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Author: Michael A. Lofaro
Publisher: Univ Tennessee Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
Most widely noted for his acclaimed Let Us Now Praise Famous Men and his Pulitzer Prize-winning novel, A Death in the Family, Tennessee native James Agee was also a journalist, film critic, poet, and screenwriter. More than fifty years after Agee's untimely death, his canon of work continues to grow in popularity, and his ability to capture the human condition in all its forms remains unparalleled. Agee Agonistes is a compilation of seventeen essays from the James Agee Celebration hosted by the University of Tennessee in April 2005. The collection includes some of the best interpretations of Agee's work and explores the influences on his art, delineates the connections and syntheses he makes within his texts, and examines his involvement in music, ethics, surrealism, local and national history, cinema, television, poetry, literature, sociology, and journalism. The volume features never-before-seen pictures of Agee, previously unknown correspondence, and a remembrance by his oldest daughter, Deedee. The volume also includes the most extensive bibliography of secondary sources on Agee assembled to date. The essays are divided into four parts: Agee's Influences and Syntheses-Contributors: Paul Sprecher, William Bruce Wheeler, Jack Neely, Jeffrey J. Folks, Hugh Davis, Paul Ashdown Agee's Films-Contributors: Daniel Feller, Jeffrey Couchman, Mary E. Papke, John Wranovics Agee's Literature-Contributors: Fred Chappell, Angie Maxwell, John H. Summers, James A. Crank, Michael A. Lofaro Agee's Correspondence-Contributor: Brian Gempp. In addition, the volume includes an introductory essay entitled "Mapping Agee's Myriad Mind" by noted author David Madden. Agee Agonistes will be of interest to all those who study twentieth-century America and will introduce a new generation of readers to James Agee. Michael Lofaro is professor of American literature and American and Cultural Studies at the University of Tennessee, Knoxville. He has authored and edited numerous volumes and is coeditor, with Hugh Davis, of James Agee Rediscovered: The Journals of Let Us Now Praise Famous Men and Other New Manuscripts. He is also the general editor for the ten-volume series, The Works of James Agee, and the editor of its forthcoming first volume, A Death in the Family: A Restoration of the Author's Text.
Author: Michael A. Lofaro
Publisher: Univ Tennessee Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392
Get Book Here
Book Description
Most widely noted for his acclaimed Let Us Now Praise Famous Men and his Pulitzer Prize-winning novel, A Death in the Family, Tennessee native James Agee was also a journalist, film critic, poet, and screenwriter. More than fifty years after Agee's untimely death, his canon of work continues to grow in popularity, and his ability to capture the human condition in all its forms remains unparalleled. Agee Agonistes is a compilation of seventeen essays from the James Agee Celebration hosted by the University of Tennessee in April 2005. The collection includes some of the best interpretations of Agee's work and explores the influences on his art, delineates the connections and syntheses he makes within his texts, and examines his involvement in music, ethics, surrealism, local and national history, cinema, television, poetry, literature, sociology, and journalism. The volume features never-before-seen pictures of Agee, previously unknown correspondence, and a remembrance by his oldest daughter, Deedee. The volume also includes the most extensive bibliography of secondary sources on Agee assembled to date. The essays are divided into four parts: Agee's Influences and Syntheses-Contributors: Paul Sprecher, William Bruce Wheeler, Jack Neely, Jeffrey J. Folks, Hugh Davis, Paul Ashdown Agee's Films-Contributors: Daniel Feller, Jeffrey Couchman, Mary E. Papke, John Wranovics Agee's Literature-Contributors: Fred Chappell, Angie Maxwell, John H. Summers, James A. Crank, Michael A. Lofaro Agee's Correspondence-Contributor: Brian Gempp. In addition, the volume includes an introductory essay entitled "Mapping Agee's Myriad Mind" by noted author David Madden. Agee Agonistes will be of interest to all those who study twentieth-century America and will introduce a new generation of readers to James Agee. Michael Lofaro is professor of American literature and American and Cultural Studies at the University of Tennessee, Knoxville. He has authored and edited numerous volumes and is coeditor, with Hugh Davis, of James Agee Rediscovered: The Journals of Let Us Now Praise Famous Men and Other New Manuscripts. He is also the general editor for the ten-volume series, The Works of James Agee, and the editor of its forthcoming first volume, A Death in the Family: A Restoration of the Author's Text.
Author: Michael A. Lofaro
Publisher: Univ. of Tennessee Press
ISBN: 1572338903
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Drawn mainly from the centennial anniversary symposium on James Agee held at the University of Tennessee in the fall of 2009, the essays of Agee at 100 are as diverse in topic and purpose as is Agee’s work itself. Often devalued during his life by those who thought his breadth a hindrance to greatness, Agee’s achievements as a poet, novelist, journalist, essayist, critic, documentarian, and screenwriter are now more fully recognized. With its use of previously unknown and recently recovered materials as well as established works, this groundbreaking new collection is a timely contribution to the resurgence of interest in Agee’s significance. The essays in this collection range from the scholarly to the personal, and all offer insight into Agee’s writing, his cultural influence, and ultimately Agee himself. Dwight Garner opens with his reflective essay on “Why Agee Matters.” Several essays present almost entirely new material on Agee. Paul Ashdown writes on Agee’s book reviews, which, unlike Agee’s film criticism, have received scant attention. With evidence from two largely unstudied manuscripts, Jeffrey Couchman sets the record straight on Agee’s contribution to the screenplay for The African Queen and delves as well into his television “miniseries” screenplay Mr. Lincoln. John Wranovics treats Agee’s lesser-known films--the documentaries In the Street and The Quiet One and the Filipino epic Genghis Khan. Jeffrey J. Folks wrestles with Agee’s “culture of repudiation” while James A. Crank investigates his perplexing treatment of race in his prose. Jesse Graves and Andrew Crooke provide new analyses of Let Us Now Praise Famous Men, and Michael A. Lofaro and Philip Stogdon both discuss Lofaro’s recently restored text of A Death in the Family. David Madden closes the collection with his short story “Seeing Agee in Lincoln,” an imagined letter from Agee to his longtime confidante Father Flye. The contributors to Agee at 100 utilize materials new and old to reveal the true importance of Agee's range of cultural sensibility and literary ability. Film scholars will also find this collection particularly engrossing, as will anyone fascinated by the work of the author rightly deemed the “sovereign prince of the English language.” Michael A. Lofaro is Lindsay Young Professor of American Literature and American and Cultural Studies at the University of Tennessee. Most recently, he restored James Agee’s A Death in the Family and is the general editor of the projected eleven-volume The Works of James Agee.
Author: Michael A. Lofaro
Publisher: Univ. of Tennessee Press
ISBN: 1621907430
Category : Literary Collections
Languages : en
Pages : 338
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Book Description
It’s difficult to overestimate the impact of the many new works by James Agee uncovered and published in the last twenty years. These previously unknown primary works have, in turn, encouraged a parallel explosion of critical evaluation and reevaluation by scholars, to which James Agee in Context is the latest contribution. This superb collection from well-known James Agee scholars features myriad approaches and contexts for understanding the author’s fiction, poetry, journalism, and screenwriting. The essays bring the reader from the streets of James Agee’s New York to travel with the author from Alabama to Hollywood to Havana. Contributors explore overlapping and sometimes unique subjects, themes, and accomplishments (or lack thereof) in Agee’s uncovered works and highlight the diversity of interest that Agee’s complete body of work inspires. The insightful scholarship on influence examines connections between Agee and Wright Morris, Helen Levitt, John Dos Passos, Ernest Hemingway, and Stephen Crane. Such juxtapositions serve to illustrate how Agee drew on literary influences as a young man, how he used his work as a journalist to craft fiction as he was about to turn thirty, and his influence upon others. The volume concludes with three poems and a short story by Agee, all previously unknown. It seems astonishing that so much remains to be discovered about this protean author, his materials, and his circle. Yet, the recovery and analysis of neglected texts and information mined from newspapers and magazines proves the extent to which Agee kept his mind and his work, as he himself put it, “patiently concentrated upon the essential quietudes of the human soul.”
Author: Robert P. McParland
Publisher: Cambridge Scholars Publishing
ISBN: 144386644X
Category : Art
Languages : en
Pages : 255
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Book Description
In Film and Literary Modernism, the connections between film, modernist literature, and the arts are explored by an international group of scholars. The impact of cinema upon our ways of seeing the world is highlighted in essays on city symphony films, avant-garde cinema, European filmmaking and key directors and personalities from Charlie Chaplin, Sergei Eisenstein and Alain Renais to Alfred Hitchcock and Mae West. Contributors investigate the impact of film upon T. S. Eliot, time and stream of consciousness in Virginia Woolf and Henri Bergson, the racial undercurrents in the film adaptations of Ernest Hemingway’s fiction, and examine the film writing of William Faulkner, James Agee, and Graham Greene. Robert McParland assembles an international group of researchers including independent film makers, critics and professors of film, creative writers, teachers of architecture and design, and young doctoral scholars, who offer a multi-faceted look at modernism and the art of the film.
Author: Robert Vanderlan
Publisher: University of Pennsylvania Press
ISBN: 0812205634
Category : Social Science
Languages : en
Pages : 389
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Book Description
Publishing tycoon Henry Luce famously championed many conservative causes, and his views as a capitalist and cold warrior were reflected in his glossy publications. Republican Luce aimed squarely for the Middle American masses, yet his magazines attracted intellectually and politically ambitious minds who were moved by the democratic aspirations of the New Deal and the left. Much of the best work of intellectuals such as James Agee, Archibald MacLeish, Daniel Bell, John Hersey, and Walker Evans owes a great debt to their experiences writing for Luce and his publications. Intellectuals Incorporated tells the story of the serious writers and artists who worked for Henry Luce and his magazines Time, Fortune, and Life between 1923 and 1960, the period when the relationship between intellectuals, the culture industry, and corporate capitalism assumed its modern form. Countering the notions that working for corporations means selling out and that the true life of the mind must be free from institutional ties, historian Robert Vanderlan explains how being embedded in the corporate culture industries was vital to the creative efforts of mid-century thinkers. Illuminating their struggles through careful research and biographical vignettes, Vanderlan shows how their contributions to literary journalism and the wider political culture would have been impossible outside Luce's media empire. By paying attention to how these writers and photographers balanced intellectual aspiration with journalistic perspiration, Intellectuals Incorporated advances the idea of the intellectual as a connected public figure who can engage and criticize organizations from within.
Author: Thomas Karshan
Publisher: Oxford University Press
ISBN: 0191082112
Category : Philosophy
Languages : en
Pages : 400
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Book Description
Montaigne called it a ramble; Chesterton the joke of literature; and Hume an ambassador between the worlds of learning and of conversation. But what is an essay, and how did it emerge as a literary form? What are the continuities and contradictions across its history, from Montaigne's 1580 Essais through the familiar intimacies of the Romantic essay, and up to more recent essayists such as Virginia Woolf, James Baldwin, and Claudia Rankine? Sometimes called the fourth genre, the essay has been over-shadowed in literary history by fiction, poetry, and drama, and has proved notoriously resistant to definition. On Essays reveals in the essay a pattern of paradox: at once a pedagogical tool and a refusal of the methodical languages of universities and professions; politically engaged but retired and independent; erudite and anti-pedantic; occasional and enduring; intimate and oratorical; allusive and idiosyncratic. Perhaps because it is a form of writing against which literary scholarship has defined itself, there has been surprisingly little work on the tradition of the essay. Neither a comprehensive history nor a student companion, On Essays is a series of seventeen elegantly written essays on authors and aspects in the history of the genre - essays which, taken together, form the most substantial book yet published on the essay in Britain and America.
Author: John H. Summers
Publisher: Oxford University Press
ISBN: 0199711321
Category : Social Science
Languages : en
Pages : 309
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Book Description
C. Wright Mills was a radical public intellectual, a tough-talking, motorcycle-riding anarchist from Texas who taught sociology at Columbia University. Mills's three most influential books--The Power Elite, White Collar, and The Sociological Imagination--were originally published by OUP and are considered classics. The first collection of his writings to be published since 1963, The Politics of Truth contains 23 out-of-print and hard-to-find writings which show his growth from academic sociologist to an intellectual maestro in command of a mature style, a dissenter who sought to inspire the public to oppose the drift toward permanent war. Given the political deceptions of recent years, Mills's truth-telling is more relevant than ever. Seminal papers including "Letter to the New Left" appear alongside lesser known meditations such as "Are We Losing Our Sense of Belonging?" John Summers provides fresh insights in his introduction, which gives an overview of Mills's life and career. Summers has also written annotations that establish each piece's context and has drawn up a comprehensive bibliography of Mills's published and unpublished writings.
Author: Paul Ashdown
Publisher: Southern Illinois University Press
ISBN: 0809337886
Category : History
Languages : en
Pages : 274
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Book Description
Wild Bill’s ever-evolving legend When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive. Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West. Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota. American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.
Author: Jeffrey Couchman
Publisher: Northwestern University Press
ISBN: 0810125420
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
Reaching simultaneously into the realms of film and literature, "The Night of the Hunter": A Biography of a Film details the transformation of Davis Grubb's 1953 novel into a motion picture. A popular and critical success, the novel spent four months on the New York Times bestseller list, and Hollywood responded to its atmospheric lyricism. In the hands of first-time director Charles Laughton, the story became equal parts thriller, allegory, and fever dream, filled with slow, inexorable suspense. Yet the film initially failed at the box office. In the first major study of the long-lost first-draft screenplay by James Agee, Jeffrey Couchman confronts a fifty-year controversy about the authorship of the film. He explores many levels of artistic convergence-between novelist and director, director and actor, and cinematic form and audience expectations. The talents that clashed or came together along the road from book to movie created a film of rich stylistic contradiction. Combining biographical and historical analysis with a critical study of both the novel and the film, Couchman makes the case that this initially overlooked cinematic gem is a prismatic work that continually reveals new aspects of itself. Book jacket.
Author: Karen Beckman
Publisher: U of Minnesota Press
ISBN: 0816688850
Category : Literary Criticism
Languages : en
Pages : 483
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Book Description
From James Agee to W. G. Sebald, there has been an explosion of modern documentary narratives and fiction combining text and photography in complex and fascinating ways. However, these contemporary experiments are part of a tradition that stretches back to the early years of photography. Writers have been integrating photographs into their work for as long as photographs have existed, producing rich, multilayered creations; and photographers have always made images that incorporate, respond to, or function as writing. On Writing with Photography explores what happens to texts—and images—when they are brought together. From the mid-nineteenth century to the present, this collection addresses a wide range of genres and media, including graphic novels, children’s books, photo-essays, films, diaries, newspapers, and art installations. Examining the works of Herman Melville, Don DeLillo, Claude McKay, Man Ray, Dare Wright, Guy Debord, Zhang Ailing, and Roland Barthes, among others, the essays trace the relationship between photographs and “reality” and describe the imaginary worlds constructed by both, discussing how this production can turn into testimony of personal and collective history, memory and trauma, gender and sexuality, and ethnicity. Together, these essays help explain how writers and photographers—past and present—have served as powerful creative resources for each other. Contributors: Stuart Burrows, Brown U; Roderick Coover, Temple U; Adrian Daub, Stanford U; Marcy J. Dinius, DePaul U; Marianne Hirsch, Columbia U; Daniel H. Magilow, U of Tennessee, Knoxville; Janine Mileaf; Tyrus Miller, U of California, Santa Cruz; Leah Rosenberg, U of Florida; Xiaojue Wang, U of Pennsylvania.
