational studies, New England and the Maritime Provinces reveals a relationship that, although sometimes troubled, retains its importance in the current era of globalization.
Author: Laura Brandon
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228019125
Category : Art
Languages : en
Pages : 277
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Book Description
One of the most vibrant artists of her generation, Pegi Nicol MacLeod was a charismatic bohemian whose expressive images of the contemporary world were an essential component of Canadian modernism during the 1930s and 1940s. In Pegi by Herself, the first full-length biography of Nicol MacLeod, Laura Brandon draws on the artist's remarkable autobiographical paintings and extraordinarily vivid letters. Remembered as much for her colourful life, love affairs, and significant friendships with Vincent Massey, Norman Bethune, Frank Scott, and Graham Spry as for her artistic achievement, Nicol MacLeod exhibited successfully and received significant commissions from the National Gallery of Canada to paint the wartime women's services. She was honoured there with a memorial exhibition following her early death in 1949. Lavishly illustrated, Pegi by Herself accompanies Pegi Nicol MacLeod: A Life in Art, a touring retrospective exhibition of the artist's work that opens at the Carleton University Art Gallery in February 2005, and the premiere of an NFB film biography.
