Essays on Aesthetic Genesis PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Essays on Aesthetic Genesis PDF full book. Access full book title Essays on Aesthetic Genesis by Charlene Elsby. Download full books in PDF and EPUB format.
Author: Charlene Elsby
Publisher: UPA
ISBN: 0761867708
Category : Philosophy
Languages : en
Pages : 249
Get Book Here
Book Description
Essays on Aesthetic Genesis is a collection of essays written on Jeff Mitscherling’s work in realist phenomenology, Aesthetic Genesis: The Origin of Consciousness in the Intentional Being of Nature. The authors explicate, expand, contextualize and apply the concepts of intentional being, the “New Copernican Hypothesis” (a reversal of the fundamental tenet of phenomenology that all consciousness is intentional—intentionality, rather, gives rise to consciousness), the idea of intentional structures in nature, and the foundational concepts of Aesthetic Genesis as they appear in the work of Aristotle, Ingarden and Gadamer amongst others. This book takes as its focus Mitscherling’s comprehensive phenomenological analysis of embodiment, aesthetic experience, the interpretation of texts, moral behavior, and cognition, and exemplifies subsequent work in the field of realist phenomenology being conducted by an international collection of active scholars influenced by Aesthetic Genesis.
Author: Charlene Elsby
Publisher: UPA
ISBN: 0761867708
Category : Philosophy
Languages : en
Pages : 249
Get Book Here
Book Description
Essays on Aesthetic Genesis is a collection of essays written on Jeff Mitscherling’s work in realist phenomenology, Aesthetic Genesis: The Origin of Consciousness in the Intentional Being of Nature. The authors explicate, expand, contextualize and apply the concepts of intentional being, the “New Copernican Hypothesis” (a reversal of the fundamental tenet of phenomenology that all consciousness is intentional—intentionality, rather, gives rise to consciousness), the idea of intentional structures in nature, and the foundational concepts of Aesthetic Genesis as they appear in the work of Aristotle, Ingarden and Gadamer amongst others. This book takes as its focus Mitscherling’s comprehensive phenomenological analysis of embodiment, aesthetic experience, the interpretation of texts, moral behavior, and cognition, and exemplifies subsequent work in the field of realist phenomenology being conducted by an international collection of active scholars influenced by Aesthetic Genesis.
Author: Jeff Mitscherling
Publisher: University Press of America
ISBN: 0761850228
Category : Philosophy
Languages : en
Pages : 176
Get Book Here
Book Description
In Aesthetic Genesis, the author argues for a reversal of the most fundamental tenet of phenomenology-namely, that all consciousness is intentional (that is, directed toward an object). Mitscherling suggests, as a new 'Copernican hypothesis,' that intentionality (i.e., directionality) gives rise to consciousness. This book describes not only the origin, or 'genesis,' of human cognition in sensation, but also the genesis of sensation from intentional structures belonging to nature itself. A phenomenological examination of our experience leads to the conclusion that the two sorts of being generally recognized by contemporary science and philosophy-that is, material being and ideal being-prove ontologically inadequate to account for this experience. Mitscherling rehabilitates the pre-modern concepts of 'intentional being' and 'formal causality' and employs them in the construction of a comprehensive phenomenological analysis of embodiment, aesthetic experience, the interpretation of texts, moral behavior, and cognition in general.
Author: David A. Covington
Publisher: Zondervan Academic
ISBN: 0310534372
Category : Religion
Languages : en
Pages : 241
Get Book Here
Book Description
A Redemptive Theology of Art develops a biblical, systematic, and practical theology of aesthetics. It begins with the roots and ontology of aesthetics (vs. "art") and the architecture and narrative of affection and passion, their woes and their glory. Those who would search the Bible find little support for "art" as commonly conceived in the West. The language of aesthetics, applied to the maker’s intentions, the qualities of the work, and the responses of the audience, better addresses the questions of beauty, and better suits the discussion of human actions, beliefs, and culture than the language of art does. The Bible yields more consistent and helpful answers to questions about the broader category of aesthetics than it does to questions about art; leading in turn to better questions and a more practical and theological appreciation of human affections, beauty, and delight, and the many paths by which people, including Christians, pursue them. Using the categories and definitions from Scripture, Covington gives hope and help not only for those who labor in the arts, but for everyone who cares about the passions that motivate us. We were made for God's delight, and, though sin and bondage plague our passions, God can shape our fun, feelings, desires, affections and aversions. Feelings are neither objective nor subjective; they are redeemable. Borrowing key ideas from other Christian writers on the arts or aesthetics, Covington explores the connection between orthodox Protestant theology and a responsible, respectful treatment of arts, artists, and all aesthetic fields of human work and speech.
Author: George Lansing Raymond
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 354
Get Book Here
Book Description
Author: George Lansing Raymond
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 0
Get Book Here
Book Description
Author: James Hayden Tufts
Publisher: Forgotten Books
ISBN: 9780484007405
Category : Psychology
Languages : en
Pages : 20
Get Book Here
Book Description
Excerpt from On the Genesis of the Aesthetic Categories I. The aesthetic consciousness in its beginnings is connected with art rather than with nature. II. The relation of the aesthetic (appreciative) consciousness to art is not that of cause, but that of effect. Art has not arisen primarily to satisfy an already existing love of beauty. It has arisen chiefly, if-not wholly, from other springs, and has itself created the sense by which it is enjoyed. III. Art has its origins, almost without exception, in social relations' it has developed under social pressure; it has been fostered by social occasions; it has in turn served social ends in the struggle for existence. In consequence, the values attributed to aesthetic objects have social standards, and the aesthetic attitude will be determined largely by these, social antecedents. Or, in other words, the explanation of the aesthetic categories is to be sought largely in social psychology. Before considering the propositions seriatim, it will be convenient to note briefly what the characteristics of the aesthetic consciousness are. In this the aim will be, not to present an exhaustive list, but rather to indicate categories which have been generally and widely recognized as. Distinguishing the aesthetic from other values, such as the ethical, logical, or economic, or from other pleasures, such as the agreeable. And amid the seeming multiplicity of such marks or differentia which have been put forth by writers on aesthetics there is, after all, a considerable degree of uniformity.' They may be grouped under three heads. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Robert L. Belknap
Publisher: Northwestern University Press
ISBN: 9780810108455
Category : Literary Criticism
Languages : en
Pages : 224
Get Book Here
Book Description
Belknap (Slavic languages, Columbia U.) traces Dostoevsky's last, great novel to its sources, exploring how the author consciously transformed his experience and his readings to construct the work. It is both a lucid analysis of a complex and difficult text and an inquiry into the process of literary creation. Annotation copyright Book News, Inc. P
Author: Edward W. Said
Publisher: Harvard University Press
ISBN: 9780674961876
Category : Literary Criticism
Languages : en
Pages : 340
Get Book Here
Book Description
Said demonstrates that critical discourse has been strengthened by the writings of Derrida and Foucault and by influences like Marxism, structuralism, linguistics, and psychoanalysis. But, he argues, these forces have compelled literature to meet the requirements of a theory or system, ignoring complex affiliations binding the texts to the world.
Author: Hartwig Wiedebach
Publisher: BRILL
ISBN: 9004232613
Category : Philosophy
Languages : en
Pages : 274
Get Book Here
Book Description
Hermann Cohen was a Jewish-German thinker with a passion for philosophy. Two forms of national engagement influenced his philosophical system and his Jewish thought: a cultural-political 'Germanness' (Deutschtum) and a religious Judaism beyond the political.
Author: Leszek Sosnowski
Publisher: Bloomsbury Publishing
ISBN: 1350321524
Category : Philosophy
Languages : en
Pages : 185
Get Book Here
Book Description
This volume explores the work of Polish phenomenologist Roman Ingarden (1893-1970) with respect to his ontology, epistemology and aesthetics. An outstanding student of Edmund Husserl, it offers a unique tribute to one of the most important figures in contemporary philosophy. Leszek Sosnowski and Natalia Anna Michna introduce a team of renowned scholars to present new and timely readings of Ingarden's thought, placing his philosophy in a broader historical and cultural context. In doing so, they offer a cutting edge reflection on the relevance, refinement and depth of Ingarden's theory. Chapters are not only retrospective, but also set out the present and future development of philosophy inspired by his works. Reinvigorating the debate about Ingarden's phenomenological legacy and its relevance for contemporary thought, this collection of essays guides us through his place in the history of philosophy and presents new perspectives on selected aspects of his theory.
