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Author: Matthias Kreuter
Publisher: GRIN Verlag
ISBN: 366870404X
Category : Literary Collections
Languages : en
Pages : 81
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Book Description
Bachelor Thesis from the year 2015 in the subject Literature - Modern Literature, grade: 1,0, University of Cologne (Englisches Seminar), language: English, abstract: Filmic comic book adaptations are not a new phenomenon, but throughout the last decades the amount of productions based on comic book material has highly increased. While some theoreticians note that both media share aesthetic qualities and formal properties that predestine comics for filmic adaptations, critics consider comics to be inherently unfilmable due to structural differences. This thesis examines how recent films have tried to adapt the visual and structural features characteristic to comic books and how those adaptation techniques have explored the limitations of both media. Robert Rodriguez film "Sin City" (2005) will serve as the primary point of reference. Thus, this paper will try to answer the question to what extent film is able to make comic books “come alive” and to what extent it is incompatible to do so. Filmische Adaptionen von Comics sind kein neuartiges Phänomen, nichtsdestotrotz haben sie in den letzten Jahrzehnten zugenommen. Viele Theoretiker merken an, dass Film und Comics entscheidende ästhetische Qualitäten und formale Aspekte teilen, die das Medium Film geradezu prädestinieren, Comics in Bewegtbild zu verwandeln. Kritiker entgegnen, dass Comics naturgemäß unverfilmbar sind. Grund seien strukturelle Unterschiede beider Medien. Diese Bachelorarbeit geht der Frage nach, wie zeitgenössische Filme versucht haben, neben Handlung und Figuren besonders die visuellen und strukturellen Eigenschafen des Comics zu adaptieren, und wie die dabei verwendeten Techniken die Grenzen beider Medien aufgezeigt haben. Robert Rodriguez Film "Sin City" (2005) wird dabei den primären Bezugspunkt darstellen. In der Folge soll sich die Frage beantworten lassen, in welcher Weise das Medium Film Comics "zum Leben erwecken" kann und wo es in dieser Prämisse versagt.
Author: Matthias Kreuter
Publisher: GRIN Verlag
ISBN: 366870404X
Category : Literary Collections
Languages : en
Pages : 81
Get Book Here
Book Description
Bachelor Thesis from the year 2015 in the subject Literature - Modern Literature, grade: 1,0, University of Cologne (Englisches Seminar), language: English, abstract: Filmic comic book adaptations are not a new phenomenon, but throughout the last decades the amount of productions based on comic book material has highly increased. While some theoreticians note that both media share aesthetic qualities and formal properties that predestine comics for filmic adaptations, critics consider comics to be inherently unfilmable due to structural differences. This thesis examines how recent films have tried to adapt the visual and structural features characteristic to comic books and how those adaptation techniques have explored the limitations of both media. Robert Rodriguez film "Sin City" (2005) will serve as the primary point of reference. Thus, this paper will try to answer the question to what extent film is able to make comic books “come alive” and to what extent it is incompatible to do so. Filmische Adaptionen von Comics sind kein neuartiges Phänomen, nichtsdestotrotz haben sie in den letzten Jahrzehnten zugenommen. Viele Theoretiker merken an, dass Film und Comics entscheidende ästhetische Qualitäten und formale Aspekte teilen, die das Medium Film geradezu prädestinieren, Comics in Bewegtbild zu verwandeln. Kritiker entgegnen, dass Comics naturgemäß unverfilmbar sind. Grund seien strukturelle Unterschiede beider Medien. Diese Bachelorarbeit geht der Frage nach, wie zeitgenössische Filme versucht haben, neben Handlung und Figuren besonders die visuellen und strukturellen Eigenschafen des Comics zu adaptieren, und wie die dabei verwendeten Techniken die Grenzen beider Medien aufgezeigt haben. Robert Rodriguez Film "Sin City" (2005) wird dabei den primären Bezugspunkt darstellen. In der Folge soll sich die Frage beantworten lassen, in welcher Weise das Medium Film Comics "zum Leben erwecken" kann und wo es in dieser Prämisse versagt.
Author: Ian Gordon
Publisher: Univ. Press of Mississippi
ISBN: 1628468688
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Contributions by Timothy P. Barnard, Michael Cohen, Rayna Denison, Martin Flanagan, Sophie Geoffroy-Menoux, Mel Gibson, Kerry Gough, Jonathan Gray, Craig Hight, Derek Johnson, Pascal Lefevre, Paul M. Malone, Neil Rae, Aldo J. Regalado, Jan van der Putten, and David Wilt In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics. A wide range of comic/film adaptations are explored, including superheroes (Spider-Man), comic strips (Dick Tracy), realist and autobiographical comics (American Splendor; Ghost World), and photo-montage comics (Mexico's El Santo). Essayists discuss films beginning with the 1978 Superman. That success led filmmakers to adapt a multitude of comic books for the screen including Marvel's Uncanny X-Men, the Amazing Spider-Man, Blade, and the Incredible Hulk as well as alternative graphic novels such as From Hell, V for Vendetta, and Road to Perdition. Essayists also discuss recent works from Mexico, France, Germany, and Malaysia.
Author: Liam Burke
Publisher: Univ. Press of Mississippi
ISBN: 1626745188
Category : Literary Criticism
Languages : en
Pages : 381
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Book Description
In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.
Author: Barry Keith Grant
Publisher: University of Texas Press
ISBN: 1477319417
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Representing diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies, Comics and Pop Culture presents more than a dozen perspectives on this rich history and the effects of such adaptations. Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.
Author: Jonathan Hennessey
Publisher: Macmillan
ISBN: 0809094703
Category : Constitutional history
Languages : da
Pages : 156
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Book Description
Den amerikanske forfatning som tegneserie
Author: E.M. Forster
Publisher: Modern Library
ISBN: 0679641440
Category : Fiction
Languages : en
Pages : 504
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Book Description
Selected by the Modern Library as two of the 100 best novels of all time 'To me,' D. H. Lawerence once wrote to E. M. forster, 'you are the last Englishman.' Indeed, Forster's novels offer contemporary readers clear, vibrant portraits of life in Edwardian England. Published in 1908 to both critical and popular acclaim, A Room with a View is a whimsical comedy of manners that owes more to Jane Austen that perhaps any other of his works. The central character is a muddled young girl named Lucy Honeychurch, who runs away from the man who stirs her emotions, remaining engaged to a rich snob. Forster considered it his 'nicest' novel, and today it remains probably his most well liked. Its moral is utterly simple. Throw away your etiquette book and listen to your heart. But it was Forster's next book, Howards End, a story about who would inhabit a charming old country house (and who, in a larger sense, would inherit England), that earned him recognition as a major writer. Centered around the conflict between the wealthy, materialistic Wilcox family and the cultured, idealistic Schlegel sisters-and informed by Forester's famous dictum 'Only connect'-it is full of tenderness towards favorite characters. 'Howards End is a classic English novel . . . superb and wholly cherishable . . . one that admirers have no trouble reading over and over again,' said Alfred Kazin.
Author: Drew Morton
Publisher: Univ. Press of Mississippi
ISBN: 1496809815
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The screen has been fractured into panels, the photographic has given way to the graphic, and the steady rhythm of cinematic time has evolved into a far more malleable element. In other words, films have begun to look like comics. Yet, this interplay also occurs in the other direction. In order to retain cultural relevancy, comic books have begun to look like films. Frank Miller's original Sin City comics are indebted to film noir while Stephen King's The Dark Tower series could be a Sergio Leone spaghetti western translated onto paper. Film and comic books continuously lean on one another to reimagine their formal attributes and stylistic possibilities. In Panel to the Screen, Drew Morton examines this dialogue in its intersecting and rapidly changing cultural, technological, and industrial contexts. Early on, many questioned the prospect of a "low" art form suited for children translating into “high” art material capable of drawing colossal box office takes. Now the naysayers are as quiet as the queued crowds at Comic-Cons are massive. Morton provides a nuanced account of this phenomenon by using formal analysis of the texts in a real-world context of studio budgets, grosses, and audience reception.
Author: Howard Chaykin
Publisher:
ISBN: 9781607067887
Category : Comic books, strips, etc
Languages : en
Pages : 0
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Book Description
Century, Texas used to be a sleepy little burg, barely a whistlestop between nowhere and the great beyond...until the 20th Century arrived with a bang, bringing with it automobiles, aeroplanes, telephones, paved streets...and, of course, the movies. Howard Chaykin tells the colorful story of the American West, transformed from frontier to legend, and how the American dream became a modern myth.
Author: Skip Press
Publisher: Career PressInc
ISBN: 9781564141521
Category : Reference
Languages : en
Pages : 223
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Book Description
Not loaded with theory, Skip's invaluable book contains concise, easily understood and applied advice for both writing and marketing any kind of book, article, story, play, screen-play, report, proposal or anything else you can think of.How to Write What You Want and Sell What You Write is for every writer or wannabe who needs to sort out his or her desires, capabilities and strengths and, even more importantly, learn the particular formats for the kind of writing in which he or she is interested.
Author: Kevin Hearne
Publisher: Del Rey
ISBN: 0345522532
Category : Fiction
Languages : en
Pages : 318
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Book Description
The first novel in the New York Times bestselling Iron Druid Chronicles—the hilarious, action-packed tales of a two-thousand-year-old Druid pursued by ancient gods in the modern world “A page-turning and often laugh-out-loud-funny caper through a mix of the modern and the mythic.”—Ari Marmell, author of The Warlord’s Legacy Atticus O’Sullivan is the last of the ancient druids. He has been on the run for more than two thousand years and he’s tired of it. The Irish gods who want to kill him are after an enchanted sword he stole in a first-century battle, and when they find him managing an occult bookshop in Tempe, Arizona, Atticus doesn’t want to uproot his life again. He just wants everything to end one way or another, but preferably the way in which he can continue to enjoy fish and chips. He does have some small hope of survival: The Morrigan, the Irish Chooser of the Slain, is on his side, and so is Brighid, First Among the Fae. His lawyer is literally a bloodsucking vampire, and he has a loyal Irish wolfhound with opinions about poodles. But he’s facing down some mighty enemies: Aenghus Óg, a vengeful Irish god, plus a coven of witches and even the local police. On top of all that, Aenghus has a direct line to the firepower of hell. Atticus will need all the luck of the Irish and more if he’s going to stay alive. Don’t miss any of The Iron Druid Chronicles: HOUNDED | HEXED | HAMMERED | TRICKED | TRAPPED | HUNTED | SHATTERED | STAKED | SCOURGED | BESIEGED
