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Author: W. v. Murat
Publisher: BoD – Books on Demand
ISBN: 3749449112
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
The present work fills a gap as it attempts to offer a history of erotic literature published in the United Kingdom. The word Study in the title is perhaps a bit exaggerated as the material is largely taken from the now well known bibliographies by Pisanus Fraxi (Henry Spencer Ashbee) and quotations from the books themselves. The time line is WW II. Who was the author? He may have been Charles Reginald Dawes (1879-1964) who is supposed to have written (but not published) a text of this or a similar title. His profession or his activities are not known - he once called himself a writer but library catalogues credit him only with two publications: The Marquis de Sade (Paris 1927) and Retif de la Bretonne (London 1946, privately printed). He may have been a popular writer under pseudonyms, though. Dawes owned a good erotica collection which he willed to the British Museum Library; that would explain why the author of this Study - if he was Dawes - could quote freely from erotic texts which only few of his contemporaries would have had available. The main merits of this book are that the author was thoroughly familiar with English (and French) erotic literature and that he put his material in chronological order and in context. The editor added a number of references, illustrations and indices of personal names and titles to facilitate navigation.
Author: W. v. Murat
Publisher: BoD – Books on Demand
ISBN: 3749449112
Category : Literary Criticism
Languages : en
Pages : 209
Get Book Here
Book Description
The present work fills a gap as it attempts to offer a history of erotic literature published in the United Kingdom. The word Study in the title is perhaps a bit exaggerated as the material is largely taken from the now well known bibliographies by Pisanus Fraxi (Henry Spencer Ashbee) and quotations from the books themselves. The time line is WW II. Who was the author? He may have been Charles Reginald Dawes (1879-1964) who is supposed to have written (but not published) a text of this or a similar title. His profession or his activities are not known - he once called himself a writer but library catalogues credit him only with two publications: The Marquis de Sade (Paris 1927) and Retif de la Bretonne (London 1946, privately printed). He may have been a popular writer under pseudonyms, though. Dawes owned a good erotica collection which he willed to the British Museum Library; that would explain why the author of this Study - if he was Dawes - could quote freely from erotic texts which only few of his contemporaries would have had available. The main merits of this book are that the author was thoroughly familiar with English (and French) erotic literature and that he put his material in chronological order and in context. The editor added a number of references, illustrations and indices of personal names and titles to facilitate navigation.
Author: Bradford K. Mudge
Publisher: Cambridge University Press
ISBN: 110718407X
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
This Companion offers an introduction to key topics in the study of erotic literature from antiquity to the present.
Author: Peter Mendes
Publisher: Routledge
ISBN:
Category : Literary Criticism
Languages : en
Pages : 512
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Book Description
This work offers bibliographical descriptions of all printings of erotic fiction in English issued clandestinely during the period 1800-1930. By 'clandestine' is meant books whose publishers and printers attempt to hide their identities, usually by offering title pages whose misleading places and dates of publication may shock and amuse, but which always aim to mystify. Using internal and external evidence, an attempt is made to establish who were the printers, booksellers and publishers, English and Continental, involved in this trade. The printing families or 'groups' into which a large percentage of the material falls are classified, accompanied by illustrations which identify the main printing characteristics ('house styles') of the groups. Bibliographical descriptions follow a checklist of clandestine catalogues; these provide valuable evidence for dating, pricing and 'sales pitch' and information on items of which no copies can now be traced. The work concludes with a series of appendices which provide significant external evidence, and three indexes: of themes, titles and names. Peter Mendes' original research builds on and significantly extends the essential pioneer work of the Victorian collector and bibliographer H.S. Ashbee ('Pisanus Fraxi').
Author: Johannes D Kaminski
Publisher: Legenda
ISBN: 9781781885222
Category :
Languages : en
Pages : 216
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Book Description
Transgressive by nature, erotic literature engages the reader in a dialogue informed by the social and aesthetic conventions that it playfully disregards or happily reproduces. But once this intimate, arousing and, often, disturbing dialogue transitions into another language, culture or medium, it must reposition itself within new conventions. How does this happen in practice? Examining erotic literature from multiple angles, this volume starts off with an ethical evaluation of the most recent rendering of Marquis de Sade into English. Other inquiries into European letters include the works of Goethe, Georges Bataille, Pierre Guyotat and E. L. James, and the films of Michael Haneke and Patrice Chéreau. Studies of Chinese and Japanese erotic traditions complement the picture by addressing the different functions of the erotic in discrete cultural settings. Johannes D. Kaminski is Marie Sklodowska-Curie Fellow at University of Vienna.
Author: Patrick J. Kearney
Publisher:
ISBN:
Category : Erotic literature
Languages : en
Pages : 216
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Book Description
Author: Paul J. Korshin
Publisher: University of Pennsylvania Press
ISBN: 1512809438
Category : Language Arts & Disciplines
Languages : en
Pages : 212
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Book Description
Three distinguished authorities offer informed reflections on the history of books, on literary commerce, and on the reading public in eighteenth-century England, France, and Germany. Concerned with an area of study that has gone largely unexplored—the social function of the book trade and the various agencies of distribution—Robert Darnton. Roy M. Wiles, and Bernhard Fabian lay the groundwork for the intellectual, social, and literary historian as well as the student of political revolutions. Robert Darnton's rich account of a clandestine book dealer expands our knowledge of the actual habits of eighteenth-century Frenchmen. We learn about the livres philosophiques, as they were known in the trade—obscene. irreligious. or seditious works; about the intricate circuit of agents linking publisher and bookdealer; and about a confidence game often surviving on sheer bravura. Darnton not only gives us a general sense of the literary tastes in a small provincial city in France on the eve of the Revolution but also opens the way toward an understanding of the country's entire literary underground. The late Roy M. Wiles investigates the principal readership in eighteenth-century England and demonstrates that intellectual activities were not confined to polite society in London. Employing new, often untouched materials—newspaper circulation and delivery figures, book lists and advertisements in London and local papers, subscription books in provincial towns and cities—Wiles helps dispel some of the uncertainty surrounding the question of literacy and shows that, in fact, what the provincial readers chose to read more accurately registers the eighteenth century's relish for reading than those books considered by Londoners as "required" reading. Bernhard Fabian explores the sources that permit us to assess the circulation of English letters in Germany during the second half of the eighteenth century. By considering the kind of information obtained from subscription lists, by studying the relation of English literature to the general reader of the period, and by examining the emergence of a reading public that actually read English, Fabian helps delineate a broad view of the contemporary reading scene in eighteenth-century Germany.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
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Book Description
Author: Kate Flint
Publisher: Cambridge University Press
ISBN: 1316175820
Category : Literary Criticism
Languages : en
Pages : 1239
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Book Description
This collaborative History aims to become the standard work on Victorian literature for the twenty-first century. Well-known scholars introduce readers to their particular fields, discuss influential critical debates and offer illuminating contextual detail to situate authors and works in their wider cultural and historical contexts. Sections on publishing and readership and a chronological survey of major literary developments between 1837 and 1901, are followed by essays on topics including sexuality, sensation, cityscapes, melodrama, epic and economics. Victorian writing is placed in its complex relation to the Empire, Europe and America, as well as to Britain's component nations. The final chapters consider how Victorian literature, and the period as a whole, influenced twentieth-century writers. Original, lucid and stimulating, each chapter is an important contribution to Victorian literary studies. Together, the contributors create an engaging discussion of the ways in which the Victorians saw themselves and of how their influence has persisted.
Author: Margaret Linley
Publisher: Routledge
ISBN: 131709865X
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Operating at the intersection where new technology meets literature, this collection discovers the relationship among image, sound, and touch in the long nineteenth century. The chapters speak to the special mixed-media properties of literature, while exploring the important interconnections of science, technology, and art at the historical moment when media was being theorized, debated, and scrutinized. Each chapter focuses on a specific visual, acoustic, or haptic dimension of media, while also calling attention to the relationships among the three. Famous works such as Wordsworth's "I wandered lonely as a cloud" and Shelley's Frankenstein are discussed alongside a range of lesser-known literary, scientific, and pornographic writings. Topics include the development of a print culture for the visually impaired; the relationship between photography and narrative; the kaleidoscope and modern urban experience; Christmas gift books; poetry, painting and music as remediated forms; the interface among the piano, telegraph, and typewriter; Ernst Heinrich Weber's model of rationalized tactility; and how the shift from visual to auditory telegraphic instruments amplified anxieties about the place of women in nineteenth-century information networks. Full of surprising insights and connections, the collection offers new impetus for stimulating historical conversations and debates about nineteenth-century media, while also contributing fresh perspectives on new media and (re)mediation today.
Author: Paul Hyland
Publisher: Taylor & Francis
ISBN: 100086796X
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
First published in 1992, Writing and Censorship in Britain explores the issue of censorship, from a range of cultural and literary perspectives, from the Tudor period to the 1990s. Written by some of the leading experts in the field, this collection charts the struggles for artistic expression, reveals how censorship is appropriated as a legitimate tactic in the defence of oppressed and marginalised groups, and analyses the struggles writers have employed in the face of its complex dynamics. Here variously defined, defended and deplored, censorship emerges as both an unstable and a potent concept. Through it we define ourselves: as readers, as writers and as citizens. This book will be of interest to students of literature, history and law.
