A Study Guide for Walter de la Mare's "The Listeners" PDF Download
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Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410351270
Category : Literary Criticism
Languages : en
Pages : 30
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Book Description
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410351270
Category : Literary Criticism
Languages : en
Pages : 30
Get Book Here
Book Description
Author: Rushworth M. Kidder
Publisher: New York : Columbia University Press
ISBN: 9780231040440
Category : Biography & Autobiography
Languages : en
Pages : 275
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Book Description
A poem-by-poem analysis of Cummings' twelve collections of poetry features background information and offers a detailed study of his style, themes, and techniques
Author: Eve Triem
Publisher: U of Minnesota Press
ISBN: 1452909768
Category : Biography & Autobiography
Languages : en
Pages : 50
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Book Description
Focusing on selected works, the author analyzes the technical devices used by the American poet
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1142
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Book Description
Author: Guy L. Rotella
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
A collection of reviews and essays that traces the critical reputation of Cummings' works.
Author: J. Alison Rosenblitt
Publisher: Oxford University Press
ISBN: 0191079871
Category : Literary Criticism
Languages : en
Pages : 393
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Book Description
This volume is a major, ground-breaking study of the modernist E. E. Cummings' engagement with the classics. With his experimental form and syntax, his irreverence, and his rejection of the highbrow, there are probably few current readers who would name Cummings if asked to identify 20th-century Anglophone poets in the Classical tradition. But for most of his life, and even for ten or twenty years after his death, this is how many readers and critics did see Cummings. He specialised in the study of classical literature as an undergraduate at Harvard, and his contemporaries saw him as a 'pagan' poet or a 'Juvenalian' satirist, with an Aristophanic sense of humour. In E.E. Cummings' Modernism and the Classics, Alison Rosenblitt aims to recover for the contemporary reader this lost understanding of Cummings as a classicizing poet. The book also includes an edition of previously unpublished work by Cummings himself, unearthed from archival research. For the first time, the reader has access to the full scope of Cummings' translations from Horace, Homer, and Greek drama, as well as two short pieces of classically-related prose, a short 'Alcaics' and a previously unknown and classicizing parody of T. S. Eliot's The Waste Land. This new work is exciting in its own right and essential to understanding Cummings' development as a poet.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1626
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Book Description
Author: Walton Beacham
Publisher: Washington, D.C. : Research Pub.
ISBN: 9780933833005
Category : Biography & Autobiography
Languages : en
Pages : 702
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Book Description
Description and evaluation of the most important biographical, autobiographical and critical sources published about 127 British, American and Canadian writers.
Author: Daniel Matore
Publisher: Oxford University Press
ISBN: 0192671502
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Is poetry a visual art? Why do the pages of nineteenth-century poetry look so different to those of twentieth-century verse? Exploiting the expressive possibilities of print—from spacing and indentation to alignment and typeface—is one of the defining ways in which poetry was modernized in the twentieth century. While the visual experiments of European poets have been well documented, the typographical explorations of poets writing in English have been largely neglected. This volume confronts a major unanswered question: why did British and American poets, from the beginning of the twentieth century right up to the present day, choose to experiment with the design and lay-out of the printed page? This book aims to provide the first detailed account of this lineage of literary style, examining the poetry and criticism of figures such as Ezra Pound, Hope Mirrlees, William Carlos Williams, E.E. Cummings, Marianne Moore, David Jones, Denise Levertov, Charles Olson, Frances Motz Boldereff, and J.H. Prynne. It draws on unpublished archival materials to show how poets began to draft, sketch, and compose in new and eccentric ways as they annexed the roles of book designer and printer. Typography, it argues, was instrumental in debates about metre, free verse, and the nature of poetry as poems morphed into scores, slogans, maps, and signs. It investigates how the typography of poetry was animated by musicology, psychophysics, linguistics, politics, ophthalmology, cartography, and advertising.
Author: E. E. Cummings
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 249
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Book Description
The Enormous Room (The Green-Eyed Stores) is an autobiographical novel by E. E. Cummings about his temporary imprisonment in France during World War I. Cummings served as an ambulance driver during the war. In late August 1917 his friend and colleague, William Slater Brown (known in the book only as B.), was arrested by French authorities as a result of anti-war sentiments B. had expressed in some letters. When questioned, Cummings stood by his friend and was also arrested. Cummings spent over four months in the prison. He met a number of interesting characters and had many picaresque adventures, which he compiled into The Enormous Room. The book is written as a mix between Cummings' well-known unconventional grammar and diction and the witty voice of a young Harvard-educated intellectual in an absurd situation.
