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Author: Jesse Matz
Publisher: John Wiley & Sons
ISBN: 0470777028
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
This book introduces readers to the history of the novel in the twentieth century and demonstrates its ongoing relevance as a literary form. A jargon-free introduction to the whole history of the novel in the twentieth century. Examines the main strands of twentieth-century fiction, including post-war, post-imperial and multicultural fiction, the global novel, the digital novel and the post-realist novel. Offers students ideas about how to read the modern novel, how to enjoy its strange experiments, and how to assess its value, as well as suggesting ways to understand and appreciate the more difficult forms of modern fiction Pays attention both to the practice of novel writing and to theoretical debates among novelists. Claims that the novel is as purposeful and relevant today as it was a hundred years ago. Serves as an excellent springboard for classroom discussions of the nature and purpose of modern fiction.
Author: Jesse Matz
Publisher: John Wiley & Sons
ISBN: 0470777028
Category : Literary Criticism
Languages : en
Pages : 200
Get Book Here
Book Description
This book introduces readers to the history of the novel in the twentieth century and demonstrates its ongoing relevance as a literary form. A jargon-free introduction to the whole history of the novel in the twentieth century. Examines the main strands of twentieth-century fiction, including post-war, post-imperial and multicultural fiction, the global novel, the digital novel and the post-realist novel. Offers students ideas about how to read the modern novel, how to enjoy its strange experiments, and how to assess its value, as well as suggesting ways to understand and appreciate the more difficult forms of modern fiction Pays attention both to the practice of novel writing and to theoretical debates among novelists. Claims that the novel is as purposeful and relevant today as it was a hundred years ago. Serves as an excellent springboard for classroom discussions of the nature and purpose of modern fiction.
Author: John T. Matthews
Publisher: John Wiley & Sons
ISBN: 111866163X
Category : Literary Criticism
Languages : en
Pages : 790
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Book Description
This cutting-edge Companion is a comprehensive resource for the study of the modern American novel. Published at a time when literary modernism is being thoroughly reassessed, it reflects current investigations into the origins and character of the movement as a whole. Brings together 28 original essays from leading scholars Allows readers to orient individual works and authors in their principal cultural and social contexts Contributes to efforts to recover minority voices, such as those of African American novelists, and popular subgenres, such as detective fiction Directs students to major relevant scholarship for further inquiry Suggests the many ways that “modern”, “American” and “fiction” carry new meanings in the twenty-first century
Author: Kaushal Kishore Sharma
Publisher: Abhinav Publications
ISBN: 9780391024816
Category : English fiction
Languages : en
Pages : 240
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Book Description
Discusses theories of E.M. Forster, Somerset Maugham and Joyce Cary.
Author: Harold H. Rowley
Publisher:
ISBN:
Category :
Languages : en
Pages : 405
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Book Description
Author: Daniel R. Schwarz
Publisher: John Wiley & Sons
ISBN: 1118693418
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
An exploration of the modern European novel from a renowned English literature scholar Reading the Modern European Novel since 1900 is an engaging, in-depth examination of the evolution of the modern European novel. Written in Daniel R. Schwarz's precise and highly readable style, this critical study offers compelling discussions on a wide range of major works since 1900 and examines recurring themes within the context of significant historical events, including both World Wars and the Holocaust. The author cites important developments in the evolution of the modern novel and explores how these paradigmatic works of fiction reflect intellectual and cultural history, including developments in painting and cinema. Schwarz focuses on narrative complexity, thematic subtlety, and formal originality as well as how novels render historical events and cultural developments Discussing major works by Proust, Camus, Mann, Kafka, Grass, di Lampedusa, Bassani, Kertesz, Pamuk, Kundera, Saramago, Muller and Ferrante, Schwarz explores how these often experimental masterworks pay homage to the their major predecessors—discussed in Schwarz's ground-breaking Reading the European Novel to 1900—even while proposing radical departures from realism in their approach to time and space, their testing the limits of language, and their innovative ways of rendering the human psyche. Written for teachers and students by a highly-acclaimed scholar and including valuable study questions, Reading the Modern European Novel since 1900 offers a guide for a deeper understanding of how these original modern masters respond to both the past and present.
Author: Fredson Bowers
Publisher: CUP Archive
ISBN: 9780521094078
Category : Language Arts & Disciplines
Languages : en
Pages : 204
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Book Description
The literary critic tends to think that the textual scholar or bibliographer has not much to say that he would care to hear, so there is a gulf between them.
Author: Kenneth James Howell
Publisher:
ISBN:
Category : History
Languages : en
Pages : 336
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Book Description
This is an analysis of how 16th- and 17th-century astronomers and theologians in Northern Protestant Europe used science and religion to challenge and support one another. It argues that these schemes can solve the enduring problem of how theological interpretation and investigation interact.
Author: Marta Puxan-Oliva
Publisher: Routledge
ISBN: 0429638728
Category : Literary Collections
Languages : en
Pages : 447
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Book Description
How does racial ideology contribute to the exploration of narrative voice? How does narrative (un)reliability help in the production and critique of racial ideologies? Through a refreshing comparative analysis of well-established novels by Joseph Conrad, William Faulkner, James Weldon Johnson, Albert Camus and Alejo Carpentier, this book explores the racial politics of literary form. Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel contributes to the emergent attention in literary studies to the interrelation of form and politics, which has been underexplored in narrative theory and comparative racial studies. Bridging cultural, postcolonial, racial studies and narratology, this book brings context specificity and awareness to the production of ideological, ambivalent narrative texts that, through technical innovation in narrative reliability, deeply engage with extremely violent episodes of colonial origin in the United Kingdom, the United States, Algeria, and the French and Spanish Caribbean. In this manner, the book reformulates and expands the problem of narrative reliability and highlights the key uses and production of racial discourses so as to reveal the participation of experimental novels in early and mid-20th century racial conflicts, which function as test case to display a broad, new area of study in cultural and political narrative theory.
Author: Samuel Jay Keyser
Publisher: MIT Press
ISBN: 0262043491
Category : Science
Languages : en
Pages : 240
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Book Description
An argument that Modernism is a cognitive phenomenon rather than a cultural one. At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed at faithful representation. These artistic developments have been attributed to cultural factors ranging from the Industrial Revolution and the technical innovation of photography to Freudian psychoanalysis. In this book, Samuel Jay Keyser argues that the stylistic innovations of Western modernism reflect not a cultural shift but a cognitive one. Behind modernism is the same cognitive phenomenon that led to the scientific revolution of the seventeenth century: the brain coming up against its natural limitations. Keyser argues that the transformation in poetry, music, and painting (the so-called sister arts) is the result of the abandonment of a natural aesthetic based on a set of rules shared between artist and audience, and that this is virtually the same cognitive shift that occurred when scientists abandoned the mechanical philosophy of the Galilean revolution. The cultural explanations for Modernism may still be relevant, but they are epiphenomenal rather than causal. Artists felt that traditional forms of art had been exhausted, and they began to resort to private formats—Easter eggs with hidden and often inaccessible meaning. Keyser proposes that when artists discarded their natural rule-governed aesthetic, it marked a cognitive shift; general intelligence took over from hardwired proclivity. Artists used a different part of the brain to create, and audiences were forced to play catch up.
Author: Sidney Jellicoe
Publisher: Eisenbrauns
ISBN: 9780931464003
Category : Bibles
Languages : en
Pages : 450
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Book Description
"Twenty-five years after it first appeared, Jellicoe's classic work is still one of the most comprehensive introductions to the Septuagint and cognate studies. Its completeness makes it valuable not only as a textbook, but also as a reference tool for those working in the Septuagint. In bringing together the principal features of twentieth-century Septuagint studies, the author provides a wealth of valuable information. The first part of the book traces the origins and transmission history of the LXX. The second part moves to a discussion of the various LXX manuscripts, versions, and critical editions, along with a brief discussion of language and style. The appendixes, bibliography, and various indexes increase the resource value of this volume."
