African-American Artists, 1929-1945 PDF Download
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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art New York
ISBN: 9781588390356
Category : Art
Languages : en
Pages : 91
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Book Description
Presents a catalog of an exhibition featuring the work of African-American artists, accompanied by an introductory essay, chapter introductions, and a discussion of the printmaking techniques of depression-era WPA printmakers.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art New York
ISBN: 9781588390356
Category : Art
Languages : en
Pages : 91
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Book Description
Presents a catalog of an exhibition featuring the work of African-American artists, accompanied by an introductory essay, chapter introductions, and a discussion of the printmaking techniques of depression-era WPA printmakers.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0300098774
Category : African American art
Languages : en
Pages : 93
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Book Description
This handsome book focuses on the work of African-American artists during the Depression and the war years, when government-sponsored programs led to a resurgence in artistic production throughout the United States.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Lisa Mintz Messinger
Publisher: Turtleback Books
ISBN: 9781417687480
Category : Art
Languages : en
Pages :
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Book Description
This book focuses on the work of African American artists during the Depression and the war years (1929-1945), when government-sponsored programs such as the WPA led to a general resurgence in artistic production throughout the United States. The catalogue features the work of Robert Blackburn, Raymond Steth, Horace Woodroff, and Dox Trash, among others, with a smaller selection of paintings and watercolors by such notable artists as Horace Pippin, Romare Bearden, Jacob Lawrence, and Bill Traylor. Included are essays on the work in its cultural context and on printmaking techniques. Most of the works in this volume are recent acquisitions of The Metropolitan Museum of Art and have not been previously published.
Author: Lisa Gail Collins
Publisher: Rutgers University Press
ISBN: 0813541077
Category : Social Science
Languages : en
Pages : 403
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Book Description
During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture—which came to be known as the Black Arts Movement—has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.
Author: Smithsonian American Art Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
"Drawn entirely from the Smithsonian American Art Museum's rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee. More than half of the artworks in the exhibition are being shown for the first time"--Publisher's website.
Author: Josette M. Cole
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 62
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Book Description
Author: Adrienne L. Childs
Publisher: Rizzoli Publications
ISBN: 0847866645
Category : Art
Languages : en
Pages : 210
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Book Description
A timely consideration of African-American artists' rich engagement with the history of art from the twentieth century, this book is the winner of the James A. Porter and David C. Driskell Book Award for African American Art History. Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.
Author: Edward Mitchell Bannister
Publisher: Whitney Museum of American Art
ISBN:
Category : African American art
Languages : en
Pages : 84
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Book Description
Author: Patricia A. Banks
Publisher: Routledge
ISBN: 1135177953
Category : Art
Languages : en
Pages : 257
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Book Description
Patricia A. Banks traverses the New York and Atlanta art worlds to uncover how black identities are cultivated through black art patronage. Drawing on over 100 in-depth interviews, observations at arts events, and photographs of art displayed in homes, Banks elaborates a racial identity theory of consumption that highlights how upper-middle class blacks forge black identities for themselves and their children through the consumption of black visual art. She not only challenges common assumptions about elite cultural participation, but also contributes to the heated debate about the significance of race for elite blacks, and illuminates recent art world developments. In doing so, Banks documents how the salience of race extends into the cultural life of even the most socioeconomically successful blacks.
