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Author: Akram Zaʻatarī
Publisher:
ISBN: 9781934105856
Category : Arab-Israeli conflict
Languages : en
Pages : 0
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Book Description
n April 2010, during his residency at Les Laboratoires d'Aubervilliers, Akram Zaatari attempted to write, improvise, and deliver a conversation with an imagined Israeli filmmaker, giving him the name Avi Mograbi. In this conversation, Zaatari revisits photographs he made in his teenage years during the Israeli occupation of his hometown, Saida, in 1982, and imagines what an Israeli filmmaker could have experienced in the same period. Zaatari draws on an idea that comes from the filmmaker Avi Mograbi, who invented the character of a Palestinian producer in his film Happy Birthday Mr. Mograbi, played by Palestinian producer Daoud Kuttab himself. This text sheds light on the conflict between Israel and Lebanon, and the complexity of its recent history, of drafting borders, mobility of individuals, and the concept of "the Enemy," while simultaneously questioning what it means to be a documentary filmmaker today.
Author: Akram Zaʻatarī
Publisher:
ISBN: 9781934105856
Category : Arab-Israeli conflict
Languages : en
Pages : 0
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Book Description
n April 2010, during his residency at Les Laboratoires d'Aubervilliers, Akram Zaatari attempted to write, improvise, and deliver a conversation with an imagined Israeli filmmaker, giving him the name Avi Mograbi. In this conversation, Zaatari revisits photographs he made in his teenage years during the Israeli occupation of his hometown, Saida, in 1982, and imagines what an Israeli filmmaker could have experienced in the same period. Zaatari draws on an idea that comes from the filmmaker Avi Mograbi, who invented the character of a Palestinian producer in his film Happy Birthday Mr. Mograbi, played by Palestinian producer Daoud Kuttab himself. This text sheds light on the conflict between Israel and Lebanon, and the complexity of its recent history, of drafting borders, mobility of individuals, and the concept of "the Enemy," while simultaneously questioning what it means to be a documentary filmmaker today.
Author: Hashem Madani
Publisher: Mind the Gap/Arab Image Foundation
ISBN:
Category : Photography
Languages : en
Pages : 136
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Book Description
Edited by Lisa Le Feuvre and Akram Zaatari. Essay by Stephen Wright.
Author: Akram Zaʻatarī
Publisher: Charta
ISBN: 9788881588176
Category : Art
Languages : en
Pages : 0
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Book Description
The first comprehensive publication dedicated to Lebanese artist Akram Zaatari, addressing the subject of desire and the depiction of the human body in photography and popular culture.
Author: Akram Zaʿatarī
Publisher:
ISBN: 9781553394020
Category : Art, Lebanese
Languages : en
Pages : 0
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Book Description
Author: Karl Bassil
Publisher: Mind the Gap/Arab Image Foundation
ISBN:
Category : Photography
Languages : en
Pages : 292
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Book Description
Setting up on a sunny day at the beach or snapping a passport photo, the studio photographer measures out his working day in repeated frames, fixing the ordinary customer on film. Addressing the enduring value of these portraits and the viewer's common humanity with the subjects is the aim of Mapping Sitting, a collection of studio photographs, primarily from the 1950s and 1960s, that shows an Arab world that defies stereotypes. Drawn from the archives of the Arab Image Foundation, whose mission is to rescue and preserve indigenous Arab photography, and curated by two Lebanese-born artists, Walid Raad and Akram Zaatari, these photographs provide a moving mosaic of Middle Eastern men and women posing in the studio, lounging on the sand, or goofing around on bikes. There are also pages of carefully indexed passport photos, which become charged with meaning in a post-9/11 world. The exhibition from which Mapping Sitting was drawn, mounted at the Grey Art Gallery in New York, was widely reviewed in publications such as The New York Times and New York Magazine.
Author: Ami Barak
Publisher:
ISBN: 9783735603777
Category : PHOTOGRAPHY
Languages : en
Pages : 176
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Book Description
This catalogue accompanying the 2017 edition of MOMENTA Biennale de l'image (the new name for Le Mois de la Photo � Montr�al) explores the theme, What Does the Image Stand For?Images are now so insidiously omnipresent that their nature has been obliterated.Once, photographs were indicators of reality, but today? Now that images of the whole wide world are captured by everyone at every moment, what do images have to say?By considering the content and meaning of fixed and moving images, the 38 artists and 6 authors in this volume invite readers to cast a critical eye at the testimonials on offer.Including the work of Adel Abdessemed, Yto Barrada, Mircea Cantor, Camille Henrot, and Taryn Simon, among many others.Accompanies the exhibition, MOMENTA Biennale de l'image 2017, 7 Sep - 15 Oct 2017, Montr�al, Qu�bec.English edition.
Author: Gayatri Gopinath
Publisher: Duke University Press
ISBN: 1478002166
Category : Art
Languages : en
Pages : 192
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Book Description
In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region, and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry, and photography, these cultural forms—which Gopinath conceptualizes as aesthetic practices of queer diaspora—reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories. Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, she stages unexpected encounters between works by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza. Gopinath shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality. The queer optics produced by these visual practices creates South-to-South, region-to-region, and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization, and diasporic dislocation as they indelibly mark both bodies and landscapes.
Author: Mark Wasiuta
Publisher: Kaph Books
ISBN: 9786148035135
Category : Architecture
Languages : en
Pages : 407
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Book Description
Rifat Chadirji, the prolific Iraqi architect, author, and educator, is considered as one of the most prominent modern architects in the Arab world. His design output included private residences, government and industrial buildings, and monuments. Also an avid photographer, Chadirji extensively documented his own built projects. His photographic folio is published here for the first time, offering a comprehensive analysis of the development of his architectural practice in Baghdad from 1952 until the early 1980s. It provides unique insight into this collection of images, which also reflects how the architect saw his own work and coded, organized, and referenced his projects with the camera.
Author: Anthony Downey
Publisher: Bloomsbury Publishing
ISBN: 0857739735
Category : Art
Languages : en
Pages : 463
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Book Description
The 'archive' is often viewed as a collection of historical documents that records and orders information about people, places and events. This view nevertheless obscures a crucial point: the archive, whilst subject to the vagaries of time and history, can also determine the future. This point has gained urgency in modern-day North Africa and the Middle East where the archive has come to the fore as a site of social, historical, theoretical, and political contestation. Dissonant Archives is the first book to consider the ways in which contemporary artists from the Middle East and North Africa - including Emily Jacir, Walid Raad, Jananne Al Ani, Basel Abbas and Ruanne Abou-Rahme, Mariam Ghani, Zineb Sedira, and Akram Zaatari - are utilizing and disrupting the function of the archive and, in so doing, highlighting a systemic, perhaps irrevocable, crisis in institutional and state-ordained archiving across the region. In exploring and producing archives, be they alternative, interrogative or fictional, these artists are not simply questioning the authenticity, authority or authorship of the archive; rather, they are unlocking its regenerative, radical potential.The result provides essential insights into the nexus between art and politics in the contemporary Middle East.
Author: Ania Dabrowska
Publisher: Book Works (UK)
ISBN: 9781906012625
Category : Photography
Languages : en
Pages : 239
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Book Description
