Actes du XIIIe Congrès International d'Histoire de l'Art PDF Download
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Author: Johnny Roosval
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 452
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Book Description
Author: Johnny Roosval
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 452
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 728
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Book Description
Author: Warburg Institute. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 848
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Book Description
Author: International congress for the history of religions, 4th Leyden, 1912
Publisher:
ISBN:
Category : International Congress for the History of Religions (1900-1960)
Languages : fr
Pages : 184
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Book Description
Author: Duke University. Museum of Art
Publisher: Duke University Press
ISBN: 9780822310556
Category : Architecture
Languages : en
Pages : 114
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Book Description
The Brummer Collection of Medieval Art in the Duke University Museum of Art is one of the finest to be found in any American university museum. It is remarkable for its breadth and the variety of objects represented, with works varying in scale from monumental stone pieces to small-scale objects in wood, ivory, or metal, and ranging from the seventh to eighth centuries through the sixteenth century. This fine catalog makes available for the first time this rich but little-known collection. Five studies by leading art scholars focus on key works in the collection and contribute to a new understanding of the origins of many of the pieces. Two introductory essays comment on the character of the collection as a whole, its acquisition by Duke University, and its conservation. Finally, the catalog section discusses the more important pieces in the collection and is followed by a checklist of entries and smaller photographs of all other objects. Contributors. Ilene H. Forsyth, Jean M. French, Dorothy F. Glass, Dieter Kimpel, Jill Meredith, Linda S. Roundhill
Author: Thomas Dacosta Kaufmann
Publisher: Routledge
ISBN: 1351144588
Category : Art
Languages : en
Pages : 310
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Book Description
Authors from Herodotus in antiquity to Vasari in the Renaissance related art and architecture to peoples, nations, regions, cities, and environments. Already with Winckelmann and the origins of discussion of art history in the eighteenth century geography was seen as a powerful determinant of art. In the nineteenth century, the perceived connection between nations or races and art flourished, mainly because of the rise of nationalism. Around 1900 the method of geographical analysis received a modern name, 'Kunstgeographie'. But the ideology of 'Blut and Boden' associated with Nazism and related ideologies brought the geography of art into disrepute. This book proposes to return anew to the approach of artistic geography, which had been largely neglected from the Second World War until recently, and to reevaluate the possibilities it provides through a selection of case studies that discuss the connection between art and its place. The introduction and first essay deal with the historiography of the geography of art. Five essays take up specific questions ranging from France and the Low Countries to Mexico and China. The final three essays consider contemporary and broader theoretical issues concerning art in time and place.
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 592
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Book Description
Author: Warburg Institute. Library
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 1024
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Book Description
Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 846
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Book Description
Author: Finbarr Barry Flood
Publisher: Princeton University Press
ISBN: 1400833248
Category : Art
Languages : en
Pages : 384
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Book Description
Objects of Translation offers a nuanced approach to the entanglements of medieval elites in the regions that today comprise Afghanistan, Pakistan, and north India. The book--which ranges in time from the early eighth to the early thirteenth centuries--challenges existing narratives that cast the period as one of enduring hostility between monolithic "Hindu" and "Muslim" cultures. These narratives of conflict have generally depended upon premodern texts for their understanding of the past. By contrast, this book considers the role of material culture and highlights how objects such as coins, dress, monuments, paintings, and sculptures mediated diverse modes of encounter during a critical but neglected period in South Asian history. The book explores modes of circulation--among them looting, gifting, and trade--through which artisans and artifacts traveled, remapping cultural boundaries usually imagined as stable and static. It analyzes the relationship between mobility and practices of cultural translation, and the role of both in the emergence of complex transcultural identities. Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.
