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Author: Michael Auping
Publisher:
ISBN:
Category : Painting, Abstract
Languages : en
Pages : 232
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Book Description
Author: Michael Auping
Publisher:
ISBN:
Category : Painting, Abstract
Languages : en
Pages : 232
Get Book Here
Book Description
Author: Michael Auping
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 242
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Book Description
The first book to fully explore the diverse perspectives that have formed one of the most significant developments in postwar American art-geometric abstract painting. Heavily influenced by the radical geometry of Piet Mondrian, the American Abstract Artists group of the 1930s and 1940s, and the geometric side of Abstract Expressionism, geometric abstraction has had a profound and controversial effect since it first came to American in the mid-1940s. Reproduced here are 81 illustrations, including 55 in full colour, by 25 of the most important artists to work in America. Michael Auping's essay traces the evolution of the movement and places it in relation to a larger twentieth-century tradition. Iluminating statements by the artists accompany reproductions, and a comprehensive bibliography for each artist, including a list of one-person and group exhibitions,, rounds out the volume. INSIDE COVER JACKET.
Author: Leah Dickerman
Publisher: The Museum of Modern Art
ISBN: 0870708287
Category : Art
Languages : en
Pages : 378
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Book Description
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Author: Gabriel Pérez-Barriero
Publisher: Royal Academy Books
ISBN: 9781907533693
Category : Art
Languages : en
Pages : 0
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Book Description
The Colección Patricia Phelps de Cisneros (CPPC) is the foremost collection of geometric abstract art from Latin America. From the 1930s through the 1970s distinct artistic movements emerged in cities of Montevideo, Buenos Aires, São Paulo, Rio de Janeiro and Caracas that explored innovative forms of expression reflecting the new optimism sweeping the continent. This volume explores the ways in which the artists of these cities heralded the promise of a bright, modern future by creating a commensurate visual language to capture this positive spirit.
Author: John Golding
Publisher: Princeton University Press
ISBN: 0691252947
Category : Art
Languages : en
Pages : 313
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Book Description
A groundbreaking account of the meaning of abstract painting From Mondrian's bold geometric forms to Kandinsky's use of symbols to Pollock's "dripped paintings," the richly diverse movement of abstract painting challenges anyone trying to make sense of either individual works or the phenomenon as a whole. Applying his insights as an art historian and a painter, John Golding offers a unique approach to understanding the evolution of abstractionism by looking at the personal artistic development of seven of its greatest practitioners. He re-creates the journey undertaken by each painter in his move from representational art to the abstract—a journey that in most cases began with cubism but led variously to symbolism, futurism, surrealism, theosophy, anthropology, Jungian analysis, and beyond. For each artist, spiritual quest and artistic experimentation became inseparable. And despite their different techniques and philosophies, these artists shared one goal: to break a path to a new, ultimate pictorial truth. The book first explores the works and concerns of three pioneering European abstract painters—Mondrian, Malevich, Kandinsky—and then those of their American successors—Pollock, Newman, Rothko, and Still. Golding shows how each painter sought to see the world and communicate his vision in the purest or most expressive form possible. For example, Mondrian found his way into abstraction through a spiritual response to the landscape of his native Holland, Malevich through his apprehension of the human body, Kandinsky through a blend of religious mysticism and symbolism. Line and color became the focus for many of their creative endeavors. In the 1940s and 50s, the Americans raised the level of pictorial innovation, beginning most notably with Pollock and his Jung-inspired concept of action. Golding makes a powerful case that at its best and most profound, abstract painting is heavily imbued with meaning and content. Through a blend of biography, art analysis, and cultural history, Paths to the Absolute offers remarkable insights into how a sense of purpose is achieved in painting, and how abstractionism engaged with the intellectual currents of its time. Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author: Catherine de Zegher
Publisher: Yale University Press
ISBN: 9780300108262
Category : Art
Languages : en
Pages : 244
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Book Description
An engaging look at three women artists' pathbreaking explorationof abstraction
Author: Megan Kincaid
Publisher:
ISBN: 9781952136085
Category :
Languages : en
Pages :
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Book Description
Author: James Bartos
Publisher: Unicorn
ISBN: 9781912690343
Category : Art
Languages : en
Pages : 0
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Book Description
Perfect for anyone interested in the history of abstract art and geometric abstract art Covers British art in the later 20th and 21st centuries and British taste from the 1930s onwards, as the book explores earlier and current British responses to the art being discussed, including responses of indifference and hostility. Readers might include the gallery-going or generally interested public, academics, students and artists. Accessible history to be read by someone with little if any prior background as well as experts, the sections on the individual artists, told largely through interview, are personal accounts with full scholarly apparatus, and the original material.
Author: Lynn Zelevansky
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 248
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Book Description
'Beyond Geometry' brings together examples of European and Latin American concrete art, Argentine Arte Madí, Brazilian Neo-Concretism, Kinetic and Op Art, Minimalism and various forms of post-Minimalism including systematic forms of process and conceptual art.
Author: Noam Andrews
Publisher: National Geographic Books
ISBN: 0262046644
Category : Art
Languages : en
Pages : 0
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Book Description
A history of the relationship between art and geometry in the early modern period. In The Polyhedrists, Noam Andrews unfolds a history of the relationship between art and geometry in early modern Europe, told largely through a collective of ground-breaking artisan-artists (among them, Luca Pacioli, Albrecht Dürer, Wenzel Jamnitzer, and Lorentz Stöer) and by detailed analysis of a rich visual panoply of their work, featuring paintings, prints, decorative arts, cabinetry, and lavishly illustrated treatises. But this is also an art history of the polyhedra themselves, emblems of an evolving artistic intelligence, which include a varied set of geometrical figures—both Platonic, or regular, like the simple tetrahedron, and Archimedean, or irregular, like the complex yet beguiling rhombicosidodecahedron. Moreover, The Polyhedrists argues that the geometrical depictions of Dürer, Jamnitzer et al. were far more than mere follies from the dawn of perspective, at odds with a contemporary view of the Renaissance, and destined to be superseded by later developments in higher level mathematics. In fact, the evolution of the solids into innumerable “irregular bodies” constituted a sustained moment in the formulation of Renaissance mathematical knowledge and its engagement with materiality. This intense field of experimentation would birth a new language of geometrical abstraction that would ignite a century of novel form-making strategies, ultimately paving the way for developments in geometry and topology in the nineteenth and early twentieth centuries, and even prefiguring the more recent digital turn. The book, in this sense, is not just an applied history of geometry, nor a particular geometric reading of early modern art through some of its more celebrated practitioners, but a manifesto of sorts into the hitherto unexplored wilds of art and science.
