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Author: John Northbrooke
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
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Book Description
Author: John Northbrooke
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Get Book Here
Book Description
Author: John Northbrooke
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 216
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Book Description
Author: John Payne Collier
Publisher: BoD – Books on Demand
ISBN: 3385109787
Category : Fiction
Languages : en
Pages : 214
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Book Description
Reprint of the original, first published in 1843.
Author: John Northbrooke
Publisher: BoD – Books on Demand
ISBN: 338511800X
Category : Fiction
Languages : en
Pages : 214
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Book Description
Reprint of the original, first published in 1843.
Author: Ann Louise Wagner
Publisher: University of Illinois Press
ISBN: 9780252065903
Category : Music
Languages : en
Pages : 472
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Book Description
Whether in the private parlor, public hall, commercial "dance palace," or sleazy dive, dance has long been opposed by those who viewed it as immoral--more precisely as being a danger to the purity of those who practiced it, particularly women. In Adversaries of Dance, Ann Wagner presents a major study of opposition to dance over a period of four centuries in what is now the United States. Wagner bases her work on the thesis that the tradition of opposition to dance "derived from white, male, Protestant clergy and evangelists who argued from a narrow and selective interpretation of biblical passages," and that the opposition thrived when denominational dogma held greater power over people's lives and when women's social roles were strictly limited. Central to Wagner's work, which will be welcomed by scholars of both religion and dance, are issues of gender, race, and socioeconomic status. "There are no other works that even begin to approach this definitive accomplishment." --Amanda Porterfield, author of Female Piety in Puritan New England
Author: John Northbrooke
Publisher:
ISBN: 1402173628
Category :
Languages : en
Pages : 210
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Book Description
This Elibron Classics title is a reprint of the original edition published by the Shakespeare Society in London, 1843.
Author: John Northbrooke
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 188
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Book Description
Author: John Northbrooke
Publisher: Forgotten Books
ISBN: 9780331952773
Category : Drama
Languages : en
Pages : 214
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Book Description
Excerpt from A Treatise Against Dicing, Dancing, Plays, and Interludes: With Other Idle Pastimes The Council of the Shakespeare Society desire it to be understood that they are not answerable for any Opinions or observations that may appear in the Society's publications; the Editors of the several works being alone responsible for the same. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Lynsey McCulloch
Publisher: Oxford University Press
ISBN: 019049879X
Category : Music
Languages : en
Pages : 633
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Book Description
Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.
Author: Rachel Fensham
Publisher: Bloomsbury Publishing
ISBN: 1350026395
Category : Performing Arts
Languages : en
Pages : 144
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Book Description
How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen's Hedda Gabler (2008), the Berliner Ensemble's Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre's production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises.
