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Author: Stuart Flinders
Publisher: Icon Books
ISBN: 1837731489
Category : Religion
Languages : en
Pages : 274
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Book Description
A secluded country house. A rogue Anglican Priest. Ceremonial sex and mislaid fortunes. This is the almost-forgotten story of Victorian Britain's strangest religious sect and its wealthy, mostly female, followers who believed they could ascend directly to heaven. Henry James Prince was a rogue Anglican Priest with a flare for the dramatic, and the founder of the Agapemone, or 'Abode of Love'. He also claimed to be the immortal conduit of The Holy Spirit and purportedly engaged in free love and ceremonial sex with his mostly female followers. But Prince's eventual death didn't mark the end of this strange set... he was promptly replaced by another. John Hugh Smyth-Pigott - otherwise known as the Clapton Messiah. The Abode transformed a sleepy, rural corner of Somerset into one of England's most notorious locations. While the followers shut themselves away and waited patiently for the end of the world, outrage grew - the word 'Agapemone' because a byword for licentiousness or idleness, used by Charles Dickens and Ford Maddox Ford. The reclusive Clapton Messiah became a fixture in the nation's papers, with frenzied efforts to discredit the organisation and undermine its leader. And still the cult grew. Expertly drawing on primary sources to tell the story of the Agapemonites in details for the first time, Stuart Flinders shines a light on the people drawn to the cult - the forced marriages; the swindled fortunes; the women condemned to asylums; and those who managed to escape from the Abode. It is also the story of two extraordinary men, whose claims of divinity were at the heart of this very British cult.
Author: Stuart Flinders
Publisher: Icon Books
ISBN: 1837731489
Category : Religion
Languages : en
Pages : 274
Get Book Here
Book Description
A secluded country house. A rogue Anglican Priest. Ceremonial sex and mislaid fortunes. This is the almost-forgotten story of Victorian Britain's strangest religious sect and its wealthy, mostly female, followers who believed they could ascend directly to heaven. Henry James Prince was a rogue Anglican Priest with a flare for the dramatic, and the founder of the Agapemone, or 'Abode of Love'. He also claimed to be the immortal conduit of The Holy Spirit and purportedly engaged in free love and ceremonial sex with his mostly female followers. But Prince's eventual death didn't mark the end of this strange set... he was promptly replaced by another. John Hugh Smyth-Pigott - otherwise known as the Clapton Messiah. The Abode transformed a sleepy, rural corner of Somerset into one of England's most notorious locations. While the followers shut themselves away and waited patiently for the end of the world, outrage grew - the word 'Agapemone' because a byword for licentiousness or idleness, used by Charles Dickens and Ford Maddox Ford. The reclusive Clapton Messiah became a fixture in the nation's papers, with frenzied efforts to discredit the organisation and undermine its leader. And still the cult grew. Expertly drawing on primary sources to tell the story of the Agapemonites in details for the first time, Stuart Flinders shines a light on the people drawn to the cult - the forced marriages; the swindled fortunes; the women condemned to asylums; and those who managed to escape from the Abode. It is also the story of two extraordinary men, whose claims of divinity were at the heart of this very British cult.
Author: Ali Catterall
Publisher: HarperCollins (UK)
ISBN:
Category : Motion picture locations
Languages : en
Pages : 342
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Book Description
Blow Up, Get Carter, Performance, A Clockwork Orange, Quadrophenia, Naked, Lock, Stock and Two Smoking Barrels—in recent years, an industry has grown up around certain British cult movies, spawning soundtracks, videos, internet sites, and cinematic re–releases. The makers of these films have become icons of cool, revered throughout the worlds of film, music, and fashion. How has this come about? And what turns these films into lifestyles? Drawing on exclusive interviews with studio bosses, actors, filmmakers, and fans, and touring dozens of film locations,Your Face Herereveals all.
Author: Jamie Bartlett
Publisher: Hachette UK
ISBN: 0306829185
Category : True Crime
Languages : en
Pages : 258
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Book Description
175 countries, four billion dollars, one scam: the thrilling rise and fall of the biggest cryptocurrency con in history and the woman behind it all In 2016, on stage at Wembley Arena in front of thousands of adoring fans, Dr. Ruja Ignatova promised her followers a financial revolution. The future, she said, belonged to cryptocurrencies such as Bitcoin. And the Oxford-educated, self-styled cryptoqueen vowed that she had invented the Bitcoin Killer. OneCoin would not only earn its investors untold fortunes; it would change the world. By March 2017, more than $4 billion had been invested in OneCoin in countries all around the world. But by October 2017, Ruja Ignatova had disappeared, and it slowly became clear that her revolutionary cryptocurrency was not all it seemed. Fortune was left asking, “Is OneCoin the biggest financial fraud in history?” In The Missing Cryptoqueen, acclaimed tech journalist Jamie Bartlett tells the story he began in his smash hit BBC podcast, entering the murky worlds of little-regulated cryptocurrencies and multilevel marketing schemes. Through a globe-crossing investigation into the criminal underworlds, corrupt governments, and the super-rich, he reveals a very modern tale of intrigue, techno-hype and herd madness that allowed OneCoin to become a million-person pyramid scheme—where, at the top, investors were making millions and, at the bottom, people were putting their livelihoods at risk. It’s the inside story of the smartest and biggest scam of the 21st Century—and the genius behind it, who is still on the run.
Author: Tim Linward
Publisher: MIT Press
ISBN: 1913689131
Category : Games & Activities
Languages : en
Pages : 0
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Book Description
On Warhammer 40,000, Britain's most excessive sci-fi franchise, and its vision of a hellish postindustrial future. In the grim darkness of the British imagination, there is only Warhammer 40,000.... Featuring demons, chain swords, and supermen in power armor, Warhammer 40,000 is Britain's most excessive sci-fi franchise. For thirty years this cult war game and its tie-in media have enticed thousands of fans to build, paint, and play with armies of toy soldiers taken from the battlefields of the worst possible future. Why has this fantasy proven so irresistible? Part collection of essays, part ravings of a cult prophet, Grimdark examines Warhammer 40,000's place and impact in pop culture, and how this unique vision of a hellish future arose from the subconscious of postindustrial Britain.
Author: Stuart Flinders
Publisher: Bloomsbury Publishing
ISBN: 1838608338
Category : History
Languages : en
Pages : 257
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Book Description
In September 1857, a member of a religious sect killed himself on hearing the news that the object of his devout observance, Nikal Seyn, had died. Nikal Seyn was, in fact, John Nicholson, the leader of the British assault that recovered Delhi at the turning-point of the Indian Rebellion of 1857. What was it about Nicholson that prompted such devotion, not just from his religious followers, but from the general public? And why is he no longer considered a hero? The man called 'The Lion of the Punjab' by his contemporaries and compared to General Wolfe of Quebec, and even to Napoleon, has in recent times been dubbed 'an imperial psychopath' and 'a homosexual bully'. Yet his was a remarkable tale of a life of adventure lived on the very edge of the British Empire; of a man who was as courageous as he was ruthless, as loyal to his friends as he was merciless to those who crossed him. But it is also the story of how modern attitudes to race and Empire have changed in the years since he died. Previously unpublished material, including the diaries of contemporaries and personal letters, helps build a new perspective on Nicholson's personality. The book considers his sexuality and ambivalent attitude towards religion. It traces his murderous thoughts towards the Chief Commissioner of the Punjab, John Lawrence, and reveals that, remarkably, the Nikal Seyni cult continued into the 21st century. This is the first book-length biography of Nicholson for over 70 years. A new account of the Irish soldier who became an Indian God, an examination of the cult of a dark hero, is long overdue.
Author: Bruce G. Hallenbeck
Publisher:
ISBN: 9780955777448
Category : Fantasy films
Languages : en
Pages : 0
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Book Description
Author: Amanda Montell
Publisher: HarperCollins
ISBN: 0062993178
Category : Language Arts & Disciplines
Languages : en
Pages : 300
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Book Description
“One of those life-changing reads that makes you see—or, in this case, hear—the whole world differently.” —Megan Angelo, author of Followers “At times chilling, often funny, and always perceptive and cogent, Cultish is a bracing reminder that the scariest thing about cults is that you don't realize you're in one till it's too late.”—Refinery29.com The New York Times bestselling author of The Age of Magical Overthinking and Wordslut analyzes the social science of cult influence: how “cultish” groups, from Jonestown and Scientologists to SoulCycle and social media gurus, use language as the ultimate form of power. What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . . Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.
Author: S. Patterson
Publisher: Springer
ISBN: 0230620175
Category : History
Languages : en
Pages : 268
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Book Description
What was imperial honor and how did it sustain the British Raj? If "No man may harm me with impunity" was an ancient theme of the European aristocracy, British imperialists of almost all classes in India possessed a similar vision of themselves as overlords belonging to an honorable race, so that ideals of honor condoned and sanctified their rituals, connecting them with status, power, and authority. Honor, most broadly, legitimated imperial rule, since imperialists ostensibly kept India safe from outside threats. Yet at the individual level, honor kept the "white herd" together, providing the protocols and etiquette for the imperialist, who had to conform to the strict notions of proper and improper behavior in a society that was always obsessed with maintaining its dominance over India and Indians.Examining imperial society through the prism of honor therefore opens up a new methodology for the study of British India.
Author: Tom Vague
Publisher: Bread and Circuses Publishing
ISBN: 162517800X
Category : Music
Languages : en
Pages : 371
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Book Description
"Vague" began, as it happened, a few months after "England's Dreaming" left off: in the post-punk diaspora of late 1979. Turning nineteen years old in sunny Salisbury, Tom Vague began by featuring local punk bands as well as all the major acts that passed through or nearby - the Banshees, the Cure, the Ruts, Joy Division, Red Krayola, the Gang of Four, Clash, Adam and the Ants. It wasn't a pure punk fanzine - it was too late for that - but matched punk irreverence with the overall feeling of experimentation that still existed at the end of the 1970's. Over the first few issues, "Vague" continued to work out the possibilities of independence - in all senses of the word - that had been pioneered in 1976 by Mark Perry (fanzines) and in 1977 by Buzzcocks and the Desperate Bicycles (seven inch records). The whole point about fanzines and DIY singles was that you didn't have to do what everyone else did. So "Vague" mixed up reviews with Perry Harris' cartoons and what Tom describes as 'stream of consciousness prose' that reflected the chaos and the intimacy of the moment. Vague followed the post-punk strands - from the Ants to Goth to Crass to Psychobillies and Positive Punks - through to the mid 80's, and Tom's commentary precisely dates the changes. In the notes for Issue 12, July 1982, he observes that 'it was around this time that the number of exaggerated Mac Curtis haircuts increased around London and Theatre of Hate indirectly started the punkabilly cult, which consisted of disillusioned young Ants fans and reformed punky types, largely Londoners. Suddenly everyone started to look like Kirk Brandon'. Tom Vague recorded the present without any thought to posterity. Because he noted the moment so thoroughly, he became a historian, providing a record of Punk's most obdurate and persistent strands. In documenting the chaos of the 1980's from within, he has preserved a forgotten narrative of that decade: not Live Aid, New Romantic Pop or Thatcher, but a dogged and anarchic strand of youth culture that persisted into the flowering of rave in the early 90's. This collection should be read by any serious enquirer into the period." (Jon Savage : 2017)
Author: Richard Weight
Publisher: Random House
ISBN: 1448182492
Category : Design
Languages : en
Pages : 500
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Book Description
Welcome to the world of the sharp-suited ‘faces’. The Italianistas. The scooter-riding, all-night-dancing instigators of what became, from its myriad sources, a very British phenomenon. Mod began life as the quintessential working-class movement of a newly affluent nation – a uniquely British amalgam of American music and European fashions that mixed modern jazz with modernist design in an attempt to escape the drab conformity, snobbery and prudery of life in 1950s Britain. But what started as a popular cult became a mainstream culture, and a style became a revolution. In Mod, Richard Weight tells the story of Britain’s biggest and most influential youth cult. He charts the origins of Mod in the Soho jazz scene of the 1950s, set to the cool sounds of Charlie Parker and Miles Davis. He explores Mod’s heyday in Swinging London in the mid-60s – to a new soundtrack courtesy of the Small Faces, the Who and the Kinks. He takes us to the Mod–Rocker riots at Margate and Brighton, and into the world of fashion and design dominated by Twiggy, Mary Quant and Terence Conran. But Mod did not end in the 1960s. Richard Weight not only brings us up to the cult’s revival in the late 70s – played out against its own soundtrack of Quadrophenia and the Jam – but reveals Mod to be the DNA of British youth culture, leaving its mark on glam and Northern Soul, punk and Two Tone, Britpop and rave. This is the story of Britain’s biggest and brassiest youth movement – and of its legacy. Music, film, fashion, art, architecture and design – nothing was untouched by the eclectic, frenetic, irresistible energy of Mod.
