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Author: María Amalia García
Publisher: University of California Press
ISBN: 0520302192
Category : Art
Languages : en
Pages : 320
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Book Description
Toward the middle of the 1950s, abstract art became a dominant trend in the Latin American cultural scene. Many artists incorporated elements of abstraction into their rigorous artistic vocabularies, while at the same time, the representation of geometric lines and structures filtered into everyday life, appearing in textiles, posters, murals, and landscapes. The translation of a field-changing Spanish-language book, Abstract Crossings analyzes the relationship between, on the one hand, the emergence of abstract proposals in avant-garde groups and, on the other, the institutionalization and newfound hegemony of abstract poetics as part of Latin America’s imaginary of modernization. A profusion of mid-century artistic institutional exchanges between Argentina and Brazil makes a study of the trajectories of abstraction in these two countries particularly valuable. Examining the work of artists such as Max Bill, Lygia Clark, Waldemar Cordeiro, and Tomás Maldonado, author María Amalia García rewrites the artistic history of the period and proposes a novel reading of the cultural dialogue between Argentina and Brazil. This is the first book in the new Studies on Latin American Art series, supported by a gift from the Institute for Studies on Latin American Art.
Author: María Amalia García
Publisher: University of California Press
ISBN: 0520302192
Category : Art
Languages : en
Pages : 320
Get Book
Book Description
Toward the middle of the 1950s, abstract art became a dominant trend in the Latin American cultural scene. Many artists incorporated elements of abstraction into their rigorous artistic vocabularies, while at the same time, the representation of geometric lines and structures filtered into everyday life, appearing in textiles, posters, murals, and landscapes. The translation of a field-changing Spanish-language book, Abstract Crossings analyzes the relationship between, on the one hand, the emergence of abstract proposals in avant-garde groups and, on the other, the institutionalization and newfound hegemony of abstract poetics as part of Latin America’s imaginary of modernization. A profusion of mid-century artistic institutional exchanges between Argentina and Brazil makes a study of the trajectories of abstraction in these two countries particularly valuable. Examining the work of artists such as Max Bill, Lygia Clark, Waldemar Cordeiro, and Tomás Maldonado, author María Amalia García rewrites the artistic history of the period and proposes a novel reading of the cultural dialogue between Argentina and Brazil. This is the first book in the new Studies on Latin American Art series, supported by a gift from the Institute for Studies on Latin American Art.
Author: Theodore Drange
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111352870
Category : Language Arts & Disciplines
Languages : en
Pages : 220
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Book Description
No detailed description available for "Type crossings".
Author: Major John Ordonio
Publisher: Pickle Partners Publishing
ISBN: 1782898123
Category : History
Languages : en
Pages : 55
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Book Description
Crossing a river against a defending enemy force is a difficult and complex task for any army. History has shown that preparation is necessary to avoid disasters during this type of operation. In 2003, the Third Infantry Division crossed the Euphrates River because it was prepared for this task and possessed the necessary equipment. Since then, no other divisions or corps has executed river crossing operations. While the United States Army focused on counterinsurgency operations during the last twelve years, it underwent significant changes to adapt to meet the adversities on the battlefield. It transformed its war-fighting organizations, trained its corps and divisions with computer simulations, and relegated field training to brigade and below units. In addition, its current doctrine now refers to river crossings as the deliberate wet gap crossing. Because of these changes, many questions arose as to the present corps and divisions’ preparedness to do large-scale operations, to include its ability to plan, prepare, and execute the deliberate wet gap crossing. If called today, could these organizations conduct this complex operation? Examining river crossings in Europe during the Second World War was appropriate for insight into how the previous generation of corps and divisions prepared and executed such a complex task. After analyzing how these units were able to cross the numerous waterways in Europe, the present Army should consider reassessing its doctrine, training, and organization and equipment to prepare its units for future deliberate wet gap crossings.
Author: Hans W. Korve
Publisher: Transportation Research Board
ISBN: 9780309068246
Category : Technology & Engineering
Languages : en
Pages : 100
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Book Description
Presents a review of the current practices associated with the operation of traffic signals at intersections located near highway-rail grade crossings.
Author: United States. Federal Highway Administration
Publisher:
ISBN:
Category : Traffic engineering
Languages : en
Pages : 782
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Book Description
Author: United States. Dept. of Transportation. Grade Crossing Safety Task Force
Publisher:
ISBN:
Category : Highway-railroad grade crossings
Languages : en
Pages : 148
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1314
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Book Description
Author: Henry Clifford Spurr
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1316
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Book Description
Author: Adele Nelson
Publisher: Univ of California Press
ISBN: 0520385209
Category : Art
Languages : en
Pages : 392
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Book Description
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
Author:
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 816
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Book Description
