Author: Howard Teichmann
Publisher: William Morrow
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
Smart Aleck
Author: Howard Teichmann
Publisher: William Morrow
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
Publisher: William Morrow
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
Alexander Woollcott: the Man who Came to Dinner
Author: Edwin Palmer Hoyt
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
Alexander Woollcott
Author: Edwin Palmer Hoyt
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Passing Performances
Author: Robert A. Schanke
Publisher: University of Michigan Press
ISBN: 9780472066810
Category : History
Languages : en
Pages : 356
Book Description
Passing Performances gathers a range of critical and biographical essays on notable personalities whose major contributions to the stage occurred before 1969, the year of the Stonewall riots that kicked off the gay rights movement in the United States. How these theater practitioners variously "passed"-- i.e., managed unconventional sexual inclinations both on- and offstage--significantly determined the course of their personal and professional lives and thus the course of U.S. theater history. The actors, directors, producers, and agents examined here include Edwin Forrest, Charlotte Cushman, and Adah Isaacs Menken, whose personal lives and careers traded on the same-sex erotics of "true love" in the antebellum period; Elisabeth Marbury, Elsie de Wolfe, Elsie Janis, Nance O'Neil, and Alla Nazimova, whose intimate female liaisons were variously interpreted around the turn of the century; the "lavender marriages" of Alfred Lunt to Lynne Fontanne and Guthrie McClintic to Katharine Cornell; the lesbian collaborations of Margaret Webster and Cheryl Crawford; the comic antics of Monty Woolley, which negotiated codified constructions of homosexual perversion in the post-Freudian interwar years; and the on- and offstage performances of Mary Martin and Joe Cino, which resisted the paranoid enforcements of heterosexual normality in the McCarthy era. Central to these investigations are the complex connections of performances of sexuality and gender and their different implications for men and women practitioners working under pervasive sexism and homophobia. The volume also includes striking archival photographs of the performers and their performances, and an index to facilitate the cross-referencing of subjects' intersecting careers. Passing Performances will engage both general and academic readers interested in theater, gay and lesbian history, American studies, and biography. Robert A. Schanke is Professor of Theatre and Chair of the Division of Fine Arts, Central College, Iowa. Kim Marra is Associate Professor of Theatre Arts, University of Iowa.
Publisher: University of Michigan Press
ISBN: 9780472066810
Category : History
Languages : en
Pages : 356
Book Description
Passing Performances gathers a range of critical and biographical essays on notable personalities whose major contributions to the stage occurred before 1969, the year of the Stonewall riots that kicked off the gay rights movement in the United States. How these theater practitioners variously "passed"-- i.e., managed unconventional sexual inclinations both on- and offstage--significantly determined the course of their personal and professional lives and thus the course of U.S. theater history. The actors, directors, producers, and agents examined here include Edwin Forrest, Charlotte Cushman, and Adah Isaacs Menken, whose personal lives and careers traded on the same-sex erotics of "true love" in the antebellum period; Elisabeth Marbury, Elsie de Wolfe, Elsie Janis, Nance O'Neil, and Alla Nazimova, whose intimate female liaisons were variously interpreted around the turn of the century; the "lavender marriages" of Alfred Lunt to Lynne Fontanne and Guthrie McClintic to Katharine Cornell; the lesbian collaborations of Margaret Webster and Cheryl Crawford; the comic antics of Monty Woolley, which negotiated codified constructions of homosexual perversion in the post-Freudian interwar years; and the on- and offstage performances of Mary Martin and Joe Cino, which resisted the paranoid enforcements of heterosexual normality in the McCarthy era. Central to these investigations are the complex connections of performances of sexuality and gender and their different implications for men and women practitioners working under pervasive sexism and homophobia. The volume also includes striking archival photographs of the performers and their performances, and an index to facilitate the cross-referencing of subjects' intersecting careers. Passing Performances will engage both general and academic readers interested in theater, gay and lesbian history, American studies, and biography. Robert A. Schanke is Professor of Theatre and Chair of the Division of Fine Arts, Central College, Iowa. Kim Marra is Associate Professor of Theatre Arts, University of Iowa.
The Algonquin Round Table New York
Author: Kevin C. Fitzpatrick
Publisher: Rowman & Littlefield
ISBN: 1493016733
Category : History
Languages : en
Pages : 289
Book Description
"That is the thing about New York," wrote Dorothy Parker in 1928. "It is always a little more than you had hoped for. Each day, there, is so definitely a new day." Now you can journey back there, in time, to a grand city teeming with hidden bars, luxurious movie palaces, and dazzling skyscrapers. In these places, Dorothy Parker and her cohorts in the Vicious Circle at the infamous Algonquin Round Table sharpened their wit, polished their writing, and captured the energy and elegance of the time. Robert Benchley, Parker’s best friend, became the first managing editor of Vanity Fair before Irving Berlin spotted him onstage in a Vicious Circle revue and helped launch his acting career. Edna Ferber, an occasional member of the group, wrote the Pulitzer-winning bestseller So Big as well as Show Boat and Cimarron. Jane Grant pressed her first husband, Harold Ross, into starting The New Yorker. Neysa McMein, reputedly “rode elephants in circus parades and dashed from her studio to follow passing fire engines.” Dorothy Parker wrote for Vanity Fair and Vogue before ascending the throne as queen of the Round Table, earning everlasting fame (but rather less fortune) for her award-winning short stories and unforgettable poems. Alexander Woollcott, the centerpiece of the group, worked as drama critic for the Times and the World, wrote profiles of his friends for The New Yorker, and lives on today as Sheridan Whiteside in The Man Who Came to Dinner. Explore their favorite salons and saloons, their homes and offices (most still standing), while learning about their colorful careers and private lives. Packed with archival photos, drawings, and other images--including never-before-published material--this illustrated historical guide includes current information on all locations. Use it to retrace the footsteps of the Algonquin Round Table, and you’ll discover that the golden age of Gotham still surrounds us.
Publisher: Rowman & Littlefield
ISBN: 1493016733
Category : History
Languages : en
Pages : 289
Book Description
"That is the thing about New York," wrote Dorothy Parker in 1928. "It is always a little more than you had hoped for. Each day, there, is so definitely a new day." Now you can journey back there, in time, to a grand city teeming with hidden bars, luxurious movie palaces, and dazzling skyscrapers. In these places, Dorothy Parker and her cohorts in the Vicious Circle at the infamous Algonquin Round Table sharpened their wit, polished their writing, and captured the energy and elegance of the time. Robert Benchley, Parker’s best friend, became the first managing editor of Vanity Fair before Irving Berlin spotted him onstage in a Vicious Circle revue and helped launch his acting career. Edna Ferber, an occasional member of the group, wrote the Pulitzer-winning bestseller So Big as well as Show Boat and Cimarron. Jane Grant pressed her first husband, Harold Ross, into starting The New Yorker. Neysa McMein, reputedly “rode elephants in circus parades and dashed from her studio to follow passing fire engines.” Dorothy Parker wrote for Vanity Fair and Vogue before ascending the throne as queen of the Round Table, earning everlasting fame (but rather less fortune) for her award-winning short stories and unforgettable poems. Alexander Woollcott, the centerpiece of the group, worked as drama critic for the Times and the World, wrote profiles of his friends for The New Yorker, and lives on today as Sheridan Whiteside in The Man Who Came to Dinner. Explore their favorite salons and saloons, their homes and offices (most still standing), while learning about their colorful careers and private lives. Packed with archival photos, drawings, and other images--including never-before-published material--this illustrated historical guide includes current information on all locations. Use it to retrace the footsteps of the Algonquin Round Table, and you’ll discover that the golden age of Gotham still surrounds us.
Backward Ran Sentences
Author: Thomas Vinciguerra
Publisher: Bloomsbury Publishing USA
ISBN: 1608197301
Category : Literary Collections
Languages : en
Pages : 689
Book Description
"Maybe he doesn't like anything, but he can do everything," New Yorker editor Harold Ross once said of the magazine's brilliantly sardonic theater critic, Wolcott Gibbs. And, for over thirty years at the magazine, Gibbs did do just about everything. He turned out fiction and nonfiction, profiles and parodies, filled columns in "Talk of the Town" and "Notes and Comment," covered books, movies, nightlife and, of course, the theater. A friend of the Algonquin Round Table, Gibbs was renowned for his wit. (Perhaps his most enduring line is from a profile of Henry Luce, parodying Time magazine's house style: "Backward ran sentences until reeled the mind.") While, in his day, Gibbs was equal in stature to E.B. White and James Thurber, today, he is little read. In Backward Ran Sentences, journalist Tom Vinciguerra introduces Gibbs and gathers a generous sampling of his finest work across an impressive range of genres, bringing a brilliant, multitalented writer of incomparable wit to a new age of readers.
Publisher: Bloomsbury Publishing USA
ISBN: 1608197301
Category : Literary Collections
Languages : en
Pages : 689
Book Description
"Maybe he doesn't like anything, but he can do everything," New Yorker editor Harold Ross once said of the magazine's brilliantly sardonic theater critic, Wolcott Gibbs. And, for over thirty years at the magazine, Gibbs did do just about everything. He turned out fiction and nonfiction, profiles and parodies, filled columns in "Talk of the Town" and "Notes and Comment," covered books, movies, nightlife and, of course, the theater. A friend of the Algonquin Round Table, Gibbs was renowned for his wit. (Perhaps his most enduring line is from a profile of Henry Luce, parodying Time magazine's house style: "Backward ran sentences until reeled the mind.") While, in his day, Gibbs was equal in stature to E.B. White and James Thurber, today, he is little read. In Backward Ran Sentences, journalist Tom Vinciguerra introduces Gibbs and gathers a generous sampling of his finest work across an impressive range of genres, bringing a brilliant, multitalented writer of incomparable wit to a new age of readers.
You Can't Take it with You
Author: Moss Hart
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822212874
Category : Drama
Languages : en
Pages : 100
Book Description
Alice Sycamore, a young woman from a happy, but very eccentric family, has second thoughts about her relationship with her wealthy boss's son, Tony, after a meeting between the two families goes terribly wrong.
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822212874
Category : Drama
Languages : en
Pages : 100
Book Description
Alice Sycamore, a young woman from a happy, but very eccentric family, has second thoughts about her relationship with her wealthy boss's son, Tony, after a meeting between the two families goes terribly wrong.
While Rome Burns
Author: Alexander Woollcott
Publisher: Wilding Press
ISBN: 9781473311275
Category : Literary Collections
Languages : en
Pages : 338
Book Description
This early work by Alexander Woollcott was originally published in 1934 and we are now republishing it with a brand new introductory biography. 'While Rome Burns' is a non-fiction work that contains Woollcott's thoughts on a variety of subjects, including Chinese theatre, literature, and Russia in the 1930's. Alexander Humphreys Woollcott was born on the 19th January, 1887 in New Jersey, America and was a critic and commentator for The New Yorker magazine. One of New York's most prolific drama critics, Woollcott was an owlish character whose caustic wit either joyously attracted or vehemently repelled the artistic communities of 1920s Manhattan.
Publisher: Wilding Press
ISBN: 9781473311275
Category : Literary Collections
Languages : en
Pages : 338
Book Description
This early work by Alexander Woollcott was originally published in 1934 and we are now republishing it with a brand new introductory biography. 'While Rome Burns' is a non-fiction work that contains Woollcott's thoughts on a variety of subjects, including Chinese theatre, literature, and Russia in the 1930's. Alexander Humphreys Woollcott was born on the 19th January, 1887 in New Jersey, America and was a critic and commentator for The New Yorker magazine. One of New York's most prolific drama critics, Woollcott was an owlish character whose caustic wit either joyously attracted or vehemently repelled the artistic communities of 1920s Manhattan.
Broadway Yearbook 2000-2001
Author: Steven Suskin
Publisher: Oxford University Press
ISBN: 019534815X
Category : Performing Arts
Languages : en
Pages : 334
Book Description
Broadway Yearbook 2000-2001 is a relevant and irreverent record of the theatrical year. A vivid album of the year on the Great White Way, Broadway Yearbook gives readers front-row seats for the phenomenon of The Producers and the rest of the season's hits and misses. Steven Suskin's acclaimed new theatre annual delivers a vibrant, candid, and thoughtful account of every show to hit the boards: exciting musicals such as The Full Monty and the revival of 42nd Street; intriguing new plays like Proof and The Tale of the Allergist's Wife; and fascinating failures, including Jane Eyre and the beleaguered Seussical. Broadway Yearbook tells us what the shows were actually like. It is an interpretive record, featuring not only dates and names but also the stories behind the statistics. Each entry is accompanied by credits and cast lists, scorecards summarizing overall critical reception for each show, a summary of each show's financial performance, and copies of the illustrative program covers and title pages. Appendices provide a roundup of the season's major awards, memorable performances of the year, obituaries, long run leaders, shows still running from prior seasons, scheduled shows that never reached Broadway, and a comprehensive index. Steven Suskin has provided a unique and detailed record of the season's memorable moments and high points (and low points as well). Written from an insider's perspective, the book is knowledgeable, intriguing, provocative, and entertaining. Broadway Yearbook brings the shows of the 2000-2001 season back for an encore.
Publisher: Oxford University Press
ISBN: 019534815X
Category : Performing Arts
Languages : en
Pages : 334
Book Description
Broadway Yearbook 2000-2001 is a relevant and irreverent record of the theatrical year. A vivid album of the year on the Great White Way, Broadway Yearbook gives readers front-row seats for the phenomenon of The Producers and the rest of the season's hits and misses. Steven Suskin's acclaimed new theatre annual delivers a vibrant, candid, and thoughtful account of every show to hit the boards: exciting musicals such as The Full Monty and the revival of 42nd Street; intriguing new plays like Proof and The Tale of the Allergist's Wife; and fascinating failures, including Jane Eyre and the beleaguered Seussical. Broadway Yearbook tells us what the shows were actually like. It is an interpretive record, featuring not only dates and names but also the stories behind the statistics. Each entry is accompanied by credits and cast lists, scorecards summarizing overall critical reception for each show, a summary of each show's financial performance, and copies of the illustrative program covers and title pages. Appendices provide a roundup of the season's major awards, memorable performances of the year, obituaries, long run leaders, shows still running from prior seasons, scheduled shows that never reached Broadway, and a comprehensive index. Steven Suskin has provided a unique and detailed record of the season's memorable moments and high points (and low points as well). Written from an insider's perspective, the book is knowledgeable, intriguing, provocative, and entertaining. Broadway Yearbook brings the shows of the 2000-2001 season back for an encore.
The Gay & Lesbian Theatrical Legacy
Author: Billy J. Harbin
Publisher: University of Michigan Press
ISBN: 9780472098583
Category : Actors
Languages : en
Pages : 454
Book Description
Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Publisher: University of Michigan Press
ISBN: 9780472098583
Category : Actors
Languages : en
Pages : 454
Book Description
Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time