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Author: Adolph Gottlieb
Publisher: Hudson Hills
ISBN: 9781555951252
Category : Art
Languages : en
Pages : 180
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Book Description
Covers the full scope of Gottlieb's achievement.
Author: Adolph Gottlieb
Publisher: Hudson Hills
ISBN: 9781555951252
Category : Art
Languages : en
Pages : 180
Get Book Here
Book Description
Covers the full scope of Gottlieb's achievement.
Author: Lawrence Alloway
Publisher:
ISBN:
Category : Abstract expressionism
Languages : en
Pages : 156
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Book Description
"The paintings created between 1941 and 1953 by Adolph Gottlieb, which he labeled Pictographs, were an early and important breakthrough in American art. Typically defined by their use of pictographic symbols, compartmented structure, and momentous content, they are among the first successful efforts by an American of his generation to create works of art that were informed by, yet independent of, the art of their European contemporaries. The series contains a wealth of formal and conceptual ideas, which remained central to American paintings throughout the 1940s and 1950s and continue to echo in the work of today's artists." "The Pictographs of Adolph Gottlieb, published in conjunction with an exhibition seen at The Phillips Collection, The Portland Museum of Art, Maine, The Brooklyn Museum, and The Arkansas Art Center, provides the first comprehensive survey of an important body of work produced by one of the seminal figures of Abstract Expressionism, who was also one of the most influential and successful artists of his generation. It presents sixty-five works in full-page color plates, chosen from more than three hundred in the series; many of them have not been reproduced in fifty years, and some are seen here for the first time. It also includes an intriguing array of essays by eminent scholars and critics exploring every aspect of the subject."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Adolph Gottlieb
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 80
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Book Description
Author: César Paternosto
Publisher: University of Texas Press
ISBN: 9780292765658
Category : Art
Languages : en
Pages : 304
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Book Description
"Shows that precolumbian tectonic forms (especially as found in sculpture and weaving) appear to be an overlooked source, or anticipation, of much of the art of the 20th century. Second part of book deals with artifacts as American art and addresses reception of ancient tectonics in the 20th century. Emphasizes intense relationship that some members of the New York School (particularly Barnett Newman and Adolph Gottlieb) had during 1940s with the aboriginal arts of the North American part of the hemisphere and thus the affinities between their work and the work of the older Torres Garcâia in Montevideo, at the other end of the continent"--Handbook of Latin American Studies, v. 58.
Author: Mark Rothko
Publisher: Yale University Press
ISBN: 9780300114409
Category : Art
Languages : en
Pages : 204
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Book Description
The first collection of Mark Rothko's writings, which range the entire span of his career While the collected writings of many major 20th-century artists, including Barnett Newman, Robert Motherwell, and Ad Reinhardt, have been published, Mark Rothko's writings have only recently come to light, beginning with the critically acclaimed The Artist's Reality: Philosophies of Art. Rothko's other written works have yet to be brought together into a major publication. Writings on Art fills this significant void; it includes some 90 documents--including short essays, letters, statements, and lectures--written by Rothko over the course of his career. The texts are fully annotated, and a chronology of the artist's life and work is also included. This provocative compilation of both published and unpublished writings from 1934--69 reveals a number of things about Rothko: the importance of writing for an artist who many believed had renounced the written word; the meaning of transmission and transition that he experienced as an art teacher at the Brooklyn Jewish Center Academy; his deep concern for meditation and spirituality; and his private relationships with contemporary artists (including Newman, Motherwell, and Clyfford Still) as well as journalists and curators. As was revealed in Rothko's The Artist's Reality, what emerges from this collection is a more detailed picture of a sophisticated, deeply knowledgeable, and philosophical artist who was also a passionate and articulate writer.
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Karen Wilkin
Publisher: Yale University Press
ISBN: 9780300120233
Category : Art
Languages : en
Pages : 142
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Book Description
Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists’ individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists.
Author: Museum of Modern Art (New York, N.Y.). International Program
Publisher:
ISBN:
Category : Abstract expressionism
Languages : en
Pages : 108
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Book Description
Author: Adolph Gottlieb
Publisher:
ISBN:
Category : Expressionism (Art)
Languages : en
Pages : 86
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Book Description
Author: Robert Goodnough
Publisher:
ISBN: 9780982409060
Category : Art
Languages : en
Pages : 0
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Book Description
As a painter and as one interested in education in relation to painting and drawing, the writer has become personally interested in the problem of subject matter in art... Since there is controversy in regards to this tendency in painting, research directed toward the source of ideas involved in the work, it is felt, will help to make clear the intention of the artists. This research will deal with the attitudes of these artists toward their own work and their relation to tradition as they express it. --Robert Goodnough (1950). The absence of traditional subject matter was a primary issue for painters in mid-twentieth-century America whose imagery lacked representational references; it was also a problem for those struggling to understand modern art. Robert Goodnough (1917-2010), then a New York University graduate student and an artist deeply involved with these issues, responded to the situation in a 1950 research paper, Subject Matter of the Artist: An Analysis of Contemporary Subject Matter in Painting as Derived from Interviews with Those Artists Referred to as the Intrasubjectivists. Goodnough's paper constitutes the first scholarly work on the artists who became known as the Abstract Expressionists and includes interviews with William Baziotes, Willem de Kooning, Adolph Gottlieb, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko. This previously unpublished study is presented here for the first time alongside related writings by Goodnough.
