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Author: Samuel Hynes
Publisher: Peter Smith Pub Incorporated
ISBN: 9780844667263
Category :
Languages : en
Pages :
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Book Description
Author: Samuel Hynes
Publisher: Peter Smith Pub Incorporated
ISBN: 9780844667263
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Samuel Hynes
Publisher: Simon & Schuster Books For Young Readers
ISBN: 9780020522102
Category : Great Britain
Languages : en
Pages : 514
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Book Description
Between the opulent, Edwardian years and the 1920s, the First World War opens like a gap in history, separating one world of beliefs and values from another, changing not only the maps of Europe, but also the ways in which men and women imagined reality itself. Now Samuel Hynes shows us that transformation and its consequences. Two 8-page inserts.
Author: Samuel Hynes
Publisher: Random House (UK)
ISBN:
Category : History
Languages : en
Pages : 552
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Book Description
Between the opulent Edwardian years and the 1920s, between the England of Pomp and Circumstance, the first Post-Impressionist show and Man and Superman and the England of The Waste Land, Facade and The Green Hat, World War I opens like a gap in history, separating one world of beliefs and values from another, and changing not only the map of Europe, but the ways in which men and women imagined reality itself. Because of the war, England after the war was a different place: the arts were different; history was different; sex, society, class were all different.
Author: Alice Fahs
Publisher: Univ of North Carolina Press
ISBN: 0807899291
Category : History
Languages : en
Pages : 425
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Book Description
In this groundbreaking work of cultural history, Alice Fahs explores a little-known and fascinating side of the Civil War--the outpouring of popular literature inspired by the conflict. From 1861 to 1865, authors and publishers in both the North and the South produced a remarkable variety of war-related compositions, including poems, songs, children's stories, romances, novels, histories, and even humorous pieces. Fahs mines these rich but long-neglected resources to recover the diversity of the war's political and social meanings. Instead of narrowly portraying the Civil War as a clash between two great, white armies, popular literature offered a wide range of representations of the conflict and helped shape new modes of imagining the relationships of diverse individuals to the nation. Works that explored the war's devastating impact on white women's lives, for example, proclaimed the importance of their experiences on the home front, while popular writings that celebrated black manhood and heroism in the wake of emancipation helped readers begin to envision new roles for blacks in American life. Recovering a lost world of popular literature, The Imagined Civil War adds immeasurably to our understanding of American life and letters at a pivotal point in our history.
Author: Peter Paret
Publisher: UNC Press Books
ISBN: 9780807823569
Category : Art
Languages : en
Pages : 168
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Book Description
For thousands of years, art has interpreted the experience of war_its methods, human costs, and moral ambiguities_and has offered historians a wealth of testimony that is only beginning to be systematically explored. In this wide-ranging study, Peter Paret discusses forty-seven paintings and prints as complex documents of war in Europe since the Renaissance and as examples of the artist's use of war as a metaphor for the human condition. The images include works by such major artists as Uccello, Géricault, and Dix as well as academic history paintings and popular prints. By setting each in its historical environment and analyzing it from the perspective of the wars of its time, illuminates the place of war in Western consciousness and expands our understanding of works that are too often approached with little concern for the reality they depict or symbolically transform. Perhaps the most significant of the themes he traces over five centuries is the gradual change from the prince or general to the common soldier and civilian victim as central figures in the interpretation of war in art.
Author: Jason Phillips
Publisher: Oxford University Press
ISBN: 0190868171
Category : History
Languages : en
Pages : 337
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Book Description
How did Americans imagine the Civil War before it happened? The most anticipated event of the nineteenth century appeared in novels, prophecies, dreams, diaries, speeches, and newspapers decades before the first shots at Fort Sumter. People forecasted a frontier filibuster, an economic clash between free and slave labor, a race war, a revolution, a war for liberation, and Armageddon. Reading their premonitions reveals how several factors, including race, religion, age, gender, region, and class, shaped what people thought about the future and how they imagined it. Some Americans pictured the future as an open, contested era that they progressed toward and molded with their thoughts and actions. Others saw the future as a closed, predetermined world that approached them and sealed their fate. When the war began, these opposing temporalities informed how Americans grasped and waged the conflict. In this creative history, Jason Phillips explains how the expectations of a host of characters-generals, politicians, radicals, citizens, and slaves-affected how people understood the unfolding drama and acted when the future became present. He reconsiders the war's origins without looking at sources using hindsight, that is, without considering what caused the cataclysm and whether it was inevitable. As a result, Phillips dispels a popular myth that all Americans thought the Civil War would be short and glorious at the outset, a ninety-day affair full of fun and adventure. Much more than rational power games played by elites, the war was shaped by uncertainties and emotions and darkened horizons that changed over time. Looming Civil War highlights how individuals approached an ominous future with feelings, thoughts, and perspectives different from our sensibilities and unconnected to our view of their world. Civil War Americans had their own prospects to ponder and forge as they discovered who they were and where life would lead them. The Civil War changed more than America's future; it transformed how Americans imagined the future and how Americans have thought about the future ever since.
Author: Martin Meisel
Publisher: Columbia University Press
ISBN: 0231540469
Category : Literary Criticism
Languages : en
Pages : 604
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Book Description
The stories we tell in our attempt to make sense of the world—our myths and religion, literature and philosophy, science and art—are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent. In this book, Martin Meisel considers the long effort to conjure, depict, and rationalize extreme disorder, with all the passion, excitement, and compromises the act provokes. Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos. He uses examples from literature, philosophy, painting, graphic art, science, linguistics, music, and film, particularly exploring the remarkable shift in the eighteenth and nineteenth centuries from conceiving of chaos as disruptive to celebrating its liberating and energizing potential. Discussions of Sophocles, Plato, Lucretius, Calderon, Milton, Haydn, Blake, Faraday, Chekhov, Faulkner, Wells, and Beckett, among others, are matched with incisive readings of art by Brueghel, Rubens, Goya, Turner, Dix, Dada, and the futurists. Meisel addresses the revolution in mapping energy and entropy and the manifold effect of thermodynamics. He then uses this chaotic frame to elaborate on purpose, mortality, meaning, and mind.
Author: Hugh Dubrulle
Publisher: LSU Press
ISBN: 0807168815
Category : History
Languages : en
Pages : 352
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Book Description
In Ambivalent Nation, Hugh Dubrulle explores how Britons envisioned the American Civil War and how these conceptions influenced their discussions about race, politics, society, military affairs, and nationalism. Contributing new research that expands upon previous scholarship focused on establishing British public opinion toward the war, Dubrulle offers a methodical dissection of the ideological forces that shaped that opinion, many of which arose from the complex Anglo-American postcolonial relationship. Britain’s lingering feeling of ownership over its former colony contributed heavily to its discussions of the American Civil War. Because Britain continued to have a substantial material interest in the United States, its writers maintained a position of superiority and authority in respect to American affairs. British commentators tended to see the United States as divided by two distinct civilizations, even before the onset of war: a Yankee bourgeois democracy and a southern oligarchy supported by slavery. They invariably articulated mixed feelings toward both sections, and shortly before the Civil War, the expression of these feelings was magnified by the sudden emergence of inexpensive newspapers, periodicals, and books. The conflicted nature of British attitudes toward the United States during the antebellum years anticipates the ambivalence with which the British reacted to the American crisis in 1861. Britons used prewar stereotypes of northerners and southerners to help explain the course and significance of the conflict. Seen in this fashion, the war seemed particularly relevant to a number of questions that occupied British conversations during this period: the characteristics and capacities of people of African descent, the proper role of democracy in society and politics, the future of armed conflict, and the composition of a durable nation. These questions helped shape Britain’s stance toward the war and, in turn, the war informed British attitudes on these subjects. Dubrulle draws from numerous primary sources to explore the rhetoric and beliefs of British public figures during these years, including government papers, manuscripts from press archives, private correspondence, and samplings from a variety of dailies, weeklies, monthlies, and quarterlies. The first book to examine closely the forces that shaped British public opinion about the Civil War, Ambivalent Nation contextualizes and expands our understanding of British attitudes during this tumultuous period.
Author: Dimitris Stamatopoulos
Publisher: Central European University Press
ISBN: 9789633861776
Category : History
Languages : en
Pages : 0
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Book Description
The Balkans offer classic examples of how empires imagine they can transform themselves into national states (Ottomanism) and how nation-states project themselves into future empires (as with the Greek "Great Idea" and the Serbian "Načertaniye"). By examining the interaction between these two aspirations this volume sheds light on the ideological prerequisites for the emergence of Balkan nationalisms. With a balance between historical and literary contributions, the focus is on the ideological hybridity of the new national identities and on the effects of "imperial nationalisms" on the emerging Balkan nationalisms. The authors of the twelve essays reveal the relation between empire and nation-state, proceeding from the observation that many of the new nation-states acquired some imperial features and behaved as empires. This original and stimulating approach reveals the imperialistic nature of so-called ethnic or cultural nationalism.
Author: Benedict Anderson
Publisher: Verso Books
ISBN: 178168359X
Category : Political Science
Languages : en
Pages : 338
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Book Description
What are the imagined communities that compel men to kill or to die for an idea of a nation? This notion of nationhood had its origins in the founding of the Americas, but was then adopted and transformed by populist movements in nineteenth-century Europe. It became the rallying cry for anti-Imperialism as well as the abiding explanation for colonialism. In this scintillating, groundbreaking work of intellectual history Anderson explores how ideas are formed and reformulated at every level, from high politics to popular culture, and the way that they can make people do extraordinary things. In the twenty-first century, these debates on the nature of the nation state are even more urgent. As new nations rise, vying for influence, and old empires decline, we must understand who we are as a community in the face of history, and change.
