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Author: Frits Scholten
Publisher: Oxford University Press, USA
ISBN:
Category : Bronze sculpture
Languages : en
Pages : 320
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Book Description
This elegant exhibition catalog includes sixty-six works of art by this virtuoso sculptor, plus accompanying essays. Born in The Hague, Adriaen de Vries worked with the official sculptor to the Medici dukes beginning in 1580s, and in 1601 he was appointed official court sculptor to Rudolf II in Prague, where he worked until his death. Some of his best-known works are illustrated and described in this comprehensive volume, including the Bust of Emperor Rudolph II, the fountain Mercury and Cupid, Psyche Born Aloft by Putti, Juggling Man and The Wrestlers.
Author: Frits Scholten
Publisher: Oxford University Press, USA
ISBN:
Category : Bronze sculpture
Languages : en
Pages : 320
Get Book Here
Book Description
This elegant exhibition catalog includes sixty-six works of art by this virtuoso sculptor, plus accompanying essays. Born in The Hague, Adriaen de Vries worked with the official sculptor to the Medici dukes beginning in 1580s, and in 1601 he was appointed official court sculptor to Rudolf II in Prague, where he worked until his death. Some of his best-known works are illustrated and described in this comprehensive volume, including the Bust of Emperor Rudolph II, the fountain Mercury and Cupid, Psyche Born Aloft by Putti, Juggling Man and The Wrestlers.
Author: Frits Scholten
Publisher:
ISBN: 9789040093005
Category : Bronze sculpture
Languages : en
Pages : 311
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Book Description
Author: Frits Scholten
Publisher: Getty Publications
ISBN: 9780892365531
Category : Art
Languages : en
Pages : 316
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Book Description
This elegant exhibition catalog includes sixty-six works of art by this virtuoso sculptor, plus accompanying essays. Born in The Hague, Adriaen de Vries worked with the official sculptor to the Medici dukes beginning in 1580s, and in 1601 he was appointed official court sculptor to Rudolf II in Prague, where he worked until his death. Some of his best-known works are illustrated and described in this comprehensive volume, including the Bust of Emperor Rudolph II, the fountain Mercury and Cupid, Psyche Born Aloft by Putti, Juggling Man and The Wrestlers.
Author: Jane L. Bassett
Publisher: Getty Publications
ISBN: 0892369191
Category : Art
Languages : en
Pages : 340
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Book Description
"A master of composition and technique, De Vries was relatively unknown until the J. Paul Getty Museum's groundbreaking 1999 exhibition, Adriaen de Vries: Imperial Sculptor, which firmly established the artist's reputation and afforded a rare opportunity to study in depth a large group of bronzes. This heavily illustrated volume presents the results of the technical study of twenty-five bronzes from the exhibition. Introductory chapters provide background on the artist and technical methodologies. Subsequent chapters present case studies of individual statues, revealing the methods and materials used in their creation"--Publisher's website.
Author: Diane Touliatos-Miles
Publisher: Cambridge Scholars Publishing
ISBN: 1527553922
Category : Music
Languages : en
Pages : 210
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Book Description
Women in the Arts: Eccentric Essays in Music, Visual Arts, and Literature is a multi-disciplined celebration of past and present women creators. It marks a new departure in women’s studies, for it presents an interdisciplinary emphasis on the long-neglected area of women’s contributions to the various genres of the arts. Because of its unique historical approach, this pioneering collection of essays is useful in the areas of humanities and women’s studies as scholarly or pleasure readings. Many “firsts” are included in this anthology. There are chapters by three prominent award-winning living composers that discuss the plight of women in this male-dominated field and the pioneering contemporary innovations to the discipline of musical composition that women have contributed. Another chapter brings to light pioneering research on the names and musical compositions of the earliest women composers. Another gives historical evidence of the earliest documented women’s conservatory and its performers in the United States located in the Moravian Young Ladies’ Seminary in Antebellum Bethlehem, Pennsylvania. The chapter on the MacDowell Colony reveals the history of how Marian MacDowell and her network of women’s music clubs helped to build the MacDowell Colony, a haven for artists that has continued through the twenty-first century. In the visual arts, one essay brings forth visual representations of women’s subjugation; another analyzes the photographic innovations and historical work of the woman pioneer, Nellie Ladd; the artistic contributions of two women of color, Josephine Baker and Frida Kahlo, are contrasted in a historical perspective; and a fascinating historical analyses of women and tattoos is presented. In the area of literature, the “Potters” are celebrated for pioneering the first serial hand-made magazine in 1904; another writer, discusses how she represents the role of motherhood in her female characters; and arguments are presented of how women poets give voice to spiritual feminism. The thirteen diverse essays present original contributions to the disciplines of music, visual arts, and literature. By bringing forth this collection, it is hoped that there will be greater appreciation for the great diversity and range of women creators and the obstacles that they had to overcome. It is hoped that the essays will provide a historical documentation of the artistic voice of women that have until now been neglected.
Author: Pamela H. Smith
Publisher: University of Chicago Press
ISBN: 0226764265
Category : Art
Languages : en
Pages : 402
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Book Description
Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
Author: Michael W. Cole
Publisher: Princeton University Press
ISBN: 1400836425
Category : Art
Languages : en
Pages : 372
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Book Description
Ambitious Form describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors--Giambologna, Bartolomeo Ammanati, and Vincenzo Danti--as they negotiated the politics of the Medici court and eyed one another's work, setting new aims for their art in the process. Only through a comparative look at Giambologna and his contemporaries, it argues, can we understand them individually--or understand the period in which they worked. Michael Cole shows how the concerns of central Italian artists changed during the last decades of the Cinquecento. Whereas their predecessors had focused on specific objects and on the particularities of materials, late sixteenth-century sculptors turned their attention to models and design. The iconic figure gave way to the pose, individualized characters to abstractions. Above all, the multiplicity of master crafts that had once divided sculptors into those who fashioned gold or bronze or stone yielded to a more unifying aspiration, as nearly every ambitious sculptor, whatever his training, strove to become an architect.
Author: KelleyHelmstutlerDi Dio
Publisher: Routledge
ISBN: 1351560352
Category : Art
Languages : en
Pages : 269
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Book Description
The late Renaissance sculptor Leone Leoni (1509-1590) came from modest beginnings, but died as a nobleman and knight. His remarkable leap in status from his humble birth to a stonemason's family, to his time as a galley slave, to living as a nobleman and courtier in Milan provide a specific case study of an artist's struggle and triumph over existing social structures that marginalized the Renaissance artist. Based on a wealth of discoveries in archival documents, correspondence, and contemporary literature, the author examines the strategies Leoni employed to achieve his high social position, such as the friendships he formed, the type of education he sought out, the artistic imagery he employed, and the aristocratic trappings he donned. Leoni's multiple roles (imperial sculptor, aristocrat, man of erudition, and criminal), the visual manifestations of these roles in his house, collection, and tomb, the form and meaning of the artistic commissions he undertook, and the particular successes he enjoyed are here situated within the complex political, social and economic contexts of northern Italy and the Spanish court in the sixteenth century.
Author: Christina Neilson
Publisher: Cambridge University Press
ISBN: 1107172853
Category : Art
Languages : en
Pages : 367
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Book Description
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.
Author: Kristoffer Neville
Publisher: Penn State Press
ISBN: 0271085231
Category : Art
Languages : en
Pages : 257
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Book Description
Politically and militarily powerful, early modern Scandinavia played an essential role in the development of Central European culture from the sixteenth to the eighteenth century. In this volume, Kristoffer Neville shows how the cultural ambitions of Denmark and Sweden were inextricably bound to those of other Central European kingdoms. Tracing the visual culture of the Danish and Swedish courts from the Reformation to their eventual decline in the eighteenth century, Neville explains how and why they developed into important artistic centers. He examines major projects by figures largely unknown outside of Northern Europe alongside other, more canonical artists—including Cornelis Floris, Adriaen de Vries, and Johann Bernhard Fischer von Erlach—to propose a more coherent view of this part of Europe, one that rightly includes Scandinavia as a vital component. The seventeenth century has long seemed a bleak moment in Central European culture. Neville’s authoritative and unprecedented study does much to change this perception, showing that the arts did not die in the Reformation and Thirty Years’ War but rather flourished in the Baltic region.
