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Author: Paola Patiño Rabines
Publisher: Springer Nature
ISBN: 3031428161
Category : Social Science
Languages : en
Pages : 252
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Book Description
This book explores the political-aesthetic practices of transgender women in Lima, Peru, and how they use these to survive and fight for recognition and full citizenship, through drawing on ethnographic research and on decolonial feminist and aesthetic theories. Chapters analyze how the vulnerability and precariousness of trans women coexist with modes of feminist agency, resistance and resilience, as well as with proposals for political action to transform a heteropatriarchal society toward a more diverse and accepting one. Finally, the author draws on the Viennese artist Friedensreich Hundertwasser’s metaphor of the five skins, whereby the first skin is the epidermis; the second is the clothes; the third is the house; the fourth is identity, which refers to primary socialization spaces such as the neighbourhood; and the fifth is the world environment. The author uses this metaphor to analyze the corporal practices of trans women in a cumulative way, paying special attention to the different stages of their lives, to those skins that embody and accompany them from childhood to adulthood. This book will be of interest to scholars of transgender studies, decolonial feminist studies, and aesthetic, particularly those with a focus on gender and sexuality in Latin America.
Author: Paola Patiño Rabines
Publisher: Springer Nature
ISBN: 3031428161
Category : Social Science
Languages : en
Pages : 252
Get Book Here
Book Description
This book explores the political-aesthetic practices of transgender women in Lima, Peru, and how they use these to survive and fight for recognition and full citizenship, through drawing on ethnographic research and on decolonial feminist and aesthetic theories. Chapters analyze how the vulnerability and precariousness of trans women coexist with modes of feminist agency, resistance and resilience, as well as with proposals for political action to transform a heteropatriarchal society toward a more diverse and accepting one. Finally, the author draws on the Viennese artist Friedensreich Hundertwasser’s metaphor of the five skins, whereby the first skin is the epidermis; the second is the clothes; the third is the house; the fourth is identity, which refers to primary socialization spaces such as the neighbourhood; and the fifth is the world environment. The author uses this metaphor to analyze the corporal practices of trans women in a cumulative way, paying special attention to the different stages of their lives, to those skins that embody and accompany them from childhood to adulthood. This book will be of interest to scholars of transgender studies, decolonial feminist studies, and aesthetic, particularly those with a focus on gender and sexuality in Latin America.
Author: PAOLA. PATINO RABINES
Publisher:
ISBN: 9783031428159
Category :
Languages : en
Pages : 0
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Book Description
Author: Gerold Sedlmayr
Publisher: McFarland
ISBN: 1476617554
Category : Social Science
Languages : en
Pages : 223
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Book Description
Fantasy is often condemned as escapist, unsophisticated and superficial. This collection of new essays puts such easy dismissals to the test by examining the ways in which Fantasy narratives present diverse, politically relevant discourses--gender, race, religion or consumerism--and thereby serve as indicators of their real-world contexts. Through their depiction of other worlds allegedly disconnected from our own, these texts are able to actualize political attitudes. Instead of categorizing Fantasy either as conservative or progressive, the essays suggest that its generic peculiarity allows the emergence of productive forms of oscillation between these extremes. Covered are J.R.R. Tolkien's The Lord of the Rings, George R.R. Martin's A Song of Ice and Fire sequence, J. K. Rowling's Harry Potter novels, the vampire TV series True Blood, and the dystopian computer game Fallout 3.
Author: Jose Luis Reynoso
Publisher: Oxford University Press
ISBN: 0197622550
Category : History
Languages : en
Pages : 297
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Book Description
This book analyzes how national and international dancers contributed to developing Mexico's cultural politics and notions of the nation at different historical moments. It emphasizes how dancers and other moving bodies resisted and reproduced racial and social hierarchies stemming from colonial Mexico (1521-1821). Relying on extensive archival research, choreography as an analytical methodology, and theories of race, dance, and performance studies, author Jose Reynoso examines how dance and other forms of embodiment participated in Mexico's formation after the Mexican War of Independence (1821-1876), the Porfirian dictatorship (1876-1911), and postrevolutionary Mexico (1919-1940). In so doing, the book analyzes how underlying colonial logics continued to influence relationships amongst dancers, other artists, government officials, critics, and audiences of different backgrounds as they refashioned their racial, social, cultural, and national identities. The book proposes and develops two main concepts that explore these mutually formative interactions among such diverse people: embodied mestizo modernisms and transnational nationalisms. 'Embodied mestizo modernisms' refers to combinations of indigenous, folkloric, ballet, and modern dance practices in works choreographed by national and international dancers with different racial and social backgrounds. The book contends that these mestizo modernist dance practices challenged assumptions about racial neutrality with which whiteness historically established its ostensible supremacy in constructing Mexico's 'transnational nationalisms'. This argument holds that notions of the nation-state and national identities are not produced exclusively by a nation's natives but also by historical transnational forces and (dancing) bodies whose influences shape local politics, economic interests, and artistic practices.
Author: Brenda Werth
Publisher: University of Michigan Press
ISBN: 047222168X
Category : Performing Arts
Languages : en
Pages : 471
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Book Description
Revolutionary feminism, queer, and trans activist movements are traversing Latin America and the Caribbean. Bodies on the Front Lines situates recent performances and protests within legacies of homegrown gender and sexual rights activism from the South. Performances—enacted in public spaces and intimate venues, across national borders, and through circulating hashtags and digital media—play crucial roles in the elaboration, auto-theorization, translation, and reception of feminist, queer, and trans activism. Movements such as Argentina's NiUnaMenos (Not One Less) have brought masses of protesters and “artivists” on the streets of major cities in Latin America and beyond to denounce gender violence and demand gender, sexual, and reproductive rights. The volume’s contributors draw from rich legacies of theater, performance, and activism in the region, as well as decolonial and intersectional theorizing, to demonstrate the ways that performance practices enable activists to sustain their movements. The chapters engage diverse perspectives from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, the Dominican Republic, transnational Central America, Peru, Puerto Rico, and Mexico. Rather than taking an approach that simplifies complexities among states, Bodies on the Front Lines takes seriously the geopolitical stakes of examining Latin America and the Caribbean as a heterogeneous site of nations and networks. In chapters covering this wide geographical area, leading scholars in the fields of theater and performance studies showcase the aesthetic, social, and political work of performance in generating and fortifying gender and sexual activism in the Americas.
Author: Ayşe Gül Altınay
Publisher: Columbia University Press
ISBN: 0231549970
Category : Social Science
Languages : en
Pages : 744
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Book Description
Women Mobilizing Memory, a transnational exploration of the intersection of feminism, history, and memory, shows how the recollection of violent histories can generate possibilities for progressive futures. Questioning the politics of memory-making in relation to experiences of vulnerability and violence, this wide-ranging collection asks: How can memories of violence and its afterlives be mobilized for change? What strategies can disrupt and counter public forgetting? What role do the arts play in addressing the erasure of past violence from current memory and in creating new visions for future generations? Women Mobilizing Memory emerges from a multiyear feminist collaboration bringing together an interdisciplinary group of scholars, artists, and activists from Chile, Turkey, and the United States. The essays in this book assemble and discuss a deep archive of works that activate memory across a variety of protest cultures, ranging from seemingly minor acts of defiance to broader resistance movements. The memory practices it highlights constitute acts of repair that demand justice but do not aim at restitution. They invite the creation of alternative histories that can reconfigure painful pasts and presents. Giving voice to silenced memories and reclaiming collective memories that have been misrepresented in official narratives, Women Mobilizing Memory offers an alternative to more monumental commemorative practices. It models a new direction for memory studies and testifies to a continuing hope for an alternative future.
Author: Susan Stryker
Publisher:
ISBN: 158005224X
Category : Social Science
Languages : en
Pages : 210
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Book Description
A chronological account of transgender theory documents major movements, writings, and events, offering insight into the contributions of key historical figures while discussing treatments of transgenderism in pop culture. Original.
Author: Grant H. Kester
Publisher: Duke University Press
ISBN: 1478027479
Category : Art
Languages : en
Pages : 161
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Book Description
In Beyond the Sovereign Self Grant H. Kester continues the critique of aesthetic autonomy begun in The Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice. Instead of grounding art in its distance from the social, Kester shows how socially engaged art, developed in conjunction with forms of social or political resistance, encourages the creative capacity required for collective political transformation. Among others, Kester analyzes the work of conceptual artist Adrian Piper, experimental practices associated with the escrache tradition in Argentina, and indigenous Canadian artists such as Nadia Myre and Michèle Taïna Audette, showing how socially engaged art catalyzes forms of resistance that operate beyond the institutional art world. From the Americas and Europe to Iran and South Africa, Kester presents a historical genealogy of recent engaged art practices rooted in a deep history of cultural production, beginning with nineteenth-century political struggles and continuing into contemporary anticolonial resistance and other social movements.
Author: Adriana Méndez Rodenas
Publisher: Bucknell University Press
ISBN: 1611485088
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
Transatlantic Travels in Nineteenth-Century Latin America: European Women Pilgrims retraces the steps of five intrepid “lady travelers” who ventured into the geography of the New World—Mexico, the Southern Cone, Brazil, and the Caribbean—at a crucial historical juncture, the period of political anarchy following the break from Spain and the rise of modernity at the turn of the twentieth century. Traveling as historians, social critics, ethnographers, and artists, Frances Erskine Inglis (1806–82), Maria Graham (1785–1842), Flora Tristan (1803–44), Fredrika Bremer (1801–65), and Adela Breton (1849–1923) reshaped the map of nineteenth-century Latin America. Organized by themes rather than by individual authors, this book examines European women’s travels as a spectrum of narrative discourses, ranging from natural history, history, and ethnography. Women’s social condition becomes a focal point of their travels. By combining diverse genres and perspectives, women’s travel writing ushers a new vision of post-independence societies. The trope of pilgrimage conditions the female travel experience, which suggests both the meta-end of the journey as well as the broader cultural frame shaping their individual itineraries.
Author: Miško Šuvakovic
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990123726
Category : Art
Languages : en
Pages : 593
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Book Description
A permanent state of emergency: a neo-aesthetic view on contemporary politics and art Miško Šuvaković describes his experience of the twentieth and twenty-first centuries as a "permanent state of emergency". The author explores this perspective in relation to the politics of time (dialectic historicizing) and the politics of space (geographic difference). By mapping visual arts, performance arts, architecture, music, new media and postmedia arts with contemporary theory, philosophy and aesthetics, he challenges established conceptualizations in modern and contemporary art movements.
