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Author: Harriott Ely Fansler
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 308
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Book Description
Author: Harriott Ely Fansler
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 308
Get Book Here
Book Description
Author: Sybe Schaap
Publisher: Wipf and Stock Publishers
ISBN: 1498233058
Category : Philosophy
Languages : en
Pages : 340
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Book Description
The Tragedy of Almightiness encircles the theme of human yearning for omnipotence, as expressed in religion and various ideologies. The central question revolves around the matter of what--in pursuing such an extreme power of the will--man seeks to achieve. While exploring the question, a thought-provoking link is made between religion and atheism; between the Biblical longing for God's promise and the Marxist appeal for man to realize that same promise. Omnipotence must vouch for the fulfilling of the promise, for justice and for man's dream of redemption. However that is not where it ends. The longing for salvation turns out to have a dangerous reverse side to it because it encourages a turning away from the actual world and the all-pervading evil. Omnipotence also facilitates the avenging of such evil. History has shown what this kind of yearning can lead to. The book demonstrates how modernity translates Biblical longings into ideologically justified revengefulness. The description of this process leads to a plea for renewed ethical purpose in life. It is a challenge that also extends to religion. Hence the reason that it is necessary to depart from the idea of omnipotence.
Author: André Green
Publisher: Cambridge University Press
ISBN: 9780521144605
Category : Drama
Languages : en
Pages : 292
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Book Description
In this stimulating and wide-ranging 1979 study, André Green demonstrates the relevance of psychoanalysis to literary criticism.
Author: Burç İdem Dinçel
Publisher: Cambridge Scholars Publishing
ISBN: 152754396X
Category : Performing Arts
Languages : en
Pages : 382
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Book Description
This book provides a novel way of looking at translational phenomena in contemporary performances of Attic tragedies via the formidable work of three directors, each of whom bears the aesthetic imprint of Samuel Beckett: Theodoros Terzopoulos, Şahika Tekand and Tadashi Suzuki. Through a discerningly transdisciplinary approach, translation becomes re(trans)formed into a mode of physical action, its mimetic nature reworked according to the individual directors’ responses to Attic tragedies. As such, the highly complex notion of mimesis comes into prominence as a thematic thread, divulging the specific ways in which the pathos epitomised in the works of Aeschylus, Sophocles and Euripides is reawakened on the contemporary stage. By employing mimesis as a conceptual motor under the overarching rubric of the art of tragic theatre, the monograph appeals to a wide range of scholarly readers and practitioners across the terrains of Translation Studies, Theatre Studies, Classical Reception, Comparative Literature and Beckett Studies.
Author: Simon Sparks
Publisher: Routledge
ISBN: 1134654049
Category : Philosophy
Languages : en
Pages : 254
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Book Description
From Plato's Republic and Aristotle's Poetics to Nietzsche's The Birth of Tragedy, the theme of tragedy has been subject to radically conflicting philosophical interpretations. Despite being at the heart of philosophical debate from Ancient Greece to the Nineteenth Century, however, tragedy has yet to receive proper treatment as a philosophical tradition in its own right. Philosophy and Tragedy is a compelling contribution to that oversight and the first book to address the topic in a major way. Eleven new essays by internationally renowned philosophers clearly show how time and again, major thinkers have returned to tragedy in many of their key works. Philosophy and Tragedy aks why it is that thinkers as far apart as Hegel and Benjamin should make tragedy such an important theme in their work, and why, after Kant, an important strand of philosophy should present itself tragically. From Heidegger's reading of Sophocles' Antigone to Nietzsche and Benjamin's book-length studies of tragedy, Philosophy and Tragedy presents an outstanding and original study of this preoccupation. The five sections are organised clearly around five major philosophers: Hegel, Holderlin, Nietzsche, Heidegger, and Benjamin
Author: Mikhail Sergeevich Gorbachev
Publisher: Columbia University Press
ISBN: 9780231115148
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
One of the most important and intriguing figures of the 20th century sheds light on Russia's 1917 revolution, 1991 breakup, and 21st-century future.
Author: T. H. M. Gellar-Goad
Publisher: Bloomsbury Publishing
ISBN: 1350079766
Category : Drama
Languages : en
Pages : 201
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Book Description
This is the first book-length study of Plautus' shortest surviving comedy, Curculio, a play in which the tricksy brown-nosed title character (“The Weevil”) bamboozles a shady banker and a pious pimp to secure the freedom of the enslaved girl his patron has fallen for while keeping her out of the clutches of a megalomaniacal soldier. It all takes place in the Greek city Epidaurus, the most important site for the worship of the healing god Aesculapius, an unusual setting for an ancient comedy. But a mid-play monologue by the stage manager shows us where the action really is: in the real-life Roman Forum, in the lives and low-lifes of the audience. This study explores the world of Curculio and the world of Plautus, with special attention to how the play was originally performed (including the first-ever comprehensive musical analysis of the play), the play's plots and themes, and its connections to ancient Roman cultural practices of love, sex, religion, food, and class. Plautus: Curculio also offers the first performance and reception history of the play: how it has survived through more than two millennia and its appearances in the modern world.
Author: Joseph Allan Frank
Publisher: UPA
ISBN: 0761867910
Category : History
Languages : en
Pages : 380
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Book Description
The book draws on letters, diaries, recent books and articles in History, but also relies on multi-disciplinary sources in politics and literature, along transnational comparisons to place the events in a broader perspective. The book invites the reader to embark with the soldiers and some civilians on their journey into the murderous events across the nation. The passage began with the heroic clichés that prevailed during the initial organization and embarkation of the armies. However the shock of battle and the weary life in camps brought new images of the war such as a bleak vision seeing the war as a chaotic absurdity, others began to suspect conspiratorial agencies behind the conflict, yet others sought to galvanize their support for the hard road ahead by invoking melodramatic metaphors as a crusade, and means of national redemption and punishment of the adversary. As the fighting intensified after the initial clashes of 1862, some believed that the hard war opened the way for imposing revolutionary changes such as upending the South’s social structure providing social, economic and political equality to a new class—the ex-slaves. Finally, there were some who felt the war was a Sophoclean-Greek tragedy because the outcome and nature of the war proved contrary to what they had assumed the struggle would be about and what it would be like.
Author: Curt von Westernhagen
Publisher: CUP Archive
ISBN: 9780521219327
Category : Composers
Languages : en
Pages : 724
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Book Description
"Why produce another biography of Wagner? There are a number of answers to this question. In the first place, the archives are being opened and new documents are appearing all the time. Dr von Westernhagen, a scholar who has devoted his life to Wagner, has produced the only general biography on this scale which is truly up-to-date in making use of this fresh archive material. In the second place, there is a need for a biography which focuses on Wagner's artistic achievements. In recent years Wagner has become a 'problematic' figure, largely because recent biographies have concentrated on his anti-Semitism, his egoism and his sexual life, and have presented the picture of an implausible scoundrel who by chance also wrote some music dramas. Westernhagen's approach is much more positive: his starting point is the importance and the supreme greatness of Wagner's artistry. This is therefore a positive biography, which combines an appropriate largeness of scale with factual accuracy and familiarity with the source documents. Dr von Westernhagen quotes extensively from letters and diaries to throw light, for example, on Wagner's relationship with Cosima, his idea of emigrating to America, his estrangement from Nietzsche (and the way this was later wilfully misrepresented by Nietzsche's sister, Elisabeth), and the later years as they are reflected in the so-called Brown Book, a notebook for the years 1865-82 which Wagner kept for Cosima and which was first published only in 1975. The author has also consulted the composition exercises which Wagner wrote in his teens for his teacher Theodor Weinlig, and the contents of the composer's Dresden library help to establish what were the early intellectual influences upon him. This biography concentrates on the nature of Wagner's art, its development, its achievement: the way, for instance, that Wagner was able to keep many projects in mind simultaneously, all of them dovetailing into one another with an inexorable logic. Particularly useful features of this study are the appendices which include a chronological summary of Wagner's life, a complete list of his musical and literary compositions and an up-to-date bibliography. This is a definitive biography which will stand beside Newman's classic work as an indispensable reference book for all future studies of Wagner, and a judicious account for those approaching this fascinating life story for the first time." --Dust jacket.
Author: Rudolph Binion
Publisher: Princeton University Press
ISBN: 1400872197
Category : Biography & Autobiography
Languages : en
Pages : 602
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Book Description
The rich and fascinating life of Lou Andreas-Salomé (1861-1937) has been reconstructed by Professor Binion on a vast documentary basis, and his findings contradict all earlier versions of her life. Frau Lou was a woman of prodigious intellect, a woman of letters, and a powerful personality. She was closely linked with many of the great cultural figures of the time, often before they achieved recognition. This was the case with Nietzsche, Rilke, Freud, Ferdinand Tönnies, Gerhart Hauptmann, Arthur Schnitzler, and Martin Buber. Frau Lou not only relates but interprets Lou's life, and the point of the book is to discover how the works of the mind, whether scientific or imaginative, arise out of personal experience. Contents: I. Father and Father-God. II. God's Vicar, Gillot. III. After Gillot. IV. The Unholy Trinity. V. From Pillar to Post. VI. "A Pity Forever." VII. Lou Without Nietzsche. VIII. The Wayward Disciple. IX. Rites of Love. X. Super-Lou and Raincr. XI. Russia In, Raincr Out. XII. Idly Busy. XIII. At Freud's Elbow. XIV. A Personalized Freudianism. XV. Theorizing for Freud. XVI. Living for Freud. XVII. Aside from Freud. XVIII. Revamping the Past. XIX. "Homecoming." XX. A Retrospect. XXI. Beyond Frau Lou. Bibliography. Index. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
