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Author: Emily Braun
Publisher: Guggenheim Museum Publications
ISBN: 9780892075232
Category :
Languages : en
Pages : 0
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Book Description
Published to accompany a major retrospective exhibition - the first in the United States in more than 35 years and the most comprehensive ever mounted - this title showcases the pioneering work of Italian artist Alberto Burri (1915-1995). Exploring the beauty and complexity of Burri's process-based works, the exhibition positions the artist as a central and singular protagonist of postwar art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar are his other series, which this exhibition represents in depth: Catrami (tars), Gobbi (hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex works. Burri's work both demolished and reconfigured the Western pictorial tradition, while reconceptualizing modernist collage. Using unconventional materials, he moved beyond the painted surfaces and mark making of American Abstract Expressionism and European Art Informel. Burri's unprecedented approaches to manipulating humble substances - and his abject picture-objects - also profoundly influenced Arte Povera, Neo-Dada and Process art.
Author: Emily Braun
Publisher: Guggenheim Museum Publications
ISBN: 9780892075232
Category :
Languages : en
Pages : 0
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Book Description
Published to accompany a major retrospective exhibition - the first in the United States in more than 35 years and the most comprehensive ever mounted - this title showcases the pioneering work of Italian artist Alberto Burri (1915-1995). Exploring the beauty and complexity of Burri's process-based works, the exhibition positions the artist as a central and singular protagonist of postwar art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar are his other series, which this exhibition represents in depth: Catrami (tars), Gobbi (hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex works. Burri's work both demolished and reconfigured the Western pictorial tradition, while reconceptualizing modernist collage. Using unconventional materials, he moved beyond the painted surfaces and mark making of American Abstract Expressionism and European Art Informel. Burri's unprecedented approaches to manipulating humble substances - and his abject picture-objects - also profoundly influenced Arte Povera, Neo-Dada and Process art.
Author: Giuliano Serafini
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 278
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Book Description
Part of the avant-garde Origin Group in Rome in the 1950s, Alberto Burri championed the use of found, non-art materials, and made bold artistic inventions. This book takes a close look at Burri's entire output, which includes a range of works -- from monumental sculpture to painting cycles. A physician by training, the important Italian artist Alberto Burri (1915-95) gave up his profession in 1944 to dedicate himself to painting.
Author: Vea Vecchi
Publisher:
ISBN: 9788887960389
Category : Art
Languages : en
Pages : 157
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Book Description
This catalogue is designed to offer a "guided tour" of the exhibit entitled "The Expressive Languages of Children, the Artistic Languages of Alberto Burri". As a tribute to the possible encounters between children and the poetic languages, the exhibit comprises various projects carried out in infant-toddler centers, preschools, and elementary schools following the retrospective exhibit of works by Italian artist Alberto Burri, which has held in Reggio Emilia from November 2001 through January 2002.
Author: Bruno Corà
Publisher:
ISBN: 9788857246758
Category :
Languages : en
Pages : 264
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Book Description
An affordable introduction to the Art Informel pioneer's poetical use of everyday materials A leading light of the Art Informel generation that also included Tàpies and Dubuffet, Alberto Burri (1915-95) continues to exert a huge influence on artists today, as the popularity of his 2015 Guggenheim show and the perpetual scarcity of Burri monographs attests. This volume--the most comprehensive book on the artist in print--explores the beauty and complexity of the creative process, "material poetry," that undergirded all of his work. Burri worked with the most varied materials with an inexhaustible creative energy: tar, paper, fabric, jute sacks, combustions of plastic, wood and iron all found their way into his picture plane, transfiguring the vocabulary of painting for the postwar sensibility. The titles of Burri's various series convey this "material poetry" Gobbi (hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex. This affordable volume introduces Burri's poetical vocabulary of materials for a new audience.
Author: Solomon R. Guggenheim Museum
Publisher: Guggenheim Museum
ISBN: 9780892074693
Category : Abstract expressionism
Languages : en
Pages : 0
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Book Description
The pioneering artists of the post-World War II era embraced artistic freedom and gesture-based styles, nontraditional materials and countercultural references. French art critic Michel Tapié even declared the existence of "un art autre" (art of another kind)--an art that entailed a radical break with all traditional notions of order and composition, in a movement toward something wholly "other." This catalogue accompanies the Solomon R. Guggenheim Museum exhibition Art of Another Kind: International Abstraction and the Guggenheim, 1949-1960, which especially highlights works that entered into the collection during the tenure of then-director James Johnson Sweeney. Featuring nearly 100 works by Carla Accardi, Pierre Alechinsky, Karel Appel, Martin Barré, Harry Bertoia, Louise Bourgeois, Alberto Burri, Sam Francis, Grace Hartigan, Asger Jorn, Yves Klein, Franz Kline, Willem de Kooning, Conrad Marca-Relli, Kenzo Okada, Jorge Oteiza, Jackson Pollock, Ad Reinhardt, Pierre Soulages, Clyfford Still, Antoni Tàpies, Jean Tinguely, Cy Twombly, Takeo Yamaguchi and Zao Wou-Ki, among others, this collection-based exhibition and publication explore the affinities and differences between artists working continents apart, in a period of great transition and rapid creative development. The fully illustrated exhibition catalogue includes essays by Tracey Bashkoff, Megan M. Fontanella and Joan Marter; an illustrated chronology; and short biographies of the artists.
Author: Jaleh Mansoor
Publisher: Duke University Press
ISBN: 0822373688
Category : Art
Languages : en
Pages : 189
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Book Description
Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singularly striking formal and procedural violence of Fontana's slit canvasses, Burri's burnt and exploded plastics, and Manzoni's "achromes" as metaphors of traumatic memories of World War II. Rather, she locates the motivation for this violence in the history of the medium of painting and in the economic history of postwar Italy. Reconfiguring the relationship between politics and aesthetics, Mansoor illuminates how the monochrome's reemergence reflected Fontana, Burri, and Manzoni's aesthetic and political critique of the Marshall Plan's economic warfare and growing American hegemony. It also anticipated the struggles in Italy's factories, classrooms, and streets that gave rise to Autonomia in the 1960s. Marshall Plan Modernism refigures our understanding of modernist painting as a project about labor and the geopolitics of postwar reconstruction during the Italian Miracle.
Author: Maurizio Calvesi
Publisher:
ISBN: 9788857220031
Category : ART
Languages : en
Pages : 0
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Book Description
Through a selection of thirty works created in a 20-year time span (1972-92), including some unpublished and never before exhibited canvases from Italian private collections, this volume offers a perspective on the expressive outcomes that marked Alberto Burris practice after the 1950s and 1960s, at a time in which he had already gained international critical acclaim.
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Bruno Corà
Publisher:
ISBN: 9788855210164
Category :
Languages : en
Pages : 179
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Book Description
Author: René Burri
Publisher: Scheidegger and Spiess
ISBN: 9783858818454
Category : Photography, Artistic
Languages : en
Pages : 0
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Book Description
A member of the famous artist-owned photo agency Magnum Photos, Swiss photographer René Burri (1933-2014) found himself wherever history was happening during the late twentieth century. His countless travels took him across Europe and the Americas to the Middle East to Japan and China to document the twentieth century's major events. His extraordinary sense for people and their personalities resulted in remarkably candid portraits of celebrities, such as architects Le Corbusier, Oscar Niemeyer, and Luis Barragán; artists Alberto Giacometti, Pablo Picasso, and Jean Tinguely; and Che Guevara, whose 1963 portrait with a cigar is one of the world's most famous and widely reproduced photographic portraits. Published to coincide with a major exhibition at Musée de l'Elysée, Lausanne, René Burri: Explosions of Sight draws from Burri's vast archive. With the museum, Burri staged both his first exhibition and his first major retrospective and maintained a close relationship throughout his life, entrusting it also with the conservation of his estate. The book brings together for the first time Burri's entire body of work, both photographic and nonphotographic, including previously unpublished archival documents, as well as book designs, exhibition projects, travel diaries, collages, watercolors, and objects Burri collected. In doing so, it offers a new and uniquely intimate view of one of the world's greatest photographers.
