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Author: Magdalena Dabrowski
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 342
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Book Description
Edited by Magdalena Dabrowski, Leah Dickerman and Peter Galassi. Essays by Magdalena Dabrowski, Leah Dickerman, Peter Galassi, Aleksandr Lavrent'ev and Varvara Rodchenko. Foreword by Glenn D. Lowry.
Author: Magdalena Dabrowski
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 342
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Book Description
Edited by Magdalena Dabrowski, Leah Dickerman and Peter Galassi. Essays by Magdalena Dabrowski, Leah Dickerman, Peter Galassi, Aleksandr Lavrent'ev and Varvara Rodchenko. Foreword by Glenn D. Lowry.
Author: Vladimir Mayakovsky
Publisher:
ISBN: 9781908376381
Category :
Languages : en
Pages : 0
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Book Description
Author: Aleksandr Mikhaĭlovich Rodchenko
Publisher: Prestel Publishing
ISBN:
Category : Constructivism (Art)
Languages : en
Pages : 268
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Book Description
"As ""artist-engineer"" or ""production artist"", as Rodchenko called himself, the artist-couple designed superb and revolutionary pieces in nearly every area of the fine and applied arts : painting, drawing, collage, advertising, graphic design, typography, architecture as well as tableware, furniture and fabrics."
Author: Aleksandr Mikhaĭlovich Rodchenko
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 448
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Book Description
This book contains all of the diaries, programs, essays, and major articles written by Alexander Rodchenko between 1911 and 1956. The word "experiment" was a key word for the artist, who conceived of his multimedia oeuvre as one huge experiment. Referred to by his friends and contemporaries as "a scout of the future," Rodchenko sought new paths in graphic design and painting, sculpture and architecture, poster design and cinema, photography and book design, and furniture and theatre design. The first chapter in this volume covers the early life of Rodchenko and relates to the time of his studies in the Kazan art school. His diaries from 1911-15 relate the vivid atmosphere of the school, explain the artist's early tastes for theatrical, oriental and medieval motifs, and recall the moments when he first met Varvara Stepanova, his lifetime partner and fellow artist. The second chapter covers the most active years of the Russian avant-garde movement: 1916-21. Here Rodchenko is linked to Vladimir Tatlin and his evolution as a non-objective painter comes about. His writings from this period explore his interest in the artistic process, in the way ideas are born, and often make comparisons with other artistic trends of the time: suprematism, cubism, and impressionism. The third chapter runs through the 20s and the height of the constructivist movement, when Rodchenko became one of the leading designers of the time. This chapter is the most comprehensive, featuring writings dedicated to industrial design education, graphic design, advertising, photomontage and photography. The fourth chapter reveals the artist's mood and the general Soviet culture situation of the 30s, a time of political change, accusations of formalism, and great success in photography. The last chapter is dedicated to the war and postwar period and contains only diary texts in which the artist recounts his family's evacuation to the country, his subsequent hard living and working conditions, as well as his musings on the cultural politics of the time and life in general. Originally published in 1996 in Moscow by Rodchenko's family, Experiments for the Future appears here in its first English edition. This new edition contains additional material and features a different design and images, but the content remains essentially unchanged.
Author: Victor Margolin
Publisher: University of Chicago Press
ISBN: 9780226505169
Category : Art
Languages : en
Pages : 286
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Book Description
. Focusing on the difficult relationship between art and social change, Margolin brings important new insights to our understanding of the avant-garde's role in a period of great political complexity.
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870701252
Category : Architecture
Languages : en
Pages : 296
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Book Description
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Author: Olga Sviblova
Publisher: Skira Editore
ISBN: 9788857231754
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 245
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Book Description
A leading representative of the Russian avant-garde, 'Alexander Rodchenko' (1891?1956) revolutionized the world of graphic art, design and photography. The over 250 illustrations featured in this volume allow the reader to grasp the full force of this innovator and to appreciate the charisma he exerted on fellow artists as much as on the men of letters, directors and intellectuals who shared his path. To this day, the style of Rodchenko the photographer, marked by unusual perspectives, sharp angles and diagonals, stands as the purest witness not just to the talent of an artist but to his eagerness to modernise art and the world at large. Complementing the volume are contributions by Olga Sviblova, the director of the House of Photography / Multimedia Art Museum of Moscow, by the grandson of the artist and leading scholar of his work Alexander Lavrentiev, in addition to writings and testimonies by Rodchenko himself and his daughter Varvara. 00Exhibition: LAC Lugano Arte e Cultura, Lugano, Switzerland (27.02.-08.05.2016).
Author: Margarita Tupitsyn
Publisher: Tate
ISBN: 9781854377968
Category : Art
Languages : en
Pages : 192
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Book Description
"Aleksandr Rodchenko and Liubov Popovaq were leading figures in the Russian avant-garde during its most exciting period, from the 1917 Revolution to Popova's tragically early death in 1924 at the age of thirty-five. Together they believed that new forms of art could play a key role in transforming society and reorganizing everyday life. As leading lights in the Constructivist movement they were responsible for an array of iconic works, from painting to magazine covers and fabric designs. Featuring new scholarship, as well as archival photos and illustrating many previously unpublished works, this book demonstrates the extent of their influence on their circle of friends and collaborators and their wide impact on the course of twentieth-century art." --Book Jacket.
Author: Christina Kiaer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
These artists, heeding the call of Constructivist manifestos to abandon the nonobjective painting and sculpture of the early Russian avant-garde and enter into Soviet industrial production, aimed to work as "artist-engineers" to produce useful objects for everyday life in the new socialist collective." "Kiaer shows how these artists elaborated on the theory of the socialist object-as-comrade in the practice of their art. They broke with the traditional model of the autonomous avant-garde, Kiaer argues, in order to participate more fully in the political project of the Soviet state. She analyzes Constructivism's attempt to develop modernist forms to forge a new comradely relationship between human subjects and the mass-produced objects of modernity."--BOOK JACKET.
Author: Мариэтта Сергеевна Шагинян
Publisher: Ardis Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 280
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Book Description
