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Author: Hans Ulrich Obrist
Publisher: Phaidon Press
ISBN: 9780714875019
Category : Art
Languages : en
Pages : 0
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Book Description
The first book to explore the fascinating career and fantasy-driven worlds created by the acclaimed Argentinean artist Adrián Villar Rojas's works concoct imaginary realms. Usually made from clay, his colossal installations are transitory and so cannot be collected, as they disappear or decay over time. His practice confronts the public with ideas of obsolescence and extinction, but also with the possibilities of humankind and its endless imagination. This is the first book to include all of Villar Rojas' most significant projects, featured in international biennials such as Venice, Documenta, Shanghai, and others.
Author: Hans Ulrich Obrist
Publisher: Phaidon Press
ISBN: 9780714875019
Category : Art
Languages : en
Pages : 0
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Book Description
The first book to explore the fascinating career and fantasy-driven worlds created by the acclaimed Argentinean artist Adrián Villar Rojas's works concoct imaginary realms. Usually made from clay, his colossal installations are transitory and so cannot be collected, as they disappear or decay over time. His practice confronts the public with ideas of obsolescence and extinction, but also with the possibilities of humankind and its endless imagination. This is the first book to include all of Villar Rojas' most significant projects, featured in international biennials such as Venice, Documenta, Shanghai, and others.
Author: Beatrice Galilee
Publisher: Metropolitan Museum of Art
ISBN: 1588396215
Category : Art
Languages : en
Pages : 70
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Book Description
Celebrated Argentinian artist Adrián Villar Rojas is known for his site-specific sculptural installations. For The Theater of Disappearance, the artist mines The Met’s collection, drawing on the five thousand years of world history within its galleries, to create an elaborate ahistorical work. Set atop the Iris and B. Gerald Cantor Roof Garden, Villar Rojas’s installation transforms the space into a performative diorama, where banquet tables occupy an oversize black-and-white checkerboard floor punctuated by sculptures that fuse together human figures and artifacts found within the museum. The resulting juxtapositions put forth a radical reinterpretation of museum practices. This illustrated book is the fifth edition in a series that documents and contextualizes The Met’s annual rooftop commissions. The introductory essay by Beatrice Galilee explores the conceptual framework that informs Villar Rojas’s remarkable commission as well as his interventions around the world. While exploring the Museum, Villar Rojas took thousands of photographs of objects and moments of interest. A selection of these images is featured here alongside the artist’s commentary, offering a unique visual diary of Villar Rojas’s thought process as he developed this arresting installation.
Author: Katerina Gregos
Publisher:
ISBN: 9788867493845
Category : Art
Languages : en
Pages : 120
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Book Description
A timely experiment in dwelling and creative gardening Argentinian artist Adrián Villar Rojas (born 1980) creates large-scale, site-specific sculptural installations, drawing upon the ruins of ancient civilizations. This book documents his 2012 project the Brick Farm, which began as a collaborative studio and led to his well-known Hornero bird nest installations.
Author: Sophie O'Brien (conservatrice).)
Publisher:
ISBN: 9783863354305
Category :
Languages : en
Pages : 0
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Book Description
Author: Tacita Dean
Publisher: Getty Publications
ISBN: 160606777X
Category : Art
Languages : en
Pages : 368
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Book Description
Available for a limited time, this artist’s book by renowned visual artist Tacita Dean explores her chance encounters with objects in the archives of the Getty Research Institute. As the Getty Research Institute artist in residence in 2014–15, Tacita Dean was asked to define a subject and identify a path of research. What she proposed instead was a project titled “The Importance of Objective Chance as a Tool of Research.” Her idea was to allow chance to be her guide. Dean researched randomly, picking out boxes from the collections without knowing their contents, meandering through objects and images from sources as varied as medieval alchemy books to twentieth-century artist letters. Monet Hates Me features reproductions of fifty artworks she created from Getty’s archival holdings along with enlightening texts that expand on her method of research and illustrate her encounters with the archives.
Author: April Lamm
Publisher: National Geographic Books
ISBN: 3956792882
Category : Art
Languages : en
Pages : 0
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Book Description
Essays and portraits on the career and influence of curator Hans Ulrich Obrist. Hans Ulrich Obrist is the Kim Kardashian of the art world. That sounds absurd to those of you who know him. But there are many who know just his name or just his initials, HUO. This book is here to tell you more. What does it mean to be HUO? What does it mean to be a curator? Is there anything less interesting to me (or you?) than selecting artists for exhibitions? In an era of, let's call it, “boutique” art shows, the issue seems about as relevant as Diet Coke (and the Kardashians). But if anything, Hans is the Real Thing. Hans is Coca-Cola. In this book you'll find personal, anecdotal remarks on HUO's character, republished texts, and portraits (by artists including Alex Katz) that give context to the questions that frame the book: “Who is HUO?” and “What does HUO do?” More so, “What has he done?” If the art world were to seek out a supreme leader who was benevolent, kind, and fair, HUO would be it. Contributors Etel Adnan, Manthia Diawara Sophia Al-Maria, Etel Adnan, Ed Atkins, Alan Pauls, Dominique Gonzalez-Foerster, D. T. Max, Jacques Herzog, Joseph Grigely, Yoko Ono, Ho Rui An, Michael Diers, Douglas Coupland, Bruce Altshuler, Agnès Varda, Andrew Durbin, Sophie Collins, Daniel Birnbaum, Boris Groys, Bruno Latour, Adam Thirlwell, Wong Hoy Cheong, Raqs Media Collective, Michael Bracewell, and Stefano Boeri. Portraits of HUO by Alex Katz, Jimmie Durham, Adrián Villar Rojas, Pascale Marthine Tayou, Cui Jie, Gerhard Richter, Giorgio Griffa, Sophia Al-Maria, Jamian Juliano Villani, Torbjørn Rødland, Simone Fattal, and Monir Shahroudy Farmanfarmaian
Author: Adrienne Edwards
Publisher: Phaidon Press
ISBN: 9780714876580
Category : Art
Languages : en
Pages : 0
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Book Description
The first encompassing publication on the work of the American neo-conceptual artist Adam Pendleton Adam Pendleton is a Virginia-born, New Yorkbased artist known for his multifaceted, language-based practice, which includes film, collage, painting, performance, and publishing. His re-contextualization of history often results in fresh interpretations of the present, where new and old narratives and meanings co-exist, as one of his main projects, Black Dada (2008-ongoing) testifies. Working predominantly in black-and-white, and often in collaboration with other artists, Pendleton's work constantly explores issues related to mechanisms of representation and notions of race.
Author: Yeon Shim Chung
Publisher: Phaidon Press
ISBN: 9780714878331
Category : Art
Languages : en
Pages : 0
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Book Description
The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.
Author: Marlene Dumas
Publisher: Distributed Art Publishers (DAP)
ISBN: 9781938922831
Category : Art
Languages : en
Pages : 0
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Book Description
"First published 1998, in coproduction of Marlene Dumas."
Author: Matthew Drutt
Publisher: Hatje Cantz
ISBN: 9783775740333
Category : Art museums
Languages : en
Pages : 0
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Book Description
This exhibition celebrates the historic moment in the history of modern art when Kazimir Malevich debuted his new non-objective paintings under the banner of Suprematism and Vladimir Tatlin introduced his revolutionary counter-relief sculptures. They were bitter rivals and diametrically opposed in their creative thinking, so when an exhibition in which their new works appeared, entitled '0,10: The Last Futurist Exhibition of Painting' and organized by fellow artist Ivan Puni in Petrograd in 1915, the other 12 artists in the show chose sides. It was a stylistically diverse exhibition, with cubist-inspired works and the first non-objective paintings and reliefs. The Beyeler’s presentation will include a large number of the works from the original exhibition. The catalogue will include essays by exhibition curator Matthew Drutt and other leading scholars, as well as documents gathered together and translated for the first time. 00Exhibition: Fondation Beyeler, Riehen, Basel, Switzerland (04.102015-17.01.2016).
