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Author: Diane P. Freedman
Publisher: SIU Press
ISBN: 9780809319732
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
In this newest addition to Sandra M. Gilbert’s Ad Feminam: Women and Literature series, Diane P. Freedman brings together twelve essays by critics of poetry and women’s writing for a critical reappraisal of the prolific work of Edna St. Vincent Millay. Though finding its occasion in the life of Millay—the centennial of the writer’s birth—this volume refocuses attention on Millay’s art by asking questions central to our present concerns: What in the varied body of Millay’s work speaks to us most forcefully today? Which critical perspectives most illuminate her texts? How might those approaches be challenged, extended, or reoriented? In seeking the answers to such questions, the volume’s contributors illuminate the means by which Millay’s early success has been slighted and misunderstood and examine issues of personality, personae, critical stature, and formal experimentation in Millay’s various genres: lyric poetry, the sonnet, verse drama, fiction, and the personal letter. In 1920, following the publication of A Few Figs from Thistles, Millay was the "It girl" of American poetry. But by the late 1930s, her popularity waned as her critical reputation declined under the reign of high modernism and its critics. In fact, Millay, like others of her generation, had rejected modernist elitism in favor of public engagement, using her powerful public voice to plead for an end to the Sacco-Vanzetti trials as well as for U.S. entry into World War II. Condemned for both her politicizing and her political poetry, she was the first to admit that she and her poetry suffered in the service of public causes. Grouped into four parts, these essays focus on Millay’s relation to modernism, her revisionary perspectives on love, her treatment of time and of the female body, and her use of masquerade and impersonation in life and in art. Throughout, the essayists pose such questions as: Where is Millay’s place in the literary histories of modern writing and in our hearts? How are we to value, interpret, and characterize the various forms and genres in which she wrote? What is the cultural work Millay achieves and reflects? How does she help us redefine modernism? What do Millay’s great gifts enable us to see about genre, the social construction of gender, the definition of modernism, and the role of the poet? Millay’s considerable productivity, the range and virtues of her forms, and her experimentation clearly argue for a wide-ranging reappraisal of her work.
Author: Diane P. Freedman
Publisher: SIU Press
ISBN: 9780809319732
Category : Literary Criticism
Languages : en
Pages : 248
Get Book Here
Book Description
In this newest addition to Sandra M. Gilbert’s Ad Feminam: Women and Literature series, Diane P. Freedman brings together twelve essays by critics of poetry and women’s writing for a critical reappraisal of the prolific work of Edna St. Vincent Millay. Though finding its occasion in the life of Millay—the centennial of the writer’s birth—this volume refocuses attention on Millay’s art by asking questions central to our present concerns: What in the varied body of Millay’s work speaks to us most forcefully today? Which critical perspectives most illuminate her texts? How might those approaches be challenged, extended, or reoriented? In seeking the answers to such questions, the volume’s contributors illuminate the means by which Millay’s early success has been slighted and misunderstood and examine issues of personality, personae, critical stature, and formal experimentation in Millay’s various genres: lyric poetry, the sonnet, verse drama, fiction, and the personal letter. In 1920, following the publication of A Few Figs from Thistles, Millay was the "It girl" of American poetry. But by the late 1930s, her popularity waned as her critical reputation declined under the reign of high modernism and its critics. In fact, Millay, like others of her generation, had rejected modernist elitism in favor of public engagement, using her powerful public voice to plead for an end to the Sacco-Vanzetti trials as well as for U.S. entry into World War II. Condemned for both her politicizing and her political poetry, she was the first to admit that she and her poetry suffered in the service of public causes. Grouped into four parts, these essays focus on Millay’s relation to modernism, her revisionary perspectives on love, her treatment of time and of the female body, and her use of masquerade and impersonation in life and in art. Throughout, the essayists pose such questions as: Where is Millay’s place in the literary histories of modern writing and in our hearts? How are we to value, interpret, and characterize the various forms and genres in which she wrote? What is the cultural work Millay achieves and reflects? How does she help us redefine modernism? What do Millay’s great gifts enable us to see about genre, the social construction of gender, the definition of modernism, and the role of the poet? Millay’s considerable productivity, the range and virtues of her forms, and her experimentation clearly argue for a wide-ranging reappraisal of her work.
Author: Alice Bach
Publisher:
ISBN: 9780962456404
Category : Feminism
Languages : en
Pages : 237
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Wendy Barker
Publisher: SIU Press
ISBN: 9780809320127
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
Ruth Stone has always eschewed self-promotion and, in the words of Leslie Fiedler, "has never been a member of any school or clique or gaggle of mutual admirers." But her poems speak so vibrantly for her that she cannot be ignored. In her preface to this volume, Sandra M. Gilbert declares that Stone's "intense attention to the ordinary transforms it into (or reveals it as) the extraordinary. Her passionate verses evoke impassioned responses." At the same time, Gilbert continues, the essays collected here "consistently testify to Stone's radical unworldliness, in particular her insouciant contempt for the ' floor walkers and straw bosses' who sometimes seem to control the poetry ' factory' both inside and outside the university." Wendy Barker and Sandra Gilbert have organized the book into three sections: "Knowing Ruth Stone," "A Life of Art," and "Reading Ruth Stone." In "Knowing Ruth Stone," writers of different generations who have known the poet over the years provide memoirs. Noting Stone's singularity, Fiedler points out that "she resists all labels" and is "one of the few contemporaries whom it is possible to think of simply as a ' poet.' " Sharon Olds defines her vitality ("A Ruth Stone poem feels alive in the hands"), and Jan Freeman praises her aesthetic intensity ("Everything in the life of Ruth Stone is integrated with poetry"). "A Life of Art" sketches the outlines of Stone's career and traces her evolution as a poet. Barker and Norman Friedman, for example, trace her development from the "high spirits and elegant craft" of her first volume-- In an Iridescent Time-- through the "deepening shadows," "poignant wit," and "bittersweet meditations" of her later work. In interviews separated by decades (one in the 1970s and one in the 1990s), Sandra Gilbert and Robert Bradley discuss with Stone her own sense of her aesthetic origins and literary growth. "Reading Ruth Stone" is an examination of Stone's key themes and modes. Diane Wakoski and Diana O' Hehir focus on the tragicomic vision that colors much of her work; Kevin Clark and Elyse Blankley explore the political aspects of her poetry; Roger Gilbert analyzes her "often uncannily astute insights into the ' otherness' of other lives"; Janet Lowery and Kandace Brill Lombart draw on the biographical background of Stone's "grief work"; and Sandra Gilbert studies her caritas, her empathic love that redeems pain.
Author: Mary B. Moore
Publisher: SIU Press
ISBN: 9780809323074
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Moore (English, Marshall U.) analyzes and contextualizes the Petrarchan love sonnet sequences of Gaspara Stampa, Louise Labe, Lady Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, and Edna St. Vincent Millay. Close readings of the poems are accompanied by theory and criticism regarding constructs of women, historical events, and biographical material, illuminating the poets, Petrarchism as a convention, ideas about women, and the range and limitations of female roles as erotic subjects and objects. Annotation copyrighted by Book News Inc., Portland, OR
Author: Patricia Yaeger
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 352
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Book Description
An exciting investigation of the ways literary and cultural texts have not only shaped the difficult terms of the daughter-father relationship but also prescribed a role for fathers that is paradoxical and contradictory. These 15 essays seek to enter into a new dialogue with both the tenets of patriarchy and with the "initiating symbolic gestures" of feminist discourse that have helped to maintain the father’s "voracious and hierarchical" position in western culture. The problem is not simply to change the focus of feminist inquiry from father-as-center to mother-as-center, but to reinvent the discourse of the father, to unsettle an oedipal dialectic that insists on revealing the father as the gaze, as bodilessness, or as the symbolic, and to develop a new dialectic that refuses to describe the father function as if it were univocal and ahistorical.
Author: Susan T. Gardner
Publisher: Temple University Press
ISBN: 1592138675
Category : Education
Languages : en
Pages : 297
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Book Description
This is a critical-thinking textbook with a difference. Rather than focusing exclusively on improving college students' academic achievement, Gardner seeks to change how students think through issues that are important in their lives beyond school.
Author: Yano Las
Publisher: Lulu.com
ISBN: 1291303103
Category :
Languages : en
Pages : 140
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Book Description
Author: Ezequiel Delgadillo Amador
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Martine Gutierrez (b. Apr. 16, 1989, Berkeley, CA) is a Guatemalan American artist, a trans woman of Indigenous Maya descent, and the cover girl of artworks that pass as advertisements. At the age of thirty-four, her billboards, bus shelter ads, and fashion magazine spreads have caught the attention of major media outlets. Often branded as a "Latinx artist," it is striking that the media never discusses Gutierrez in relation to other Latina/x artists. In this paper, I situate Gutierrez within a lineage of Latina/x and Chicana/x artist-activists, such as Ester Hern ndez (b. 1944, Dinuba, CA) and Patssi Valdez (b. 1951, East Los Angeles, CA). I draw on cultural theorists, such as Sianne Ngai and Chela Sandoval, to consider how Gutierrez's glamorous adaptations of mass media form part of an ongoing liberatory practice, one that uses art to combat the idealization of whiteness, critique gender norms, and call out systemic racism.
Author: Dolores Rosenblum
Publisher: SIU Press
ISBN: 9780809312696
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Christina Rossetti was considered the ideal female poet of her time. Her poetry was devotional, moral, and spoke of frustrated affection. Dolores Rosenblum presents a fresh reading of Rossetti's works and places them in the context of her life. Rosenblum shows that what was ostensibly devotional, moral, and loveless, was actually what Luce Irigaray calls "mimetism," a subtle parody and diversion of the male tradition of literature. Rossetti's work was unified, Rosenblum argues, because she was a deliberate poet, and by accepting the "burden of womanhood," she played out what men only symbolized as female in their art. By her mimicry and revision of the male tradition of literature, Christina Rossetti engaged the patriarchal tradition in ways that make it usable for the female experience, and that provide a critique of the male objectification of women in art. -- From publisher's description.
