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Author: Nick Zangwill
Publisher: Oxford University Press
ISBN: 0199261873
Category : Art
Languages : en
Pages : 203
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Book Description
What is the purpose of art? What drives us to make it? Why do we value it? Nick Zangwill argues that the function of art is to have certain aesthetic properties in virtue of its non-aesthetic properties, and this function arises because of the artist's insight into the nature of these dependence relations and her intention to bring them about.
Author: Paul Crowther
Publisher: Routledge
ISBN: 0429886144
Category : Art
Languages : en
Pages : 367
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Book Description
Is art created with computers really art? This book answers ‘yes.’ Computers can generate visual art with unique aesthetic effects based on innovations in computer technology and a Postmodern naturalization of technology wherein technology becomes something we live in as well as use. The present study establishes these claims by looking at digital art’s historical emergence from the 1960s to the start of the present century. Paul Crowther, using a philosophical approach to art history, considers the first steps towards digital graphics, their development in terms of three-dimensional abstraction and figuration, and then the complexities of their interactive formats.
Author: Nick Zangwill
Publisher: Oxford University Press
ISBN: 0199261873
Category : Art
Languages : en
Pages : 203
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Book Description
What is the purpose of art? What drives us to make it? Why do we value it? Nick Zangwill argues that the function of art is to have certain aesthetic properties in virtue of its non-aesthetic properties, and this function arises because of the artist's insight into the nature of these dependence relations and her intention to bring them about.
Author: Tone Roald
Publisher: Rodopi
ISBN: 9401209049
Category :
Languages : en
Pages : 219
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Book Description
Art has the capacity to shape and alter our identities. It can influence who and what we are. Those who have had aesthetic experiences know this intimately, and yet the study of art’s impact on the mind struggles to be recognized as a centrally important field within the discipline of psychology. The main thesis of Art and Identity is that aesthetic experience represents a prototype for meaningful experience, warranting intense philosophical and psychological investigation. Currently psychology remains too closed-off from the rich reflection of philosophical aesthetics, while philosophy continues to be sceptical of the psychological reduction of art to its potential for Subjective experience. At the same time, philosophical aesthetics cannot escape making certain assumptions about the psyche and benefits from entering into a dialogue with psychology. Art and Identity brings together philosophical and psychological perspectives on aesthetics in order to explore how art creates minds.
Author: Nick Zangwill
Publisher: OUP Oxford
ISBN: 0191532169
Category : Philosophy
Languages : en
Pages : 200
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Book Description
What is the purpose of a work of art? What drives us to make art? Why do we value art and consume it? Nick Zangwill argues that we cannot understand the nature of art without first having answers to these fundamental questions. On his view, which he dubs 'the Aesthetic Creation Theory', a work of art is something created for a particular aesthetic purpose. More specifically, the function of art is to have certain aesthetic properties in virtue of its non-aesthetic properties, and this function arises because of the artist's insight into the nature of these dependence relations and her intention to bring them about. In defending this view, Zangwill provides an account of aesthetic action and aesthetic creative thought and shows how the Aesthetic Creation Theory can accommodate two kinds of seeming counterexamples to aesthetic theories of art: narrative art and twentieth-century avant-garde art. Aesthetic Creation also contains a detailed exposition and critique of a range of rival views, including Dickie's institutional theory of art, accounts of art that make essential reference to an audience, and sociological theories which purport to explain the nature of art without recourse to the notion of the aesthetic.
Author:
Publisher:
ISBN:
Category : Surgery, Plastic
Languages : en
Pages : 600
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Book Description
Author: Zhu Zhirong
Publisher: Taylor & Francis
ISBN: 1040144268
Category : Philosophy
Languages : en
Pages : 270
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Book Description
This book explores the aesthetic consciousness of the Shang Dynasty and its influence on Chinese aesthetic development and contemporary aesthetic creation. The Shang Dynasty is the first era in China with authentic historical documentation. Its artifacts and inscriptions have great aesthetic value and serve as vivid and rich records of aesthetic concepts. By examining the production and use of pottery, jade, bronze, and oracle bone inscriptions, the book sheds light on the functions of these creations as media for conveying emotions driven by human nature. By discussing how the Shang script was invented and used, the author explores the significant role it played in the development of the aesthetic consciousness of the Chinese ancients. Based on surviving documents, including the hexagrams in the Book of Changes, the Pan Geng in the Book of Documents, and the Shang Songs in the Book of Songs, he further examines the poetic characteristics of Shang literature, recognizing it as both historically and literarily significant. The title is essential reading for scholars, students, and general readers interested in Chinese aesthetics, ancient Chinese civilization, culture, and art.
Author: Paul Crowther
Publisher: Routledge
ISBN: 0429581319
Category : Philosophy
Languages : en
Pages : 254
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Book Description
This book shows that art involves an aesthetics of self-becoming, wherein we do not simply consume artistic meaning, but become empowered—by adapting ourselves to what creation in the different art forms makes possible. Paul Crowther argues that the great political task in aesthetics is no longer the creation of political art as such, but rather the winning back of art and aesthetics as central societal concerns. This involves the overcoming of neo-liberal treatments of art as mere commodity and misguided attitudes that dismiss it as the product of dead white European males. The book begins with a theory of self-consciousness which reveals the necessary role played by the aesthetic in personal identity. It then emphasises how art forms empower through processes of making and aesthetic effects that are unique to them individually. To show this, he considers the ontology of pictorial art, sculpture, installation and assemblage works, architecture, literature, cinema, and music. His arguments concerning these are supported, throughout, by in-depth discussions of specific artworks. The book’s effect, overall is to reorientate aesthetics by showing how art empowers through its revelation of new possibilities of experience. The Aesthetics of Self-Becoming will appeal to philosophers of art and aesthetics, as well as scholars in art history, literary studies, film studies, and music theory who are interested in the book’s central concerns.
Author: Melvin L. Alexenberg
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 260
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Book Description
Author: Zachary Simpson
Publisher: Rowman & Littlefield
ISBN: 0739168703
Category : Philosophy
Languages : en
Pages : 297
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Book Description
Life as Art brings the resources of contemporary aesthetics since Nietzsche to bear on the problems of how one integrates the aesthetic emphases of meaning, liberation, and creativity into one's daily life. By linking together the aesthetic and ethical accounts of critical theorists, phenomenologists, and existentialists into a coherent view on the artful life, Life as Art shows the ways in which much of contemporary Continental theory has been concerned with alternative ways of constructing one's own life. Seen as a unified phenomenon, life as art signifies an active attempt to create a life which bears the resistance, openness, and creativity found in artworks.
Author: Dan Nesher
Publisher: Rowman & Littlefield
ISBN: 0761872965
Category : Art
Languages : en
Pages : 371
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Book Description
This book is aimed to explain the creation of artworks and their evaluation, and offers a new concept of aesthetics and beauty of artworks. Following and reconstructing Peircean realist epistemology, Aesthetics is one of the three normative sciences, along with Logic (Theoretic) and Ethics, which are the three different modes of representing reality. Aesthetics is the mode of artistic representation of reality, and the created artworks are judged beautiful when proven as an aesthetic true representation of reality. Artists aim to represent reality truly, and hence, beautifully, in order to enhance our knowledge of it and to afford us insights on how to better conduct our life in society.
