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Author: Devyn Spence Benson
Publisher: Rowman & Littlefield
ISBN: 1786614820
Category : Philosophy
Languages : en
Pages : 399
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Book Description
Originally published in Spanish and edited by Cuban historian Daisy Rubiera Castillo and playwright and theater critic Inés María Martiatu Terry, this ground-breaking edited collection is the first work of its kind. It places the experiences of black and mulata women at the center of Cuban history. Including essays from a mix of well-known and newly published Cuban authors, the volume examines the lives of Afrocubanas from the late nineteenth century to the present. The volume’s contributors collect and interrogate the voices of black Cuban women and the political, cultural, social, and ideological contributions they have made to the history of their nation. One of the unique qualities of Afrocubanas is that the text is the product of a grassroots community working group in Havana. A number of antiracist organizations emerged to fight racial inequality in light of Cuba’s new economic challenges after the fall of its chief trading partner, the Soviet Union in 1991. But, the Afrocubanas Project (founded in the mid-2000s) is one of the few groups that challenges racism and sexism together. The members of the Afrocubanas Project hail from a variety of professions, ages, and sexual orientations. They share a collective interest in challenging negative stereotypes about black women. This volume merges their activism and scholarship to offer a counter discourse to existing narratives about black women in Cuba while also creating and disseminating new knowledge about Afrocubanas. There is no other published work in English devoted to analyzing the political and intellectual dimensions of black Cuban women’s thought across the island’s history. This text is essential reading for scholars and students of Africana Studies, Afro-Latin American Studies, Caribbean history, and courses focusing on black women in the Atlantic region.
Author: Devyn Spence Benson
Publisher: Rowman & Littlefield
ISBN: 1786614820
Category : Philosophy
Languages : en
Pages : 399
Get Book Here
Book Description
Originally published in Spanish and edited by Cuban historian Daisy Rubiera Castillo and playwright and theater critic Inés María Martiatu Terry, this ground-breaking edited collection is the first work of its kind. It places the experiences of black and mulata women at the center of Cuban history. Including essays from a mix of well-known and newly published Cuban authors, the volume examines the lives of Afrocubanas from the late nineteenth century to the present. The volume’s contributors collect and interrogate the voices of black Cuban women and the political, cultural, social, and ideological contributions they have made to the history of their nation. One of the unique qualities of Afrocubanas is that the text is the product of a grassroots community working group in Havana. A number of antiracist organizations emerged to fight racial inequality in light of Cuba’s new economic challenges after the fall of its chief trading partner, the Soviet Union in 1991. But, the Afrocubanas Project (founded in the mid-2000s) is one of the few groups that challenges racism and sexism together. The members of the Afrocubanas Project hail from a variety of professions, ages, and sexual orientations. They share a collective interest in challenging negative stereotypes about black women. This volume merges their activism and scholarship to offer a counter discourse to existing narratives about black women in Cuba while also creating and disseminating new knowledge about Afrocubanas. There is no other published work in English devoted to analyzing the political and intellectual dimensions of black Cuban women’s thought across the island’s history. This text is essential reading for scholars and students of Africana Studies, Afro-Latin American Studies, Caribbean history, and courses focusing on black women in the Atlantic region.
Author: Edna M. Rodríguez-Plate
Publisher: Univ of North Carolina Press
ISBN: 0807876283
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Lydia Cabrera (1900-1991), an upper-class white Cuban intellectual, spent many years traveling through Cuba collecting oral histories, stories, and music from Cubans of African descent. Her work is commonly viewed as an extension of the work of her famous brother-in-law, Cuban anthropologist Fernando Ortiz, who initiated the study of Afro-Cubans and the concept of transculturation. Here, Edna Rodriguez-Mangual challenges this perspective, proposing that Cabrera's work offers an alternative to the hegemonizing national myth of Cuba articulated by Ortiz and others. Rodriguez-Mangual examines Cabrera's ethnographic essays and short stories in context. By blurring fact and fiction, anthropology and literature, Cabrera defied the scientific discourse used by other anthropologists. She wrote of Afro-Cubans not as objects but as subjects, and in her writings, whiteness, instead of blackness, is gazed upon as the "other." As Rodriguez-Mangual demonstrates, Cabrera rewrote the history of Cuba and its culture through imaginative means, calling into question the empirical basis of anthropology and placing Afro-Cuban contributions at the center of the literature that describes the Cuban nation and its national identity.
Author: Anke Birkenmaier
Publisher: Rutgers University Press
ISBN: 1978814496
Category : HISTORY
Languages : en
Pages : 316
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Book Description
"With mass migration changing the configuration of societies worldwide, we can look to the Caribbean to reflect on the long-standing, entangled relations between countries and areas as uneven in size and influence as the United States, Cuba, Hispaniola, Puerto Rico, and Jamaica. More so than other world regions, the Caribbean has been characterized as an always already colonial region. It has long been a key area for empires warring over influence spheres in the new world, and where migration waves from Africa, Europe, and Asia accompanied every political transformation over the last five centuries. In Caribbean Migrations, an interdisciplinary group of humanities and social science scholars study migration from a long-term perspective, analyzing the Caribbean's "unincorporated subjects" from a legal, historical, and cultural standpoint, and exploring how despite often fractured public spheres, Caribbean intellectuals, artists, filmmakers, and writers have been resourceful at showcasing migration as the hallmark of our modern age"--
Author: Scott Timcke
Publisher: University of Georgia Press
ISBN: 0820367044
Category : History
Languages : en
Pages : 386
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Book Description
This collection of more than a dozen essays focuses on the political dynamics of race, class, and nationalism in the contemporary Caribbean. Despite the plethora of studies on nationalism in the Caribbean, few have attempted to look at the phenomenon as a political invention that does not—and cannot—serve the interests of all: how essentialist, reductive, overdetermining nationalism is a political and conceptual confusion that forever stalls the project of universal human emancipation. Editors Scott Timcke and Shelene Gomes gather and frame chapters that, in their collective expression, help trace the process of race, class, and nationalism through the contours of a broader political, economic, and social geography. These chapters argue that notions of racial identity have changed over time, but those reformations are not independent of class rule or nationalism. By using several case studies that span the Anglo, Dutch, French, and Spanish Caribbean and focus on the development of political organizations, hardships, and ideology, each of these essays continues the struggle for liberation against elite entrenchment.
Author: Pedro Pérez Sarduy
Publisher: Ocean Press
ISBN: 9781875284412
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
This anthology looks at the AfroCuban experience through the eyes of the island’s writers, scholars and artists. "A rich portrait of AfroCuba—one of the most vibrant and least well-documented of the black Caribbean diasporas."—Stuart Hall An insightful look at Cuba’s rich ethnic and cultural reality. What is it like to be black in Cuba? Does racism exist in a revolutionary society that claims to have abolished it? How does the legacy of slavery and segregation live on in today’s Cuba? Essays, poetry, extracts from novels, anthropological studies and political analysis are brought together by editors Jean Stubbs and Pedro Pérez to create an outstanding anthology of Cuban scholars, writers and artists. Drawing on an extensive knowledge of Cuba, the editors have produced a multi-faceted insight into Cuba’s right ethnic and cultural reality. The book is divided into three sections: The Die is Cast, Myth and Reality and Redrawing the Line, introducing the reader to a wide range of previously unavailable Cuban authors, in which dissenting voices speak alongside established writers, such as Fernando Ortiz. Jean Stubbs is a professor of Caribbean and Latin American History at the University of North London. She has been a visiting associate professor at Hunter College, CUNY (New York) and Rockefeller scholar at the University of Florida (Gainesville), the University of Puerto Rico and Florida International University. Stubbs has published several other books, including Cuba: The Test of Time. Pedro Pérez Sarduy is an AfroCuban poet and journalist. He was writer-in-residence at Columbia University and a Rockefeller visiting scholar at the University of Florida (Gainesville) and the University of Puerto Rico. He has been the recipient of several literary awards and regularly undertakes speaking tours in the United States.
Author: Aline Helg
Publisher: UNC Press Books
ISBN: 146961586X
Category : History
Languages : en
Pages : 384
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Book Description
In Our Rightful Share, Aline Helg examines the issue of race in Cuban society, politics, and ideology during the island's transition from a Spanish colony to an independent state. She challenges Cuba's well-established myth of racial equality and shows that racism is deeply rooted in Cuban creole society. Helg argues that despite Cuba's abolition of slavery in 1886 and its winning of independence in 1902, Afro-Cubans remained marginalized in all aspects of society. After the wars for independence, in which they fought en masse, Afro-Cubans demanded change politically by forming the first national black party in the Western Hemisphere. This challenge met with strong opposition from the white Cuban elite, culminating in the massacre of thousands of Afro-Cubans in 1912. The event effectively ended Afro-Cubans' political organization along racial lines, and Helg stresses that although some cultural elements of African origin were integrated into official Cuban culture, true racial equality has remained elusive.
Author: David H. Brown
Publisher: Routledge
ISBN: 1000008185
Category : Social Science
Languages : en
Pages : 467
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Book Description
Originally published in 2003, The Light Inside is a ground-breaking study of an Afro-Cuban secret society, its sacred arts, and their role in modern Cuban cultural history. Enslaved Africans and creoles developed the Abakuá Society, a system of men’s fraternal lodges, in urban Cuba beginnings in 1836. Drawing on years of fieldwork in the country, the book’s novel approach builds on close readings of dazzling Abakuá altars, chalk-drawn signs, and hooded masquerades. It looks at the art history of Abakuá altars, not only tracing changing styles but also how they evolve through cycles of tradition and renovation. The Light Inside reflects the essence of the artists’ creativity and experience: through adornment, altars project the powerful spirituality of Abakuá practice, an aesthetic strategy. The book also traces a biography of Abakuá objects – their shifting forms and meanings – as they participated in successive periods of Cuban cultural history. The book constructs close rhetorical and visual analyses of changing representations of the Abakuá, spanning nineteenth-century arts and letters, modern ethnographic texts, museum displays, paintings, and late twentieth century commercial kitsch. This interdisciplinary work combines art history, African Diaspora, cultural studies and cultural anthropology with Latin American.
Author: María de los Reyes Castillo Bueno
Publisher: Duke University Press
ISBN: 9780822325932
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
Assisted by her daughter, Daisy Rubiera Castillo, the author recounts her life as a black woman struggling with prejudice and change in Cuba over the span of 90 years. Known as "Reyita", Maria de Los Reyes Castillo Bueno starts her story with the abduction of her grandmother by slave traders and shares her own experiences as a mother, laborer, and revolutionary.
Author: Mercedes Cros Sandoval
Publisher:
ISBN: 9780813034522
Category : Afro-Caribbean cults
Languages : en
Pages : 0
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Book Description
"A comprehensive, almost encyclopedic, introduction to Santeria . . . Cros Sandoval's greatest contribution is in tackling the question of why Santeria's Yoruba cosmology has proven so durable and compelling over time, even as it has been transplanted across an ocean and brought into contact with very different traditions in very different societies than its place of origin."--Kristina Wirtz, Western Michigan University "A broad and deep synthesis of scholarship on Santeria . . . fully recognizes the heterogeneous nature of Afro-Cuban religious belief and successfully explores the origins of that heterogeneity."--Theron Corse, Tennessee State University Cros Sandoval's authoritative introduction to the Afro-Cuban religion called Santeria explores how it emerged and developed in Cuba out of transplanted Yoruba beliefs and continues to spread and adjust to changing times and contexts. Systematically exploring every facet of Santeria's worldview, Sandoval examines how practitioners have adapted received beliefs and practices to reconcile them with new environments, from plantation slavery to exile in the United States. Offering a distinctive perspective based on a lifetime of extensive research and firsthand knowledge, Cros Sandoval illuminates Santeria as a theological system and as a vital, continuously evolving community. The adaptation process that gave birth to Santeria was not the singular result of cultural resistance, she argues, but a successful attempt to find meaning linked to alien religious elements in a way that appealed to a diverse following. Beginning with the transatlantic history of how Yoruba traditions came to Cuba and were established and adapted to Cuban society, Sandoval provides a comprehensive comparison of Yoruba and Cuban mythologies, followed by an overview of how Santeria has continued to diffuse and change in response to new contexts and adherents--with an especially illuminating perspective on Santeria among Cubans in Miami. As a reference work and historical treatment of Santeria, Sandoval's work will appeal to both scholars and nonscholars alike, ranging from anthropologists and students of religion and the African Diaspora to psychologists, social workers, and those curious about or inspired by this remarkably durable and adaptable belief system.
Author: Lydia Cabrera
Publisher: U of Nebraska Press
ISBN: 0803264380
Category : Social Science
Languages : en
Pages : 193
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Book Description
As much a storyteller as an ethnographer, Lydia Cabrera was captivated by a strange and magical new world revealed to her by her Afro-Cuban friends in early twentieth-century Havana. In Afro-Cuban Tales this world comes to teeming life, introducing English-speaking readers to a realm of tenuous boundaries between the natural and the supernatural, deities and mortals, the spiritual and the seemingly inanimate. Here readers will find a vibrant, imaginative record of African culture transplanted to Cuba and transformed over time, a passionate and subversive alternative to the dominant Western culture of the Americas. In this charmed realm of myth and legend, imaginative flights, and hard realities, Cabrera shows us a world turned upside down. In this domain guinea hens can make dour Asturians and the king of Spain dance; little fat cooking pots might prepare their own meals; the pope can send encyclicals about pumpkins; and officials can be defeated by the shrewdness of turtles. The first English translation of one of the most important writers on African culture in the Americas, the collection provides a fascinating view of how African traditions, myths, stories, and religions traveled to the New World?of how, in their tales, Africans in the Americas created a New World all their own.
