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Author: Arnold Isenberg
Publisher: University of Chicago Press
ISBN: 0226385124
Category : Philosophy
Languages : en
Pages : 362
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Book Description
"These sixteen essays by Arnold Isenberg "bring wide-ranging connoiseurship, intricate analysis, and epigrammatic literacy to bear on a number of glib and fuzzy oppositions between form and content, description and interpretation, perception and meaning, technique and substance, and belief and expression, articulating provocative strategies for illuminating the canon of the arts and the organ of criticism. . . . Any thoughtful lover of the arts could read this book with profit and inspiration."—Choice
Author: Arnold Isenberg
Publisher: University of Chicago Press
ISBN: 0226385124
Category : Philosophy
Languages : en
Pages : 362
Get Book Here
Book Description
"These sixteen essays by Arnold Isenberg "bring wide-ranging connoiseurship, intricate analysis, and epigrammatic literacy to bear on a number of glib and fuzzy oppositions between form and content, description and interpretation, perception and meaning, technique and substance, and belief and expression, articulating provocative strategies for illuminating the canon of the arts and the organ of criticism. . . . Any thoughtful lover of the arts could read this book with profit and inspiration."—Choice
Author: Paolo Euron
Publisher: BRILL
ISBN: 9004409238
Category : Education
Languages : en
Pages : 251
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Book Description
This book introduces the reader to the literary work and to an understanding of its cultural background and its specific features. In doing so, it refers to two main traditions of Western culture: one of aesthetics and the theory of art and the other of literary theory. In our postmodern world, language and artistic creation (and above all literature as the art of language) occupy a special role in understanding the human world and become existential issues. A critical attitude requires knowledge of the relevant past in order to understand what we are today. The author presents key topics, ideas, and representatives of aesthetics, theory, and the interpretation of works of art in an historical perspective, in order to explain the Western tradition with constant attention to the present condition. Aesthetics, Theory and Interpretation of the Literary Work offers an outline of essential concepts and authors of aesthetics and theories of the literary work, presenting basic topics and ideas in their historical context and development, considering their relevance to the contemporary debate, and highlighting the specificity of the experience of the art work in our present world. The best way to approach a work of art is to enjoy it. In order to enjoy a literary work, we have to consider its correct context and its specific artistic qualities. The book is conceived as a general and enjoyable introduction to the experience of the work of art in Western culture. See inside the book.
Author: Noel Carroll
Publisher: Routledge
ISBN: 1134221304
Category : Philosophy
Languages : en
Pages : 239
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Book Description
In a recent poll of practicing art critics, 75 percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a troubling statistic for philosopher and critic Noel Carroll, who argues that that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but instead to determine what is of value in art. Carroll argues for a humanistic conception of criticism which focuses on what the artist has achieved by creating or performing the work. Whilst a good critic should not neglect to contextualize and offer interpretations of a work of art, he argues that too much recent criticism has ignored the fundamental role of the artist's intentions. Including examples from visual, performance and literary arts, and the work of contemporary critics, Carroll provides a charming, erudite and persuasive argument that evaluation of art is an indispensable part of the conversation of life.
Author: Sianne Ngai
Publisher: Harvard University Press
ISBN: 0674041526
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
Envy, irritation, paranoia—in contrast to powerful and dynamic negative emotions like anger, these non-cathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity. Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called “animatedness,” and a paradoxical synthesis of shock and boredom called “stuplimity.” She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening. Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory.
Author: Michael Patrick Gillespie
Publisher:
ISBN: 9780813033464
Category : Criticism
Languages : en
Pages : 0
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Book Description
"An invigorating (and convincing) challenge to the cornerstone assumptions of virtually all contemporary literary criticism . . . this study lays the groundwork for a dynamic new approach to reading literature. Sure to be controversial, its fundamental right-headedness should help to open debate on the nature of literary criticism across numerous disciplines."--William W. Demastes, Louisiana State University Michael Patrick Gillespie employs concepts of post-Einsteinian physics as the metaphoric and dialectic foundation for an alternative method of interpreting literature. His central argument revolves around the notion that the most useful literary criticism is that which comes closest to the process of reading. He argues that since our reading is not circumscribed by Cartesian cause-and-effect principles, our literary criticism should not be bound by linear thinking. Using examples that range from the Book of Job to Harry Potter and the Sorcerer's Stone, Gillespie demonstrates how nonlinear perception vastly enhances one's ability to understand diverse forms of literature. Invoking theories from Einstein's views on relativity, quantum mechanics, and chaos theories, Gillespie applies his approach to different types of literary works, including a children's fantasy: the Bible, The Importance of Being Earnest, and Finnegans Wake. In each case, he compares a nonlinear model of criticism with the interpretation of established critical schools, focusing especially on elucidating both the weaknesses in those schools and the multiple legitimate textual meanings in these works. Providing clear, useful theoretical grounding in the basics of the new sciences, Gillespie draws from the fundamental thinking behind these new conceptions of material existence to articulate a paradigm of literary criticism that should be of value to all literary scholars. ?Michael Patrick Gillespie is Louise Edna Goeden Professor of English at Marquette University and author of several works, including Oscar Wilde and the Poetics of Ambiguity (UPF, 1996) and Joyce through the Ages (UPF, 1999).
Author: Timothy Aubry
Publisher: Harvard University Press
ISBN: 0674988965
Category : Literary Criticism
Languages : en
Pages : 143
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Book Description
In the wake of radical social movements in the 1960s and 1970s, literary studies’ embrace of politics entailed a widespread rejection of aesthetic considerations. For scholars invested in literature’s role in supporting or challenging dominant ideologies, appreciating literature’s formal beauty seemed frivolous and irresponsible, even complicit with the iniquities of the social order. This suspicion of aesthetics became the default posture within literary scholarship, a means of establishing the rigor of one’s thought and the purity of one’s political commitments. Yet as Timothy Aubry explains, aesthetic pleasure never fully disappeared from the academy. It simply went underground. From New Criticism to the digital humanities, Aubry recasts aesthetics as the complicated, morally ambiguous, embattled yet resilient protagonist in late twentieth-century and early twenty-first–century literary studies. He argues that academic critics never stopped asserting preferences for certain texts, rhetorical strategies, or intellectual responses. Rather than serving as the enemy of formalism and aesthetics, political criticism enabled scholars to promote heightened experiences of perceptual acuity and complexity while adjudicating which formal strategies are best designed to bolster these experiences. Political criticism, in other words, did not eradicate but served covertly to nurture reading practices aimed at achieving aesthetic satisfaction. Guilty Aesthetic Pleasures shows that literary studies’ break with midcentury formalism was not as clean as it once appeared. Today, when so many scholars are advocating renewed attention to textual surfaces and aesthetic experiences, Aubry’s work illuminates the surprisingly vast common ground between the formalists and the schools of criticism that succeeded them.
Author: Michael P. Clark
Publisher: Univ of California Press
ISBN: 0520923502
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
This cutting-edge collection of essays showcases the work of some of the most influential theorists of the past thirty years as they grapple with the question of how literature should be treated in contemporary theory. The contributors challenge trends that have recently dominated the field--especially those that emphasize social and political issues over close reading and other analytic methods traditionally associated with literary criticism. Written especially for this collection, these essays argue for the importance of aesthetics, poetics, and aesthetic theory as they present new and stimulating perspectives on the directions which theory and criticism will take in the future. In addition to providing a selection of distinguished critics writing at their best, this collection is valuable because it represents a variety of fields and perspectives that are not usually found together in the same volume. Michael Clark's introduction provides a concise, cogent history of major developments and trends in literary theory from World War II to the present, making the entire volume essential reading for students and scholars of literature, literary theory, and philosophy.
Author: John J. Joughin
Publisher: Manchester University Press
ISBN: 9780719061394
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
This text introduces the notion of a new aestheticism - 'new' insofar as it identifies a turn taken by some contemporary thinkers towards the idea that focussing on the aesthetic impact of a work of art or literature has the potential to open different ways of thinking about identity, politics and culture.
Author: Jean-Michel Rabaté
Publisher: John Wiley & Sons
ISBN: 1118488679
Category : Literary Criticism
Languages : en
Pages : 485
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Book Description
Featuring the latest research findings and exploring the fascinating interplay of modernist authors and intellectual luminaries, from Beckett and Kafka to Derrida and Adorno, this bold new collection of essays gives students a deeper grasp of key texts in modernist literature. Provides a wealth of fresh perspectives on canonical modernist texts, featuring the latest research data Adopts an original and creative thematic approach to the subject, with concepts such as race, law, gender, class, time, and ideology forming the structure of the collection Explores current and ongoing debates on the links between the aesthetics and praxis of authors and modernist theoreticians Reveals the profound ways in which modernist authors have influenced key thinkers, and vice versa
Author: M. A. R. Habib
Publisher: John Wiley & Sons
ISBN: 1405148845
Category : Literary Criticism
Languages : en
Pages : 848
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Book Description
This comprehensive guide to the history of literary criticism from antiquity to the present day provides an authoritative overview of the major movements, figures, and texts of literary criticism, as well as surveying their cultural, historical, and philosophical contexts. Supplies the cultural, historical and philosophical background to the literary criticism of each era Enables students to see the development of literary criticism in context Organised chronologically, from classical literary criticism through to deconstruction Considers a wide range of thinkers and events from the French Revolution to Freud’s views on civilization Can be used alongside any anthology of literary criticism or as a coherent stand-alone introduction
