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Author: Karl Beckson
Publisher: Chicago Review Press
ISBN: 0897330447
Category : Poetry
Languages : en
Pages : 384
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Book Description
The Aesthetic and Decadent Movement of the late 19th century spawned the idea of "Art for Art's Sake," challenged aesthetic standards and shocked the bourgeosie. From Walter Pater's study, "The Renaissance to Salome, the truly decadent collaboration between Oscar Wilde and Aubrey Beardsley, Karl Beckson has chosen a full spectrum of works that chronicle the British artistic achievement of the 1890s. In this revised edition of a classic anthology, "The Ballad of Reading Gaol" has been included in its entirety; the bibliography has been completely updated; Professor Beckson's notes and commentary have been expanded from the first edition published in 1966. The so-called Decadent or Aesthetic period remains one of the most interesting in the history of the arts. The poetry and prose of such writers as Yeats, Wilde, Symons, Johnson, Dowson, Barlas, Pater and others are included in this collection, along with sixteen of Aubrey Beardsley's drawings.
Author: Karl Beckson
Publisher: Chicago Review Press
ISBN: 0897330447
Category : Poetry
Languages : en
Pages : 384
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Book Description
The Aesthetic and Decadent Movement of the late 19th century spawned the idea of "Art for Art's Sake," challenged aesthetic standards and shocked the bourgeosie. From Walter Pater's study, "The Renaissance to Salome, the truly decadent collaboration between Oscar Wilde and Aubrey Beardsley, Karl Beckson has chosen a full spectrum of works that chronicle the British artistic achievement of the 1890s. In this revised edition of a classic anthology, "The Ballad of Reading Gaol" has been included in its entirety; the bibliography has been completely updated; Professor Beckson's notes and commentary have been expanded from the first edition published in 1966. The so-called Decadent or Aesthetic period remains one of the most interesting in the history of the arts. The poetry and prose of such writers as Yeats, Wilde, Symons, Johnson, Dowson, Barlas, Pater and others are included in this collection, along with sixteen of Aubrey Beardsley's drawings.
Author: Karl E. Beckson
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 310
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Book Description
Author: Karl E. Beckson
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 364
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Dustin Friedman
Publisher: Cambridge University Press
ISBN: 1009081632
Category : Literary Criticism
Languages : en
Pages : 676
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Book Description
The 1890s were once seen as marginal within the larger field of Victorian studies, which tended to privilege the realist novel and the authors of the mid-century. In recent decades, the fin de siècle has come to be viewed as one of the most dynamic decades of the Victorian era. Viewed by writers and artists of the period as a moment of opportunity, transition, and urgency, the 1890s are pivotal for understanding the parameters of the field of Victorian studies itself. This volume makes a case for why the decade continues to be an area of perennial fascination, focusing on transnational connections, gender and sexuality, ecological concerns, technological innovations, and other current critical trends. This collection both calls attention to the diverse range of literature and art being produced during this period and foregrounds the relevance of the Victorian era's final years to issues and crises that face us today.
Author: Kostas Boyiopoulos
Publisher: Routledge
ISBN: 1317154126
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
For Decadent authors, Romanticism was a source of powerful imaginative revisionism, perversion, transition, and partial negation. But for all these strong Decadent reactions against the period, the cultural phenomenon of Decadence shared with Romanticism a mutual distrust of the philosophy of utilitarianism and the aesthetics of neo-Classicism. Reflecting on the interstices between Romantic and Decadent literature, Decadent Romanticism reassesses the diverse and creative reactions of Decadent authors to Romanticism between 1780 and 1914, while also remaining alert to the prescience of the Romantic imagination to envisage its own distorted, darker, perverted, other self. Creative pairings include William Blake and his Decadent critics, the recurring figure of the sphinx in the work of Thomas De Quincey and Decadent writers, and Percy Shelley with both Mathilde Blind and Swinburne. Not surprisingly, John Keats’s works are a particular focus, in essays that explore Keats’s literary and visual legacies and his resonance for writers who considered him an icon of art for art’s sake. Crucial to this critical reassessment are the shared obsessions of Romanticism and Decadence with subjectivity, isolation, addiction, fragmentation, representation, romance, and voyeurism, as well as a poetics of desire and anxieties over the purpose of aestheticism.
Author: Joseph Bristow
Publisher: University of Toronto Press
ISBN: 1487546092
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
The fin de siècle not only designated the end of the Victorian epoch but also marked a significant turn towards modernism. Extraordinary Aesthetes critically examines literary and visual artists from England, Ireland, and Scotland whose careers in poetry, fiction, and illustration flourished during the concluding years of the nineteenth century. This collection draws special attention to the exceptional contributions that artists, poets, and novelists made to the cultural world of the late 1880s and 1890s. The essays illuminate a range of established, increasingly acknowledged, and lesser-known figures whose contributions to this brief but remarkably intense cultural period warrant close attention. Such figures include the critically neglected Mabel Dearmer, whose stunning illustrations appear in Evelyn Sharp’s radical fairy tales for children. Equally noteworthy is the uncompromising short fiction of Ella D’Arcy, who played a pivotal role in editing the most famous journal of the 1890s, The Yellow Book. The discussion extends to a range of legendary writers, including Max Beerbohm, Oscar Wilde, and W.B. Yeats, whose works are placed in dialogue with authors who gained prominence during this period. Bringing women’s writing to the fore, Extraordinary Aesthetes rebalances the achievements of artists and writers during the rapidly transforming cultural world of the fin de siècle.
Author: Rhonda S. Pettit
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638187
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
As documented in her poetry and fiction, Parker's modernism moves beyond a narrow set of aesthetic principles; it carries the remnants from a collision of competing values, those of nineteenth-century sentimentalism, and twentieth-century decadence and modernism. Her works display the intense dynamic in which early twentieth-century literature and art were created."--BOOK JACKET.
Author: Dana Kabbani
Publisher: GRIN Verlag
ISBN: 3638147886
Category : Literary Criticism
Languages : en
Pages : 48
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Book Description
Seminar paper from the year 1998 in the subject English Language and Literature Studies - Literature, grade: 1,0 (A), Grinnell College (English Studies), course: The Tradition of English Literatue, language: English, abstract: 1. Introduction: In the following, the notions of “good, true, and beautiful” in Oscar Wilde’s The Picture of Dorian Gray will be examined, both separately and as they relate to one another. These adjectives carry a positive meaning, and they create a distinct contrast to the critiques and accusations that have been raised against the book and its writer. The Picture of Dorian Gray is in many ways a “pivotal work” (Lawler 285) in Oscar Wilde’s life and career. It sums up his major influences of the 1870s and 1880s, and anticipates the style of his celebrated comedies to come. Why was the public’s opinion, which meant his ruin in the end, so important to Oscar Wilde? To answer this question it is necessary to look at Wilde’s audience and environment. Wilde was “the epitome of a new type of professional writer” (Small 3). Thus The Picture of Dorian Gray and the scandal it provoked have to be situated in the context of late Victorian social institutions of journalism, advertising, homosexual communities, criminology, etiquette, and theater (Gagnier, Cambridge Companion 27). Wilde had always been a great borrower and collector of literary culture, and therefore was often accused of plagiarism, but he transformed everything into his own way of expression. It is the blending of original invention and existing art that enables Wilde to create new effects and moods. This blending helps to explain how The Picture of Dorian Gray embraces the range from classic Greek and Latin masters to contemporary English, French, and German writers. From its first appearance in the spring of 1890, The Picture of Dorian Gray has suggested to readers parallels to other works, ancient or modern, in English or any other language. To specify the focus, the novel can be regarded as a study of various Victorian art movements corresponding to different stages in the development of Victorian human nature, and the main characters are meant to be personifications of these art movements and psychological states (Nassaar 37). This paper tries to shed light not only on Wilde’s paradoxical style, but also on the 1890s society by answering the following questions: Which are the major art movements at the end of the 19th century; how far do they affect Wilde’s work? To what extent is the book good, true, and beautiful? Or are the opposites more appropriate? [...]
Author: Jay Fox
Publisher: E & L Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 472
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