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Author: Sandra Shamas
Publisher: Mercury Press (Canada)
ISBN:
Category : Drama
Languages : en
Pages : 164
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Book Description
Sandra Shamas is the brilliant comedic storyteller whose new one-woman show, Wit’s End, is being toured across Canada. A Trilogy of Performances, nominated for the Governor General’s Award for Drama and for the Stephen Leacock Memorial Award for Humour, collects Sandra Shamas’ three hit comedy shows: My Boyfriend’s Back and There’s Gonna Be Laundry; My Boyfriend’s Back and There’s Gonna Be Laundry II; and Wedding Bell Hell.
Author: Sandra Shamas
Publisher: Mercury Press (Canada)
ISBN:
Category : Drama
Languages : en
Pages : 164
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Book Description
Sandra Shamas is the brilliant comedic storyteller whose new one-woman show, Wit’s End, is being toured across Canada. A Trilogy of Performances, nominated for the Governor General’s Award for Drama and for the Stephen Leacock Memorial Award for Humour, collects Sandra Shamas’ three hit comedy shows: My Boyfriend’s Back and There’s Gonna Be Laundry; My Boyfriend’s Back and There’s Gonna Be Laundry II; and Wedding Bell Hell.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
Award-winning photographer McAdams began covering the performance front for the Village Voice in 1984. This collection gives us an exhilarating, front-row-center look at multimedia performance art as captured in her exuberant black-and-white photographs. The oversize (9.25x12.25) documentary also
Author: Sophocles
Publisher: JHU Press
ISBN: 0801895413
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
Sophocles’ Theban Plays—Oedipus the King, Oedipus at Colonus, and Antigone—lie at the core of the Western literary canon. They are extensively translated, universally taught, and frequently performed. Chronicling the downfall of Oedipus, the legendary king of Thebes, and his descendants, the Theban Plays are as relevant to present-day thought about love, duty, patriotism, family, and war as when they were written 2,500 years ago. Recent translations of the plays, while linguistically correct, often fail to capture the beauty of Sophocles’ original words. In combining the skills of a distinguished poet, Ruth Fainlight, and an eminent classical scholar, Robert J. Littman, this new edition of the Theban Plays is both a major work of poetry and a faithful translation of the original works. Thoughtful introductions, extensive notes, and glossaries frame each of the plays within their historical contexts and illuminate important themes, mythological roots, and previous interpretations. This elegant and uncommonly readable translation will make these seminal Greek tragedies accessible to a new generation of readers.
Author: Thomas J. Berghuis
Publisher: Timezone 8 Limited
ISBN: 9789889926595
Category : Art
Languages : en
Pages : 328
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Book Description
Performance Art in China takes as its subject one of the most dynamic and controversial areas of experimental art practice in China. In his comprehensive study, Sydney-based theorist and art historian Thomas J. Berghuis introduces and investigates the idea of the "role of the mediated subject of the acting body in art," a notion grounded in the realization that the body is always present in art practice, as well as its subsequent, secondary representations. Through a series of in-depth case studies, Berghuis reveals how, during the past 25 years, Chinese performance artists have "acted out" their art, often in opposition to the principles governing correct behavior in the public domain. In addition to a 25-year chronology of events, a systematic index of places, names and key terms, as well as a bibliography and a glossary in English and Chinese, this study also offers the reader numerous previously unpublished photos and documents.
Author: Ken Bloom
Publisher: Routledge
ISBN: 1135950199
Category : Reference
Languages : en
Pages : 679
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Book Description
This volume is another example in the Routledge tradition of producing high-quality reference works on theater, music, and the arts. An A to Z encyclopedia of Broadway, this volume includes tons of information, including producers, writer, composers, lyricists, set designers, theaters, performers, and landmarks in its sweep.
Author: Andy Lavender
Publisher: Routledge
ISBN: 1136467203
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
Performance in the Twenty-First Century: Theatres of Engagement addresses the reshaping of theatre and performance after postmodernism. Andy Lavender argues provocatively that after the ‘classic’ postmodern tropes of detachment, irony, and contingency, performance in the twenty-first century engages more overtly with meaning, politics and society. It involves a newly pronounced form of personal experience, often implicating the body and/or one’s sense of self. This volume examines a range of performance events, including work by both emergent and internationally significant companies and artists such as Rimini Protokoll, Blast Theory, dreamthinkspeak, Zecora Ura, Punchdrunk, Ontroerend Goed, Kris Verdonck, Dries Verhoeven, Rabih Mroué, Derren Brown and David Blaine. It also considers a wider range of cultural phenomena such as online social networking, sports events, installations, games-based work and theme parks, where principles of performance are in play. Performance in the Twenty-First Century is a compelling and provocative resource for anybody interested in discovering how performance theory can be applied to cutting-edge culture, and indeed the world around them.
Author: Boston Symphony Orchestra
Publisher:
ISBN:
Category : Concerts
Languages : en
Pages : 1690
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Book Description
Author: Catherine Cole
Publisher: University of Michigan Press
ISBN: 0472054589
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
In the aftermath of state-perpetrated injustice, a façade of peace can suddenly give way, and in South Africa and the Democratic Republic of Congo, post-apartheid and postcolonial framings of change have exceeded their limits. Performance and the Afterlives of Injustice reveals how the voices and visions of artists can help us see what otherwise evades perception. Embodied performance in South Africa has particular potency because apartheid was so centrally focused on the body: classifying bodies into racial categories, legislating where certain bodies could move and which bathrooms and drinking fountains certain bodies could use, and how different bodies carried meaning. The book considers key works by contemporary performing artists Brett Bailey, Gregory Maqoma, Mamela Nyamza, Robyn Orlin, Jay Pather, and Sello Pesa, artists imagining new forms and helping audiences see the contemporary moment as it is: an important intervention in a country long predicated on denial. They are also helping to conjure, anticipate, and dream a world that is otherwise. The book will be of particular interest to scholars of African studies, black performance, dance studies, transitional justice, as well as theater and performance studies.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 928
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Book Description
Author: Professor Graham Ley
Publisher: Royal College of General Practitioners
ISBN: 0859899640
Category : History
Languages : en
Pages : 285
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Book Description
This collection of published and unpublished essays connects antiquity with the present by debating the current prohibiting conceptions of performance theory and the insistence on a limited version of ‘the contemporary’. The theatre is attractive for its history and also for its lively present. These essays explore aspects of historical performance in ancient Greece, and link thoughts on its significance to wider reflections on cultural theory from around the world and performance in the contemporary postmodern era, concluding with ideas on the new theatre of the diaspora. Each section of the book includes a short introduction; the essays and shorter interventions take various forms, but all are concerned with theatre, with practical aspects of theatre and theoretical dimensions of its study. The subjects range from ancient Greece to the present day, and include speculations on the origin of ancient tragic acting, the kinds of festival performance in ancient Athens, how performance is reflected in the tragic scripts, the significance of the presence of the chorus, technology and the ancient theatre, comparative thinking on Greek, Indian and Japanese theory, a critique of the rhetoric of performance theory and of postmodernism, reflections on modernism and theatre, and on the importance of adaptation to theatre, studies of the theatre and diaspora in Britain.
