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Author: Josef Albers
Publisher: David Zwirner Books
ISBN: 9781644230596
Category : Art
Languages : en
Pages : 144
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Book Description
An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.
Author: Josef Albers
Publisher: David Zwirner Books
ISBN: 9781644230596
Category : Art
Languages : en
Pages : 144
Get Book Here
Book Description
An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.
Author: Giorgio Morandi
Publisher: David Zwirner Books
ISBN: 1941701566
Category : Art
Languages : en
Pages : 97
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Book Description
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Author: Hannah Weitemeier
Publisher: Taschen
ISBN: 9783822856437
Category : Art
Languages : en
Pages : 104
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Book Description
In a short but intense creative life of just seven years, Klein painted over a thousand pictures which are among the classics of modern art. This book offers a sample of his work.
Author: François Bucher
Publisher: Hassell Street Press
ISBN: 9781013566622
Category :
Languages : en
Pages : 94
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Jonathan D. Culler
Publisher: Cornell University Press
ISBN: 9780801493898
Category : Biography & Autobiography
Languages : en
Pages : 164
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Book Description
Author: Vanja Malloy
Publisher: Amherst College Press
ISBN: 194320800X
Category : Art
Languages : en
Pages : 108
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Book Description
Published to accompany an exhibit on Albers' work as both artist and teacher, this volume assesses Albers' understanding and teaching of color as "the most relative medium in art."
Author: John Hellman
Publisher: Wipf and Stock Publishers
ISBN: 1725255537
Category : Biography & Autobiography
Languages : en
Pages : 120
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Book Description
Albert Camus called her "the only great spirit of our time." She was one of the most prominent French political thinkers of this century. She was a brilliant social activist, a vigilant and critical Marxist. Her religious and philosophical writings are remarkable in their originality. And yet Simone Weil died without ever writing a complete book and without ever formulating a major intellectual testament. In this study of her life and thought, John Hellman synthesizes insights drawn from her varied, fragmentary writings--notebooks, essays, and letters--into a single, highly original view of the world. This fascinating book reinforces the belief that Simone Weil remains one of the most imaginative and out-of-the-ordinary forces in twentieth-century political thought and social activism.
Author: Maria Cristina Bandera
Publisher:
ISBN:
Category :
Languages : it
Pages : 0
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Book Description
Author:
Publisher:
ISBN: 9781908970572
Category :
Languages : en
Pages : 160
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Book Description
Previously unseen early works and other unpublished material from the pioneering Bauhaus polymath This publication considers Josef Albers' early development as an artist, beginning with the pre-Bauhaus years when he worked as an elementary school teacher in his native Bottrop in Western Germany, while sketching the landscape and architecture of his home town and studying courses in art by night. With a particular focus on works on paper, the book reveals not only the unappreciated naturalistic origins of his art, but also his ongoing interest in producing organic, surrealistic forms alongside the geometric abstraction for which he is best known. It presents dozens of prints, paintings and drawings from the first half of his career, as well as previously unseen photographs of the artist at work and on research trips to the ancient sites of Mexico where he found important sources of inspiration for his art and theories. With texts by two recognized Albers scholars, this volume offers a fresh and surprising view of a celebrated pioneer of modernism. German-born artist Josef Albers (1888-1976) laid the foundations for some of the most important art education programs of the 20th century. In 1936, during his time working at Black Mountain College in North Carolina, he had his first solo exhibition in New York at J.B. Neumann's New Art Circle. In 1949, Albers left the college and began his famous Homage to the Square series. He taught at various institutions throughout America, including Yale University, New Haven. The Museum of Modern Art, New York, organized Albers' traveling exhibition in 1965 and a retrospective of his work was held at the Metropolitan Museum of Art, New York, in 1971. He died in 1976.
Author: Rudolf Stingel
Publisher: Hatje Cantz Verlag
ISBN: 9783775723398
Category :
Languages : en
Pages : 0
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Book Description
New York-based, Italian-born artist Rudolf Stingel radically questions contemporary painting through his use of unusual materials like carpet, aluminum insulation paneling and Styrofoam. For example, for his 1991 New York debut at Daniel Newburg Gallery, Stingel exhibited a bright orange rug in the otherwise empty space. Conceived by Stingel, and photographed and designed under his direction, this volume presents images from Stingel's 2007 solo exhibitions at the Museum of Contemporary Art in Chicago and the Whitney Museum of American Art in New York, with work spanning the last 20 years of his career. A highlight of each show was the entry gallery, clad in silver aluminum insulation paneling and lit by a crystal chandelier. Over the course of the exhibition, visitors inscribed all manner of graffiti on the surface, creating an amazing network of scrawls, scratches and patterns. Also included are Stingel's photorealist self-portraits and smaller Styrofoam pieces, among other works.
