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Author: William Willcocks Sleigh
Publisher:
ISBN:
Category : Abolitionists
Languages : en
Pages : 110
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Book Description
Author: William Willcocks Sleigh
Publisher:
ISBN:
Category : Abolitionists
Languages : en
Pages : 110
Get Book Here
Book Description
Author: William Sleigh
Publisher: BoD – Books on Demand
ISBN: 3385604230
Category :
Languages : en
Pages : 98
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Book Description
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 338560575X
Category : Fiction
Languages : en
Pages : 46
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Book Description
Reprint of the original, first published in 1838.
Author: William Willcocks Sleigh
Publisher:
ISBN:
Category : Abolitionists
Languages : en
Pages : 106
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 26
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Book Description
Author: Matthew Fox-Amato
Publisher: Oxford University Press
ISBN: 0190663952
Category : History
Languages : en
Pages : 420
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Book Description
Within a few years of the introduction of photography into the United States in 1839, slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass had come to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype studios of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. Exposing Slavery explores how photography altered and was, in turn, shaped by conflicts over human bondage. Drawing on an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, free African Americans, and abolitionists, as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, enslaved people to shape their social ties, abolitionists to strengthen their movement, and soldiers to pictorially enact interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool over only a few decades. This creative first book sheds new light on conflicts over late American slavery, while also revealing a key moment in the relationship between modern visual culture and racialized forms of power and resistance.
Author: Linda Hirshman
Publisher: HarperCollins
ISBN: 1328900355
Category : History
Languages : en
Pages : 448
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Book Description
The story of the fascinating, fraught alliance among Frederick Douglass, William Lloyd Garrison, and Maria Weston Chapman—and how its breakup led to the success of America’s most important social movement. “Fresh, provocative and engrossing.” —New York Times In the crucial early years of the Abolition movement, the Boston branch of the cause seized upon the star power of the eloquent ex-slave Frederick Douglass to make its case for slaves’ freedom. Journalist William Lloyd Garrison promoted emancipation while Garrison loyalist Maria Weston Chapman, known as “the Contessa,” raised money and managed Douglass’s speaking tour from her Boston townhouse. Conventional histories have seen Douglass’s departure for the New York wing of the Abolition party as a result of a rift between Douglass and Garrison. But, as acclaimed historian Linda Hirshman reveals, this completely misses the woman in power. Weston Chapman wrote cutting letters to Douglass, doubting his loyalty; the Bostonian abolitionists were shot through with racist prejudice, even aiming the N-word at Douglass among themselves. Through incisive, original analysis, Hirshman convinces that the inevitable breakup was in fact a successful failure. Eventually, as the most sought-after Black activist in America, Douglass was able to dangle the prize of his endorsement over the Republican Party’s candidate for president, Abraham Lincoln. Two years later the abolition of slavery—if not the abolition of racism—became immutable law.
Author: W. Caleb McDaniel
Publisher: LSU Press
ISBN: 0807150193
Category : Biography & Autobiography
Languages : en
Pages : 361
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Book Description
Garrison signaled the importance of these ties to his movement with the well-known cosmopolitan motto he printed on every issue of his famous newspaper, The Liberator: "Our Country is the World--Our Countrymen are All Mankind." That motto serves as an impetus for McDaniel's study, which shows that Garrison and his movement must be placed squarely within the context of transatlantic mid-nineteenth-century reform. Through exposure to contemporary European thinkers--such as Alexis de Tocqueville, Giuseppe Mazzini, and John Stuart Mill--Garrisonian abolitionists came to understand their own movement not only as an effort to mold public opinion about slavery but also as a measure to defend democracy in an Atlantic World still dominated by aristocracy and monarchy. While convinced that democracy offered the best form of government, Garrisonians recognized that the persistence of slavery in the United States revealed problems with the political system.
Author: Manisha Sinha
Publisher: Yale University Press
ISBN: 0300182082
Category : Social Science
Languages : en
Pages : 809
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Book Description
“Traces the history of abolition from the 1600s to the 1860s . . . a valuable addition to our understanding of the role of race and racism in America.”—Florida Courier Received historical wisdom casts abolitionists as bourgeois, mostly white reformers burdened by racial paternalism and economic conservatism. Manisha Sinha overturns this image, broadening her scope beyond the antebellum period usually associated with abolitionism and recasting it as a radical social movement in which men and women, black and white, free and enslaved found common ground in causes ranging from feminism and utopian socialism to anti-imperialism and efforts to defend the rights of labor. Drawing on extensive archival research, including newly discovered letters and pamphlets, Sinha documents the influence of the Haitian Revolution and the centrality of slave resistance in shaping the ideology and tactics of abolition. This book is a comprehensive history of the abolition movement in a transnational context. It illustrates how the abolitionist vision ultimately linked the slave’s cause to the struggle to redefine American democracy and human rights across the globe. “A full history of the men and women who truly made us free.”—Ira Berlin, The New York Times Book Review “A stunning new history of abolitionism . . . [Sinha] plugs abolitionism back into the history of anticapitalist protest.”—The Atlantic “Will deservedly take its place alongside the equally magisterial works of Ira Berlin on slavery and Eric Foner on the Reconstruction Era.”—The Wall Street Journal “A powerfully unfamiliar look at the struggle to end slavery in the United States . . . as multifaceted as the movement it chronicles.”—The Boston Globe
Author: Justine S. Murison
Publisher: University of Pennsylvania Press
ISBN: 151282352X
Category : History
Languages : en
Pages : 281
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Book Description
Recent legal history in the United States reveals a hardening tendency to treat religious freedom and sexual and reproductive freedom as competing, even opposing, claims on public life. They are united, though, by the fact that both are rooted in our culture’s understanding of privacy. Faith in Exposure shows how, over the course of the nineteenth century, privacy came to encompass such contradictions—both underpinning the right to sexual and reproductive rights but also undermining them in the name of religious freedom. Drawing on the interdisciplinary field of secular studies, Faith in Exposure brings a postsecular orientation to the historical emergence of modern privacy. The book explains this emergence through two interlocking stories. The first examines the legal and cultural connection of religion with the private sphere, showing how privacy became a moral concept that informs how we debate the right to be shielded from state interference, as well as who will be afforded or denied this protection. This conflation of religion with privacy gave rise, the book argues, to a “secular sensibility” that was especially invested in authenticity and the exposure of hypocrisy in others. The second story examines the development of this “secular sensibility” of privacy through nineteenth-century novels. The preoccupation of the novel form with private life, and especially its dependence on revelations of private desire and sexual secrets, made it the perfect vehicle for suggesting that exposure might be synonymous with morality itself. Each chapter places key authors into wider contexts of popular fiction and periodical press debates. From fears over religious infidelity to controversies over what constituted a modern marriage and conspiracy theories about abolitionists, these were the contests, Justine S. Murison argues, that helped privacy emerge as both a sensibility and a right in modern, secular America.
