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Author: Robert Farris Thompson
Publisher: Vintage
ISBN: 0307874338
Category : Art
Languages : en
Pages : 337
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Book Description
This landmark book shows how five African civilizations—Yoruba, Kongo, Ejagham, Mande and Cross River—have informed and are reflected in the aesthetic, social and metaphysical traditions (music, sculpture, textiles, architecture, religion, idiogrammatic writing) of black people in the United States, Cuba, Haiti, Trinidad, Mexico, Brazil and other places in the New World.
Author: Robert Farris Thompson
Publisher: Vintage
ISBN: 0307874338
Category : Art
Languages : en
Pages : 337
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Book Description
This landmark book shows how five African civilizations—Yoruba, Kongo, Ejagham, Mande and Cross River—have informed and are reflected in the aesthetic, social and metaphysical traditions (music, sculpture, textiles, architecture, religion, idiogrammatic writing) of black people in the United States, Cuba, Haiti, Trinidad, Mexico, Brazil and other places in the New World.
Author: Souleymane Bachir Diagne
Publisher: Other Press, LLC
ISBN: 163542321X
Category : Art
Languages : en
Pages : 209
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Book Description
This critically acclaimed study offers a distinct, incisive look at how Senegalese philosopher Senghor sees in African art the most acute expression of Bergson’s philosophy. Léopold Sédar Senghor (1906–2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy, Souleymane Bachir Diagne uses a unique approach to reading Senghor’s influential works, taking as the starting point for his analysis Henri Bergson’s idea that in order to understand philosophers, one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that his primordial intuition is that African art is a philosophy. To further this point, Diagne looks at what Senghor called the “1889 Revolution” (the year Bergson’s Time and Free Will was published), as well as the influential writers and publications of that period—specifically, Nietzsche and Rimbaud. The 1889 Revolution, Senghor claims, is what led him to the understanding of the “Vitalism” at the core of African religions and beliefs that found expression in the arts.
Author: Robert Farris Thompson
Publisher: Univ of California Press
ISBN: 0520324633
Category : Art
Languages : en
Pages : 902
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Author: Ivan Karp
Publisher: Indiana University Press
ISBN: 9780253214171
Category : History
Languages : en
Pages : 286
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Book Description
This book assesses the direction and impact of African philosophy as well as its future role. What is the intellectual, social, cultural, and political territory of African philosophy? What directions will African philosophy take in the future? What problems will it face? In 10 probing essays by distinguished African, European, and American scholars, African Philosophy as Cultural Inquiry examines the role of African philosophy at the opening of the new millennium. Here philosophy cuts across disciplinary boundaries to embrace ideas taken from history, literary studies, anthropology, and art. Addressing topics such as the progress of philosophical discourse, knowledge and modes of thought, the relevance of philosophy for cultures that are still largely based on traditional values, and the meaning of philosophy to cultures and individuals in the process of modernization, this volume presents today's best thinking about the concerns and practices that constitute African experience. New views about personhood, freedom, responsibility, progress, development, the role of the state, and life in civil society emerge from these broad-based considerations of the crisis of the postcolonial African state. In a lively fashion this diverse book shows how philosophical questions can be applied to interpretations of culture and reveals the multifaceted nature of philosophical discourse in the multiple and variable settings that exist in contemporary Africa.
Author: Columbia University. Department of Art History and Archaeology
Publisher: New York : Interbook
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
Author: Kendell Geers
Publisher: Silvana Editoriale
ISBN: 9788836642991
Category : Art
Languages : en
Pages : 0
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Book Description
ncarNations is at once a mix and exchange between classical and contemporary art from Africa and its diasporas, looking at African art as a living philosophical practice. The masks, images and historic objects act as milestones, anchoring contemporary works in the ancient context of live creation. Taken from Sindika Dokolo's collection, the works of African artists enter into dialogue with those of the diaspora while contemporary works are presented alongside classical works. Artists: Sammy Baloji, William Kentridge, Tracey Rose, Wangechi Mutu, Otobong Nkanga, Yinka Shonibare, Pascale Marthine Tayou, Ana Mendieta, Kehinde Wiley, Andres Serrano, Aida Muluneh, Mwangi Hutter, Hank Willis Thomas, Tracey Rose, Adrian Piper, Lubaina Himid, Roger Ballen, Zanele Muholi, Phyllis Galembo.
Author: Guttorm Fløistad
Publisher: Springer Science & Business Media
ISBN: 940093517X
Category : Philosophy
Languages : en
Pages : 317
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Book Description
This publication is a continuation of two earlier series of chroni cles, Philosophy of the Mid-Century (Firenze 1958/59) and Con temporary Philosophy (Firenze 1968), edited by Raymond Klibansky. Like the other series, these chronicles provide a survey of significant trends in contemporary philosophical discussion from 1970 to 1985. The need for such surveys has, I believe, increased rather than decreased over the last years. The philosophical scene appears, for various reasons, more complex than ever before. The continuing process of specialization in most branches, the emergence of new schools of thought, the convergence of interest (thought not neces sarily of opinion) of different traditions upon certain problems, the increasing attention being paid to the history of philosophy in discussions of contemporary problems, and the growing signifi cance for philosophical discourse of the social, political and cul tural situation in various regions of the world are the most impor tant contributory factors. Surveys of the present kind are a valu able source of knowledge of this complexity and may as such be an assistance in renewing the understanding of one's own philo sophical problems. The surveys, it is to be hoped, may also help to strengthen a world-wide Socratic element of modern philosophy, the dialogue or Kommunikationsgemeinschaft. So far, five volumes have been prepared for the new series.
Author: Souleymane Bachir Diagne
Publisher: Other Press, LLC
ISBN: 1635423228
Category : Art
Languages : en
Pages : 209
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Book Description
This critically acclaimed study offers a distinct, incisive look at how Senegalese philosopher Senghor sees in African art the most acute expression of Bergson’s philosophy. Léopold Sédar Senghor (1906–2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy, Souleymane Bachir Diagne uses a unique approach to reading Senghor’s influential works, taking as the starting point for his analysis Henri Bergson’s idea that in order to understand philosophers, one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that his primordial intuition is that African art is a philosophy. To further this point, Diagne looks at what Senghor called the “1889 Revolution” (the year Bergson’s Time and Free Will was published), as well as the influential writers and publications of that period—specifically, Nietzsche and Rimbaud. The 1889 Revolution, Senghor claims, is what led him to the understanding of the “Vitalism” at the core of African religions and beliefs that found expression in the arts.
Author: D A Masolo
Publisher: Edinburgh University Press
ISBN: 1474470777
Category : Philosophy
Languages : en
Pages : 314
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Book Description
African Philosophy in Search of Identity
Author: Henry John Drewal
Publisher: Abrams
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
The Yoruba people of Nigeria and Benin, over 15 million strong, are heirs to one of the oldest and greatest artistic traditions in West Africa. This text offers a look at Yoruba civilization. Over 200 photographs illustrate rarely seen objects from museums and private collections.
