A Survey of Manuscripts Illuminated in France PDF Download
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Author:
Publisher:
ISBN:
Category : Illumination of books and manuscripts, French
Languages : en
Pages : 264
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Book Description
Author:
Publisher:
ISBN:
Category : Illumination of books and manuscripts, French
Languages : en
Pages : 264
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Illumination of books and manuscripts, French
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN: 9781872501604
Category : Illumination of books and manuscripts, French
Languages : en
Pages :
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Book Description
Author: Richard H. Rouse
Publisher: Harvey Miller
ISBN: 9781912554287
Category : Art
Languages : en
Pages : 0
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Book Description
Series statement and numbering from Brepols Publishers website.
Author: Jonathan James Graham Alexander
Publisher:
ISBN:
Category : Illumination of books and manuscripts, English
Languages : en
Pages : 284
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 1606064363
Category : Art
Languages : en
Pages : 116
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Book Description
Known for their stunning displays of artistry and technique, Italian illuminated manuscripts have long been coveted by collectors around the world. The J. Paul Getty Museum holds the most recently formed institutional collection of its kind in the United States, yet it spans more than eight centuries and reflects many of the extraordinary achievements of the Italian tradition. Made up of whole manuscripts as well as leaves and cuttings, the Getty collection of Italian illumination contains nearly sixty works and includes the Montecassino Breviary, the Ferrarese Gualenghi-d’Este Hours, and the Roman gradual illuminated by Antonio da Monza for Santa Maria in Aracoeli. Other important acquisitions are one of the finest Bolognese Bibles of the thirteenth century; three leaves from the Laudario of Sant’Agnese, the most ambitious Florentine manuscript from the first half of the fourteenth century; and a missal once owned by the antipope John XXIII. This beautifully illustrated volume presents many splendid examples of Italian painting and illumination. Some are by noted artists such as Girolamo da Cremona, Pacino di Bonaguida, and Pisanello; others are attributed to artists known only by their works, such as the Master of Gerona, who is credited with one of the finest miniatures in the collection. This carefully crafted book is sure to become an essential resource for scholars, students, and collectors.
Author: Jp. A. Calosse
Publisher: Parkstone International
ISBN: 1780420889
Category : Art
Languages : en
Pages : 256
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Book Description
Those who have had the chance to hold a medieval manuscript in their hands cannot fail to have been impressed by the feeling of being in touch with a long-passed epoch. Back when a book was a true handicraft and every copy the result of a laborious process, the object was more a work of art than a volatile commercial product. The Mega Square Illuminated Manuscripts puts the reader in touch with amazing medieval illustrations and unique adornments, which document the imaginative power of their creators.
Author: Lawrence Nees
Publisher: Harvey Miller
ISBN: 9781872501253
Category : Illumination of books and manuscripts, French
Languages : en
Pages : 0
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Book Description
Frankish Manuscripts covers the earliest period in this series devoted to manuscripts illuminated in France. The two volumes explore those manuscripts that originate in the period before the kingdom of France emerged at the end of the tenth century. From the seventh to the tenth century most of modern France was ruled by kings of the Franks, from dynasties known as Merovingian and Carolingian, whose territories also included significant portions of other modern nations, especially the Low Countries, Germany, Switzerland and Austria. The introductory essay in Volume I offers an overview of salient issues in this creative period, formative for later medieval manuscripts produced in France and elsewhere, in the former Frankish territories and beyond; the volume includes 341 photographs from the manuscripts in the catalogue, the great majority reproduced in colour. Volume II comprises a detailed catalogue of 100 manuscripts from this large region, each with a detailed description, an interpretive commentary focused on the decoration of the text as well as illustrations, and a survey of previous scholarly literature, including digital access when available. The catalogue includes some of the most famous early medieval manuscripts, decorated with luxury materials and exceptionally beautiful script, ornament and illustrations. In the spirit of a survey intended to show the range of Frankish illumination, it also includes manuscripts of ancient and contemporary poems, scientific works, commentaries, a cookbook, and one manuscript in a vernacular language. Together, these two volumes provide the most comprehensive survey of manuscript illumination in Francia, its large corpus of illustrations making the manuscripts more readily available for study not only by scholars of illumination but also by others interested in early medieval culture.
Author: Jonathan James Graham Alexander
Publisher: Yale University Press
ISBN: 9780300060737
Category : Art
Languages : en
Pages : 230
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Book Description
Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity ofmedieval illumination. His book will be a standard reference for years to come.
