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Author: Michael A. Lofaro
Publisher: Univ. of Tennessee Press
ISBN: 1572338903
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Drawn mainly from the centennial anniversary symposium on James Agee held at the University of Tennessee in the fall of 2009, the essays of Agee at 100 are as diverse in topic and purpose as is Agee’s work itself. Often devalued during his life by those who thought his breadth a hindrance to greatness, Agee’s achievements as a poet, novelist, journalist, essayist, critic, documentarian, and screenwriter are now more fully recognized. With its use of previously unknown and recently recovered materials as well as established works, this groundbreaking new collection is a timely contribution to the resurgence of interest in Agee’s significance. The essays in this collection range from the scholarly to the personal, and all offer insight into Agee’s writing, his cultural influence, and ultimately Agee himself. Dwight Garner opens with his reflective essay on “Why Agee Matters.” Several essays present almost entirely new material on Agee. Paul Ashdown writes on Agee’s book reviews, which, unlike Agee’s film criticism, have received scant attention. With evidence from two largely unstudied manuscripts, Jeffrey Couchman sets the record straight on Agee’s contribution to the screenplay for The African Queen and delves as well into his television “miniseries” screenplay Mr. Lincoln. John Wranovics treats Agee’s lesser-known films--the documentaries In the Street and The Quiet One and the Filipino epic Genghis Khan. Jeffrey J. Folks wrestles with Agee’s “culture of repudiation” while James A. Crank investigates his perplexing treatment of race in his prose. Jesse Graves and Andrew Crooke provide new analyses of Let Us Now Praise Famous Men, and Michael A. Lofaro and Philip Stogdon both discuss Lofaro’s recently restored text of A Death in the Family. David Madden closes the collection with his short story “Seeing Agee in Lincoln,” an imagined letter from Agee to his longtime confidante Father Flye. The contributors to Agee at 100 utilize materials new and old to reveal the true importance of Agee's range of cultural sensibility and literary ability. Film scholars will also find this collection particularly engrossing, as will anyone fascinated by the work of the author rightly deemed the “sovereign prince of the English language.” Michael A. Lofaro is Lindsay Young Professor of American Literature and American and Cultural Studies at the University of Tennessee. Most recently, he restored James Agee’s A Death in the Family and is the general editor of the projected eleven-volume The Works of James Agee.
Author: Michael A. Lofaro
Publisher: Univ. of Tennessee Press
ISBN: 1572338903
Category : Literary Criticism
Languages : en
Pages : 321
Get Book Here
Book Description
Drawn mainly from the centennial anniversary symposium on James Agee held at the University of Tennessee in the fall of 2009, the essays of Agee at 100 are as diverse in topic and purpose as is Agee’s work itself. Often devalued during his life by those who thought his breadth a hindrance to greatness, Agee’s achievements as a poet, novelist, journalist, essayist, critic, documentarian, and screenwriter are now more fully recognized. With its use of previously unknown and recently recovered materials as well as established works, this groundbreaking new collection is a timely contribution to the resurgence of interest in Agee’s significance. The essays in this collection range from the scholarly to the personal, and all offer insight into Agee’s writing, his cultural influence, and ultimately Agee himself. Dwight Garner opens with his reflective essay on “Why Agee Matters.” Several essays present almost entirely new material on Agee. Paul Ashdown writes on Agee’s book reviews, which, unlike Agee’s film criticism, have received scant attention. With evidence from two largely unstudied manuscripts, Jeffrey Couchman sets the record straight on Agee’s contribution to the screenplay for The African Queen and delves as well into his television “miniseries” screenplay Mr. Lincoln. John Wranovics treats Agee’s lesser-known films--the documentaries In the Street and The Quiet One and the Filipino epic Genghis Khan. Jeffrey J. Folks wrestles with Agee’s “culture of repudiation” while James A. Crank investigates his perplexing treatment of race in his prose. Jesse Graves and Andrew Crooke provide new analyses of Let Us Now Praise Famous Men, and Michael A. Lofaro and Philip Stogdon both discuss Lofaro’s recently restored text of A Death in the Family. David Madden closes the collection with his short story “Seeing Agee in Lincoln,” an imagined letter from Agee to his longtime confidante Father Flye. The contributors to Agee at 100 utilize materials new and old to reveal the true importance of Agee's range of cultural sensibility and literary ability. Film scholars will also find this collection particularly engrossing, as will anyone fascinated by the work of the author rightly deemed the “sovereign prince of the English language.” Michael A. Lofaro is Lindsay Young Professor of American Literature and American and Cultural Studies at the University of Tennessee. Most recently, he restored James Agee’s A Death in the Family and is the general editor of the projected eleven-volume The Works of James Agee.
Author: Ross Spears
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 216
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Book Description
Author: Laurence Bergreen
Publisher: Penguin Group
ISBN: 9780140080643
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
Author: Jon Agee
Publisher: Macmillan
ISBN: 9780374400255
Category : Juvenile Nonfiction
Languages : en
Pages : 116
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Book Description
In this entertaining collection featuring themed sections, comic-strip-style stories, and even lengthy monologues, Jon Agee, the prime purveyor of palindromes, offers over one hundred sixty familiar and unfamiliar palindromes paired with all-new masterly cartoons in a treasury for word lovers young and old. “All hail Jon Agee, the ‘Droll Lord’ of palindromes!” – Will Shortz “For Jon Agee, creating palindromes is irrepressible.” – Associated Press “A creative, comedic gem.” –Booklist "For Jon Agee, creating palindromes is irrepressible." --Associated Press "A creative, comedic gem." -Booklist JON AGEE has written and illustrated five previous books of wordplay, includingWho Ordered the Jumbo Shrimp? and Other Oxymorons. He lives in San Francisco, California.In this entertaining collection featuring themed sections, comic-strip-style stories, and even lengthy monologues, Jon Agee, the prime purveyor of palindromes, offers over one hundred sixty familiar and unfamiliar palindromes paired with all-new masterly cartoons in a treasury for word lovers young and old. “All hail Jon Agee, the ‘Droll Lord’ of palindromes!” – Will Shortz “For Jon Agee, creating palindromes is irrepressible.” – Associated Press “A creative, comedic gem.” –Booklist
Author: Alabama. Supreme Court
Publisher:
ISBN:
Category : Equity
Languages : en
Pages : 776
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Book Description
Author: Alabama. Supreme Court
Publisher:
ISBN:
Category : Laws reports, digests, etc
Languages : en
Pages : 776
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Book Description
Author: James Agee
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 462
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Book Description
Author: James Agee
Publisher: Melville House
ISBN: 1612192130
Category : History
Languages : en
Pages : 223
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Book Description
A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a 400-page prose symphony about three tenant farming families in Hale County, Alabama, at the height of the Great Depression. The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.” The origins of Agee and Evans’s famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune’s editors shelved the story because of the unconventional style that marked Famous Men, and for years the original report was presumed lost. But fifty years after Agee’s death, a trove of his manuscripts turned out to include a typescript labeled “Cotton Tenants.” Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune. Published here for the first time, and accompanied by thirty of Walker Evans’s historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee’s dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. As the novelist Adam Haslett writes in an introduction, it is “a poet’s brief for the prosecution of economic and social injustice.”
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1084
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Book Description
Author: Philip Agee
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 648
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Book Description
When Victor Marchetti's The CIA and the Cult of Intelligence was published it contained intriguing blanks where material deemed too sensitive by the CIA had been. There are no blanks in Philip Agee's Inside the Company: CIA Diary. This densely detailed expose names every CIA officer, every agent, every operation that Agee encountered during 12 years with "The Company" in Ecuador, Uruguay, Mexico and Washington. Among CIA agents or (contacts) Agee lists high raking political leaders of several Latin American countries, U.S. and Latin American labor leaders, ranking Communist Party members, and scores of other politicians, high military and police officials and journalists.