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Author: PatriziaDi Bello
Publisher: Routledge
ISBN: 1351536443
Category : Social Science
Languages : en
Pages : 194
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Book Description
This beautifully illustrated study recaptures the rich history of women photographers and image collectors in nineteenth-century England. Situating the practice of collecting, exchanging and displaying photographs and other images in the context of feminine sociability, Patrizia Di Bello shows that albums express Victorian women's experience of modernity. The albums of individual women, and the broader feminine culture of collecting and displaying imagesare examined, uncovering the cross-references and fertilizations between women's albums and illustrated periodicals, and demonstrating the way albums and photography, itself, were represented in women's magazines, fashion plates, and popular novels. Bringing a sophisticated eye to overlooked images such as the family photograph, Di Bello not only illustrates their significance as historical documents but elucidates the visual rhetorics at play. In doing so, she identifies the connections between Victorian album-making and the work of modern-day amateurs and artists who use digital techniques to compile and decorate albums with Victorian-style borders and patterns. At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. It is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies.
Author: PatriziaDi Bello
Publisher: Routledge
ISBN: 1351536443
Category : Social Science
Languages : en
Pages : 194
Get Book Here
Book Description
This beautifully illustrated study recaptures the rich history of women photographers and image collectors in nineteenth-century England. Situating the practice of collecting, exchanging and displaying photographs and other images in the context of feminine sociability, Patrizia Di Bello shows that albums express Victorian women's experience of modernity. The albums of individual women, and the broader feminine culture of collecting and displaying imagesare examined, uncovering the cross-references and fertilizations between women's albums and illustrated periodicals, and demonstrating the way albums and photography, itself, were represented in women's magazines, fashion plates, and popular novels. Bringing a sophisticated eye to overlooked images such as the family photograph, Di Bello not only illustrates their significance as historical documents but elucidates the visual rhetorics at play. In doing so, she identifies the connections between Victorian album-making and the work of modern-day amateurs and artists who use digital techniques to compile and decorate albums with Victorian-style borders and patterns. At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. It is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies.
Author: Elizabeth Siegel
Publisher: Scala Books
ISBN: 9781857595796
Category : Decoration and ornament
Languages : en
Pages : 0
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Book Description
Sixty years before the avant-garde movements of the 1920s, Victorian women were experimenting with photocollage in their own personal albums and scrapbooks. Their compositions of photographs and watercolours are whimsical and fantastical, combining photo
Author: Shannon, Kate
Publisher: Formac
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 136
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Book Description
Kate Shannon was the 18-year-old daughter of a judge, living in the prosperous port city of Halifax. She describes her daily life and confides her private thoughts in the diary she kept for the year 1892. Winter skating, parties, at homes, theatre and concerts, long walks in the park, picnics, Halloween, family gatherings, Christmas festivities -- Kate records the events of her life. The highlight f her year is a long summertime visit to Boston. She also writes frankly and sensitively about her feelings and her relationships with friends and family. In this book the full text of Kate's diary is accompanied by a wide collection of visual material. Hand-tinted postcards, paintings, drawings, newspaper ads, book covers and illustrations complement Kate's picture of Victorian life. These visuals have all been chosen from Kate's world, and include sketches she drew in her diary. Tragically, at the age of 22 Kate died of consumption. Her family treasured her diary, and it was later placed with the family's papers in the Public Archives of Nova Scotia, where its editor, Delia Stanley, found it.
Author: Dover
Publisher: Courier Corporation
ISBN: 0486482073
Category : Art
Languages : en
Pages : 50
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Book Description
The origins of today's popular scrapbooking hobby extend back to the 19th century, when publishers found an enthusiastic market for their colorful chromolithographic images. This reproduction of an authentic scrapbook of 130 years ago reflects Victorian sensibilities and interests. A brief Introduction discusses the hobby's history and all of the images are included on a bonus CD-ROM. 347 images.
Author: Kate Summerscale
Publisher: A&C Black
ISBN: 1408831244
Category : Biography & Autobiography
Languages : en
Pages : 322
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Book Description
When the married Isabella Robinson was introduced to the dashing Edward Lane at a party in 1850, she was utterly enchanted. He was 'fascinating', she told her diary, before chastising herself for being so susceptible to a man's charms. But a wish had taken hold of her, and she was to find it hard to shake...In one of the most notorious divorce cases of the nineteenth century, Isabella Robinson's scandalous secrets were exposed to the world. Kate Summerscale brings vividly to life a frustrated Victorian wife's longing for passion and learning, companionship and love, in a society clinging to rigid ideas about marriage and female sexuality.
Author: Lucy Poate Stebbins
Publisher:
ISBN:
Category :
Languages : en
Pages : 234
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Book Description
Author: Elizabeth Siegel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
This title examines comprehensively the little-known phenomenon of Victorian photocollage, presenting imagery that has rarely - and in many cases, never - been displayed or reproduced.
Author:
Publisher:
ISBN:
Category : Photograph albums
Languages : en
Pages :
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Book Description
The fonds consists of one photograph album kept by an unknown woman with pictures of famous women. The album is made with wooden boards which feature paintings of a sunset over water and a song sparrow with calligraphic poetry. Each page includes a photograph of a different woman surrounded by a hand drawn frame that speaks to her life and work. Women in the album include Florence Nightingale, Elizabeth Barrett Browning, Dame Millicent Garrett Fawcett, Elizabeth Garrett Anderson, Lady Florence Baker, Mary Somerville, Emily Davies, Johanna Maria Lind, and Rosa Bonheur.
Author: Christiane Lindner
Publisher: BoD – Books on Demand
ISBN: 3751953116
Category : Literary Collections
Languages : en
Pages : 242
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Book Description
The book "Sarah Ann Dobbs" describes the extraordinary life of a Victorian lady told by her autograph Album. Over 150 years old, the autograph Album of Sarah Dobbs containing beautifully handwritten poems, dating from 1862 to 1871, is a remarkable and fascinating document of the Victorian age. By steamship it made its way from Wales, UK, to the USA around 1868 as its owner Sarah Dobbs immigrated as one of the early pioneers to Kansas, USA. This book contains all Album entries, for better reading they were transcribed and where possible identified. The author also added a genealogy research, underlined by newspaper articles which were all transcribed, of Sarah Dobbs, her family and the family of her husband Henry Poolly Cooper. Before their immigration to the USA both of them lived in Chepstow, Monmouthshire, Wales, UK. Sarah Dobbs as innkeeper daughter of the White Hart Inn, Beaufort Square, Chepstow, Wales, UK.
Author: Nancy Micklewright
Publisher: Routledge
ISBN: 1351577891
Category : Photography
Languages : en
Pages : 416
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Book Description
Juxtaposing the albums of Lady Brassey, an overlooked figure among Victorian women travelers, with Brassey's travel books, Nancy Micklewright takes advantage of a unique opportunity to examine the role of photography in the 1870s and 1880s in constructing ideas about place and empire. This study draws on a range of source material to investigate aspects of the Brassey collection. The book begins with an overview of Lady Brassey's life and projects, as well as an examination of issues relevant to subsequent discussions of the travel literature, the photographs, and the albums in which the photographs are assembled. Lady Brassey is next considered as a traveler and public figure, and the author gives an overview of Brassey's travel literature, placing her in her social and political context. Micklewright then considers the seventy volumes of photographs which comprise the Brassey album collection, taking an especially close look at the eight albums devoted to the Middle East. Analyzing the specific contents and structure of the albums, and the interplay of text and image within, she explores how the Brasseys constructed their presentation of the region. While confirming some earlier work about constructions of the Orient by the British during the time, this book offers a much more detailed and nuanced understanding of how photographic and literary constructions were related to individual experience and identity within a larger British identity. The first appendix explores the illustrative relationship between the photograph albums and Lady Brassey's travel books, yielding an understanding of the processes involved in transferring the photographic image to a printed one, at a particular moment in the development of book illustration. A second appendix lists the contents and named photographers of all seventy albums in the Brassey collection. All in all, Micklewright's study makes a significant contribution to our understanding of the complex and unstable socia
