Author: Suzanne Hudson
Publisher:
ISBN: 9781909406308
Category : Art
Languages : en
Pages : 172
Book Description
Pendleton, a New York-based artist, is known for work animated by what the artist calls 'Black Dada,' a critical articulation of blackness, abstraction, and the avant-garde. Drawing from an archive of language and images, he makes conceptually rigorous and formally inventive paintings, collages, videos, and installations that insert his work into broader conversations about history and contemporary culture. Pendleton's multilayered visual and lexical fields often reference artistic and political movements from the 1900s to today, including Dada, Minimalism, the Civil Rights movement, and the visual culture of decolonization.
Adam Pendleton: Our Ideas
Author: Suzanne Hudson
Publisher:
ISBN: 9781909406308
Category : Art
Languages : en
Pages : 172
Book Description
Pendleton, a New York-based artist, is known for work animated by what the artist calls 'Black Dada,' a critical articulation of blackness, abstraction, and the avant-garde. Drawing from an archive of language and images, he makes conceptually rigorous and formally inventive paintings, collages, videos, and installations that insert his work into broader conversations about history and contemporary culture. Pendleton's multilayered visual and lexical fields often reference artistic and political movements from the 1900s to today, including Dada, Minimalism, the Civil Rights movement, and the visual culture of decolonization.
Publisher:
ISBN: 9781909406308
Category : Art
Languages : en
Pages : 172
Book Description
Pendleton, a New York-based artist, is known for work animated by what the artist calls 'Black Dada,' a critical articulation of blackness, abstraction, and the avant-garde. Drawing from an archive of language and images, he makes conceptually rigorous and formally inventive paintings, collages, videos, and installations that insert his work into broader conversations about history and contemporary culture. Pendleton's multilayered visual and lexical fields often reference artistic and political movements from the 1900s to today, including Dada, Minimalism, the Civil Rights movement, and the visual culture of decolonization.
David Adjaye Adam Pendleton
Author:
Publisher:
ISBN: 9781948701433
Category :
Languages : en
Pages : 228
Book Description
A dialogue of materials and process, space and language, architecture and art This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space--whether architectonic or on canvas--and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye's works to the meeting of ink and canvas in Pendleton's studio.
Publisher:
ISBN: 9781948701433
Category :
Languages : en
Pages : 228
Book Description
A dialogue of materials and process, space and language, architecture and art This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space--whether architectonic or on canvas--and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye's works to the meeting of ink and canvas in Pendleton's studio.
Adam Pendleton
Author: Adrienne Edwards
Publisher: Phaidon Press
ISBN: 9780714876580
Category : Art
Languages : en
Pages : 0
Book Description
The first encompassing publication on the work of the American neo-conceptual artist Adam Pendleton Adam Pendleton is a Virginia-born, New Yorkbased artist known for his multifaceted, language-based practice, which includes film, collage, painting, performance, and publishing. His re-contextualization of history often results in fresh interpretations of the present, where new and old narratives and meanings co-exist, as one of his main projects, Black Dada (2008-ongoing) testifies. Working predominantly in black-and-white, and often in collaboration with other artists, Pendleton's work constantly explores issues related to mechanisms of representation and notions of race.
Publisher: Phaidon Press
ISBN: 9780714876580
Category : Art
Languages : en
Pages : 0
Book Description
The first encompassing publication on the work of the American neo-conceptual artist Adam Pendleton Adam Pendleton is a Virginia-born, New Yorkbased artist known for his multifaceted, language-based practice, which includes film, collage, painting, performance, and publishing. His re-contextualization of history often results in fresh interpretations of the present, where new and old narratives and meanings co-exist, as one of his main projects, Black Dada (2008-ongoing) testifies. Working predominantly in black-and-white, and often in collaboration with other artists, Pendleton's work constantly explores issues related to mechanisms of representation and notions of race.
Adam Pendleton: Pasts, Futures, and Aftermaths
Author:
Publisher:
ISBN: 9781734681710
Category :
Languages : en
Pages : 256
Book Description
The sequel to Pendleton's acclaimed Black Dada Reader, compiling an anti-canon of radical experimentation and thought In 2011, artist Adam Pendleton (born 1984) assembled Black Dada Reader, a compendium of texts, documents and positions that elucidated a practice and ethos of Black Dada. Resembling a school course reader, the book was a spiral-bound series of photocopies and collages, originally intended only for personal reference, and eventually distributed informally to friends and colleagues. The contents--an unlikely mix of Hugo Ball, W.E.B. Du Bois, Adrian Piper, Gertrude Stein, Sun Ra, Stokely Carmichael, Gilles Deleuze--formed a kind of experimental canon, realized through what Pendleton calls radical juxtaposition. In 2017, Koenig Books published the Reader in a hardcover edition, with newly commissioned essays and additional writings by the artist. A decade later, Pendleton has composed another reader, building upon the constellation of writers, artists, filmmakers, philosophers and critics that emerged in the first volume. Contributors include: Thomas Hirschhorn, Ishmael Houston-Jones, Lorraine O'Grady and Joan Retallack. Source texts by Toni Cade Bambara, Gilles Deleuze, Julius Eastman, Henri Lefebvre, Clarice Lispector, Achille Mbembe, Charles Mingus, Piet Mondrian, Juliana Spahr, Malcolm X and others.
Publisher:
ISBN: 9781734681710
Category :
Languages : en
Pages : 256
Book Description
The sequel to Pendleton's acclaimed Black Dada Reader, compiling an anti-canon of radical experimentation and thought In 2011, artist Adam Pendleton (born 1984) assembled Black Dada Reader, a compendium of texts, documents and positions that elucidated a practice and ethos of Black Dada. Resembling a school course reader, the book was a spiral-bound series of photocopies and collages, originally intended only for personal reference, and eventually distributed informally to friends and colleagues. The contents--an unlikely mix of Hugo Ball, W.E.B. Du Bois, Adrian Piper, Gertrude Stein, Sun Ra, Stokely Carmichael, Gilles Deleuze--formed a kind of experimental canon, realized through what Pendleton calls radical juxtaposition. In 2017, Koenig Books published the Reader in a hardcover edition, with newly commissioned essays and additional writings by the artist. A decade later, Pendleton has composed another reader, building upon the constellation of writers, artists, filmmakers, philosophers and critics that emerged in the first volume. Contributors include: Thomas Hirschhorn, Ishmael Houston-Jones, Lorraine O'Grady and Joan Retallack. Source texts by Toni Cade Bambara, Gilles Deleuze, Julius Eastman, Henri Lefebvre, Clarice Lispector, Achille Mbembe, Charles Mingus, Piet Mondrian, Juliana Spahr, Malcolm X and others.
Blackness in Abstraction
Author: Adrienne Edwards (Art critic)
Publisher:
ISBN: 9781935410850
Category : Art, Abstract
Languages : en
Pages : 209
Book Description
Pace Gallery is pleased to present Blackness in Abstraction, an exhibition curated by Adrienne Edwards tracing the persistent presence of the color black in art, with a particular emphasis on monochromes, from the 1940s to today. Featuring works by an international and intergenerational group of artists, the exhibition explores blackness as a highly evocative and animating force in various approaches to abstract art.--Pace website.
Publisher:
ISBN: 9781935410850
Category : Art, Abstract
Languages : en
Pages : 209
Book Description
Pace Gallery is pleased to present Blackness in Abstraction, an exhibition curated by Adrienne Edwards tracing the persistent presence of the color black in art, with a particular emphasis on monochromes, from the 1940s to today. Featuring works by an international and intergenerational group of artists, the exhibition explores blackness as a highly evocative and animating force in various approaches to abstract art.--Pace website.
The Implicated Subject
Author: Michael Rothberg
Publisher: Stanford University Press
ISBN: 150360960X
Category : Art
Languages : en
Pages : 368
Book Description
“A pathbreaking meditation . . . shifts the discussion . . . from . . . notions of guilt and innocence to the complexities of responsibility and accountability.” —Amir Eshel, Stanford University When it comes to historical violence and contemporary inequality, none of us are completely innocent. We may not be direct agents of harm, but we may still contribute to, inhabit, or benefit from regimes of domination that we neither set up nor control. Arguing that the familiar categories of victim, perpetrator, and bystander do not adequately account for our connection to injustices past and present, Michael Rothberg offers a new theory of political responsibility through the figure of the implicated subject. The Implicated Subject builds on the comparative, transnational framework of Rothberg's influential work on memory to engage in reflection and analysis of cultural texts, archives, and activist movements from such contested zones as transitional South Africa, contemporary Israel/Palestine, post-Holocaust Europe, and a transatlantic realm marked by the afterlives of slavery. An array of globally prominent artists, writers, and thinkers—from William Kentridge, Hito Steyerl, and Jamaica Kincaid, to Hannah Arendt, Primo Levi, Judith Butler, and the Combahee River Collective—speak show how confronting our own implication in difficult histories can lead to new forms of internationalism and long-distance solidarity. “A significant work by a major scholar . . . .While drawing on a global range of histories and texts, the book never loses focus on the contemporary moment.” —Robert Eaglestone, Royal Holloway, University of London “Offer[s] a fresh vocabulary to confront our personal and collective responsibility in the face of massive political violence, past and present.” —Marianne Hirsch, Columbia University
Publisher: Stanford University Press
ISBN: 150360960X
Category : Art
Languages : en
Pages : 368
Book Description
“A pathbreaking meditation . . . shifts the discussion . . . from . . . notions of guilt and innocence to the complexities of responsibility and accountability.” —Amir Eshel, Stanford University When it comes to historical violence and contemporary inequality, none of us are completely innocent. We may not be direct agents of harm, but we may still contribute to, inhabit, or benefit from regimes of domination that we neither set up nor control. Arguing that the familiar categories of victim, perpetrator, and bystander do not adequately account for our connection to injustices past and present, Michael Rothberg offers a new theory of political responsibility through the figure of the implicated subject. The Implicated Subject builds on the comparative, transnational framework of Rothberg's influential work on memory to engage in reflection and analysis of cultural texts, archives, and activist movements from such contested zones as transitional South Africa, contemporary Israel/Palestine, post-Holocaust Europe, and a transatlantic realm marked by the afterlives of slavery. An array of globally prominent artists, writers, and thinkers—from William Kentridge, Hito Steyerl, and Jamaica Kincaid, to Hannah Arendt, Primo Levi, Judith Butler, and the Combahee River Collective—speak show how confronting our own implication in difficult histories can lead to new forms of internationalism and long-distance solidarity. “A significant work by a major scholar . . . .While drawing on a global range of histories and texts, the book never loses focus on the contemporary moment.” —Robert Eaglestone, Royal Holloway, University of London “Offer[s] a fresh vocabulary to confront our personal and collective responsibility in the face of massive political violence, past and present.” —Marianne Hirsch, Columbia University
Men and Apparitions
Author: Lynne Tillman
Publisher: Catapult
ISBN: 159376684X
Category : Fiction
Languages : en
Pages : 416
Book Description
Today we live in a “glut of images.” What does that mean? Men and Apparitions takes on a central question of our era through the wild musings and eventful life of Ezekiel Hooper Stark, cultural anthropologist, ethnographer, specialist in family photographs. We are the Picture People. I name us Picture People because most special and obvious about the species is, our kind lives on and for pictures, lives as and for images, our species takes pictures, makes pix, thinks in pix. What is behind the human drive to create, remake, and keep images from and of everything? What does it mean that we now live in a “glut of images?” Men and Apparitions takes on a central question of our era through the wild musings and eventful life of Ezekiel Hooper Stark, cultural anthropologist, ethnographer, specialist in family photographs. As Ezekiel progresses from a child obsessed with his family’s photo albums to a young and passionate researcher to a man devastated by betrayal in love, his academic fascinations determine and reflect his course, touching on such various subjects as discarded images, pet pictures, spirit mediums, the tragic life of his long-dead cousin the semi-famous socialite Clover Adams, and the nature of contemporary masculinity. Kaleidoscopic and encyclopedic, madcap and wry, this book that showcases Lynne Tillman not only as a brilliant original novelist but also as one of our most prominent thinkers on culture and visual culture today.
Publisher: Catapult
ISBN: 159376684X
Category : Fiction
Languages : en
Pages : 416
Book Description
Today we live in a “glut of images.” What does that mean? Men and Apparitions takes on a central question of our era through the wild musings and eventful life of Ezekiel Hooper Stark, cultural anthropologist, ethnographer, specialist in family photographs. We are the Picture People. I name us Picture People because most special and obvious about the species is, our kind lives on and for pictures, lives as and for images, our species takes pictures, makes pix, thinks in pix. What is behind the human drive to create, remake, and keep images from and of everything? What does it mean that we now live in a “glut of images?” Men and Apparitions takes on a central question of our era through the wild musings and eventful life of Ezekiel Hooper Stark, cultural anthropologist, ethnographer, specialist in family photographs. As Ezekiel progresses from a child obsessed with his family’s photo albums to a young and passionate researcher to a man devastated by betrayal in love, his academic fascinations determine and reflect his course, touching on such various subjects as discarded images, pet pictures, spirit mediums, the tragic life of his long-dead cousin the semi-famous socialite Clover Adams, and the nature of contemporary masculinity. Kaleidoscopic and encyclopedic, madcap and wry, this book that showcases Lynne Tillman not only as a brilliant original novelist but also as one of our most prominent thinkers on culture and visual culture today.
Radical Presence
Author: Valerie Cassel Oliver
Publisher:
ISBN: 9781933619385
Category : African American artists
Languages : en
Pages : 0
Book Description
"Radical Presence: Black Performance in Contemporary Art, the first comprehensive survey of performance art by black visual artists. While black performance has been largely contextualized as an extension of theater, visual artists have integrated performance into their work for over five decades, generating a repository of performance work that has gone largely unrecognized until now. Radical Presence provides a critical framework to discuss the history of black performance traditions within the visual arts beginning with the "happenings" of the early 1960s, throughout the 1980s, and into the present practices of contemporary artists."--Publisher's website
Publisher:
ISBN: 9781933619385
Category : African American artists
Languages : en
Pages : 0
Book Description
"Radical Presence: Black Performance in Contemporary Art, the first comprehensive survey of performance art by black visual artists. While black performance has been largely contextualized as an extension of theater, visual artists have integrated performance into their work for over five decades, generating a repository of performance work that has gone largely unrecognized until now. Radical Presence provides a critical framework to discuss the history of black performance traditions within the visual arts beginning with the "happenings" of the early 1960s, throughout the 1980s, and into the present practices of contemporary artists."--Publisher's website
Still Here
Author: Matthias Kliefoth
Publisher: Distanz
ISBN: 9783954763689
Category :
Languages : en
Pages : 228
Book Description
What has been on artists' and creatives' minds during the Covid-19 pandemic and the waves of quarantine orders that have washed over the planet? That has been the question animating the initiative STILL HERE: Moments in Isolation. Since March 2020, co-curators Roya Sachs and Mafalda Millies, alongside producer Lizzie Edelman, have invited prominent denizens in the worlds of art and culture to submit a still life image with an accompanying text, or thought, sharing their experience. Originally conceived as a digital campaign the project in collaboration with DISTANZ is now spanning across six continents. STILL HERE is rooted in the still life, with its iconic depictions of inanimate objects, finding 'beauty' in banality. The book presents a selection of one hundred submissions for the project and illustrates that, despite the current restrictions, a profound sense of community and creativity is still alive and pulsing in the private spaces of many. With contributions by the artists such as Monica Bonvicini, Tosh Basco fka Boychild, Katherine Bernhardt, Simon Denny, Marcel Dzama, Issy Wood, Shirin Neshat, Adam Pendleton, Laure Prouvost, Wolfgang Tillmans, Raphaela Vogel, Paul Mpagi Sepuya, among many more, alongside authors such as Chris Kraus, ballet dancer David Hallberg, neuroscientist Mendel Kaelen, auctioneer Simon de Pury and sexual anthropologist Betony Vernon. An essay by the art critic Jennifer Higgie relates personal encounters with iconic still lifes to sketch the genre's history from antiquity to the present. Each book includes a bookmark with a custom scent attached to it, developed by renowned olfactory artist and smell researcher Sissel Tolaas. The visual diary will also come to life through a selection of commissioned augmented reality videos and sound pieces using the DISTANZ App.
Publisher: Distanz
ISBN: 9783954763689
Category :
Languages : en
Pages : 228
Book Description
What has been on artists' and creatives' minds during the Covid-19 pandemic and the waves of quarantine orders that have washed over the planet? That has been the question animating the initiative STILL HERE: Moments in Isolation. Since March 2020, co-curators Roya Sachs and Mafalda Millies, alongside producer Lizzie Edelman, have invited prominent denizens in the worlds of art and culture to submit a still life image with an accompanying text, or thought, sharing their experience. Originally conceived as a digital campaign the project in collaboration with DISTANZ is now spanning across six continents. STILL HERE is rooted in the still life, with its iconic depictions of inanimate objects, finding 'beauty' in banality. The book presents a selection of one hundred submissions for the project and illustrates that, despite the current restrictions, a profound sense of community and creativity is still alive and pulsing in the private spaces of many. With contributions by the artists such as Monica Bonvicini, Tosh Basco fka Boychild, Katherine Bernhardt, Simon Denny, Marcel Dzama, Issy Wood, Shirin Neshat, Adam Pendleton, Laure Prouvost, Wolfgang Tillmans, Raphaela Vogel, Paul Mpagi Sepuya, among many more, alongside authors such as Chris Kraus, ballet dancer David Hallberg, neuroscientist Mendel Kaelen, auctioneer Simon de Pury and sexual anthropologist Betony Vernon. An essay by the art critic Jennifer Higgie relates personal encounters with iconic still lifes to sketch the genre's history from antiquity to the present. Each book includes a bookmark with a custom scent attached to it, developed by renowned olfactory artist and smell researcher Sissel Tolaas. The visual diary will also come to life through a selection of commissioned augmented reality videos and sound pieces using the DISTANZ App.
Whitney Biennial 2022
Author: David Breslin
Publisher: Whitney Museum of American Art
ISBN: 9780300263893
Category :
Languages : en
Pages : 264
Book Description
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.
Publisher: Whitney Museum of American Art
ISBN: 9780300263893
Category :
Languages : en
Pages : 264
Book Description
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.