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Author: Joan M. Marter
Publisher: Rutgers University Press
ISBN: 0813539757
Category : Art
Languages : en
Pages : 322
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Book Description
A collection of essays that discuss abstract expressionist art.
Author: David Anfam
Publisher: Royal Academy Books
ISBN: 9781910350300
Category : Art
Languages : en
Pages : 272
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Book Description
In 1946 the art critic Robert Coates, writing in the New Yorker, first used the term 'Abstract Expressionism'. The two words combine the emotional intensity of the German Expressionists with the anti-figurative aesthetic of the European Abstract schools. Although they were being painted by then little-known artists working in low-rent studio space, works of Abstract Expressionist art now dominate the walls of major museums. The last major collective Abstract Expressionism exhibition to have taken place in the UK occurred in 1959. This important publication, and the exhibition it accompanies, seek to redress the balance and re-evaluate the movement, recognising its complex and fluid reality, and branching further into multimedia. As such, this book encompasses sculptors such as David Smith and photographers such as Aaron Siskind as well as some of the most famous painters of the twentieth century, including Jackson Pollock, Willem de Kooning, Mark Rothko, Barnett Newman, Franz Kline, Arshile Gorky and Clyfford Still. AUTHOR: David Anfam is the author of the now-standard textbook Abstract Expressionism (1990). Susan Davidson is Senior Curator, Collections and Exhibitions, at the Soloman R. Guggenheim Museum, New York. Edith Devaney is Curator of Contemporary Projects at the Royal Academy of Arts. Jeremy Lewison is former Director of Collections at Tate. Carter Ratcliff wrote Fate of a Gesture: Jackson Pollock and Postwar American Art (1996). Christian Wurst was researcher on The Catalogue Raisonné of the Drawings of Jasper Johns (forthcoming). SELLING POINTS: * Accompanies the first major exhibition of Abstract Expressionism in the UK since 1959 * Works of Abstract Expressionist art dominate the walls of major museums around the world * Features an impressive range of experts who discuss some of the signature paintings of the movement 300 colour
Author: Joan Marter
Publisher: Yale University Press
ISBN: 0300208421
Category : Art
Languages : en
Pages : 217
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Book Description
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392740
Category : Abstract expressionism
Languages : en
Pages : 226
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Book Description
An exhibition organized by the Metropolitan Museum of Art of the Muriel Kallis Steinberg Newman Collection which comprises sixty-three modern paintings, sculptures and works on paper by fifty artists. The Abstract Expressionist paintings that form the heart of this collection were nearly all created in New York City.
Author: Barbara Hess
Publisher:
ISBN: 9783836505178
Category : Art
Languages : en
Pages : 0
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Book Description
Abstract expressionism refers to the non-representational use of form and color as a means of expression that emerged in America in the 1940s. These artists had striven to express pure emotion directly on canvas, via color and texture.
Author: Michael Leja
Publisher: Yale University Press
ISBN: 9780300044614
Category : Art
Languages : en
Pages : 408
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Book Description
In this original and wide-ranging study, Michael Leja argues that Jackson Pollock, Mark Rothko and other abstract expressionist artists were part of a culture-wide initiative to reimagine the self.
Author: Ann Eden Gibson
Publisher:
ISBN: 9780300080728
Category : Art
Languages : en
Pages : 248
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Book Description
The Abstract Expressionist movement has long been bound up in the careers and lifestyles of about twelve white male artists who exhibited in New York in the 1940s. In this book Ann Eden Gibson reconsiders the history of the movement by investigating other artists -- people of color, women, and gays and lesbians -- whose versions of abstraction have been largely ignored until now.
Author: Marika Herskovic
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
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Book Description
A unique book presents Art's main stream between 1950 and1959 in New York and across the US regardless of race, gender or ethnic origin.
Author: Marika Herskovic
Publisher:
ISBN: 9780967799407
Category : Art
Languages : en
Pages : 393
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Book Description
A Complete Documentation of the New York Painting and Sculpture Annuals: 1951-1957.
Author: Joan M. Marter
Publisher: Rutgers University Press
ISBN: 0813539757
Category : Art
Languages : en
Pages : 322
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Book Description
A collection of essays that discuss abstract expressionist art.
Author: Daniel Neofetou
Publisher: Bloomsbury Publishing USA
ISBN: 1501358405
Category : Art
Languages : en
Pages : 240
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Book Description
Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance. The account of Abstract Expressionism developed by the American critic Clement Greenberg is often identified as central to these efforts. However, this book rereads Greenberg's account through Theodor Adorno and Maurice Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how Abstract Expressionism opposes the ends to which it was deployed. With reference not only to the most famous artists of the movement, but also female artists and artists of colour whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world that would do justice to them.
