A Studio of Her Own; Women Artists in Boston 1870-1940 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Studio of Her Own; Women Artists in Boston 1870-1940 PDF full book. Access full book title A Studio of Her Own; Women Artists in Boston 1870-1940 by Erica E. Hirshler. Download full books in PDF and EPUB format.
Author: Erica E. Hirshler
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Erica E. Hirshler
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Erica E. Hirshler
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Get Book Here
Book Description
By Erica E. Hirshler.
Author: Kirsten Swinth
Publisher: UNC Press Books
ISBN: 9780807849712
Category : Art
Languages : en
Pages : 334
Get Book Here
Book Description
Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890.
Author: Melissa Dabakis
Publisher: Penn State Press
ISBN: 0271089334
Category : Art
Languages : en
Pages : 640
Get Book Here
Book Description
This project is made possible through support from the Terra Foundation for American Art. When Elizabeth Cady Stanton penned the Declaration of Sentiments for the first women’s rights convention, held in Seneca Falls, New York, in 1848, she unleashed a powerful force in American society. In A Sisterhood of Sculptors, Melissa Dabakis outlines the conditions under which a group of American women artists adopted this egalitarian view of society and negotiated the gendered terrain of artistic production at home and abroad. Between 1850 and 1876, a community of talented women sought creative refuge in Rome and developed successful professional careers as sculptors. Some of these women have become well known in art-historical circles: Harriet Hosmer, Edmonia Lewis, Anne Whitney, and Vinnie Ream. The reputations of others have remained, until now, buried in the historical record: Emma Stebbins, Margaret Foley, Sarah Fisher Ames, and Louisa Lander. At midcentury, they were among the first women artists to attain professional stature in the American art world while achieving international fame in Rome, London, and other cosmopolitan European cities. In their invention of modern womanhood, they served as models for a younger generation of women who adopted artistic careers in unprecedented numbers in the years following the Civil War. At its core, A Sisterhood of Sculptors is concerned with the gendered nature of creativity and expatriation. Taking guidance from feminist theory, cultural geography, and expatriate and postcolonial studies, Dabakis provides a detailed investigation of the historical phenomenon of women’s artistic lives in Rome in the mid-nineteenth century. As an interdisciplinary examination of femininity and creativity, it provides models for viewing and interpreting nineteenth-century sculpture and for analyzing the gendered status of the artistic profession.
Author: Richard Guy Wilson
Publisher: University of Virginia Press
ISBN: 9780813923482
Category : Architecture
Languages : en
Pages : 448
Get Book Here
Book Description
Although individually and collectively Americans have many histories, the dominant view of our national past focuses on the colonial era. The reasons for this are many and complex, touching on stories of the country's origins and of the founding fathers, the privileged position in history granted the thirteen original colonies, and the ways in which the nation has adjusted to change and modernity. But no matter the cause, the result is obvious: images and forms derived from and related to America's colonial past are the single most popular form of cultural expression. Often conceived solely in architectural terms, from the red-brick and white-trimmed buildings that recall eighteenth-century James River estates to the clapboarded saltboxes that recall early New England, Colonial Revival is in fact better understood as a process of remembering. In Re-creating the American Past, architectural historian Richard Guy Wilson and a host of other scholars examine how and why Colonial Revival has persisted in modern times. The volume contains essays that explore Colonial Revival expressions in architecture, landscape architecture, historic preservation, decorative arts, and painting and sculpture, as well as the social, intellectual, and cultural background of the phenomena. Based on the University of Virginia's landmark 2000 conference "The Colonial Revival in America," Re-creating the American Past is a comprehensive and handsome volume that recovers the origins, characteristics, diversity, and significance of the Colonial Revival, situating it within the broader history of American design, culture, and society.
Author: Meaghan Clarke
Publisher: Routledge
ISBN: 135102776X
Category : Art
Languages : en
Pages : 233
Get Book Here
Book Description
Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects. Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition. This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.
Author: Nancy Thayer
Publisher: Ballantine Books
ISBN: 0345528727
Category : Fiction
Languages : en
Pages : 338
Get Book Here
Book Description
“Nancy Thayer is the queen of beach books.”—The Star-Ledger In this captivating novel, New York Times bestselling author Nancy Thayer tells the wonderfully moving story of three women who forge a unique bond one sun-drenched summer on New England’s Dragonfly Lake. Thirty-year-old Morgan O’Keefe put her science career on hold to raise her young son. Though Morgan loves many things about staying home with her child, she feels restless and ready for a change. Struggling artist Natalie Reynolds, fed up with New York City’s hectic pace, moves to the Berkshires for a year to house-sit her aunt’s fabulous home on Dragonfly Lake, where a handsome neighbor becomes her unexpected rescuer. After her mother breaks her leg, Bella Barnaby quits her job in Austin and returns home to help out her large, boisterous family. While an attractive architect has designs on her, Bella harbors long held secret dreams of her own. Summer on Dragonfly Lake is ripe for romance, temptation, and self-discovery as the paths of these three women unexpectedly intertwine. Summer Breeze illustrates how friends, old and new, can offer comfort, infuriate, or even open one’s eyes to the astonishing possibilities of life. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. “Nancy Thayer has a deep and masterly understanding of love and friendship, of where the two complement and where they collide.”—Elin Hilderbrand “An entertaining and lively read that is perfect for summer reading indulgence.”—Wichita Falls Times Record News
Author: Jennifer Wingate
Publisher: Taylor & Francis
ISBN: 1351549766
Category : Art
Languages : en
Pages : 244
Get Book Here
Book Description
Redressing the neglect of World War I memorials in art history scholarship, this volume shows why sculptures of 'doughboys' (US soldiers during World War I) were in such demand during the 1920s, and how their functions and meanings have evolved. Jennifer Wingate recovers and interprets the circumstances of the doughboy sculptures' creation, and offers a new perspective on the complex culture of interwar America and on present-day commemorative practices.
Author: Liana De Girolami Cheney
Publisher: Cambridge Scholars Publishing
ISBN: 1443888591
Category : Social Science
Languages : en
Pages : 395
Get Book Here
Book Description
This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique features of the book include its geographic breadth, encompassing England, France, Italy, USA, and Mexico, and its inclusion of American female glassmakers. Essays consider how stained glass became an art form during this time, and show how the narrative for the figurative design drew from the Bible, mythology, history, literature, and the symbolism of the time, including popular culture such as ecology and materiality. Written for students and the general public interested in the humanities, literature, history, art history, and new media and popular culture, this book examines the visual beauty and symbolism of stained-glass windows in Europe and American cultures during the late nineteenth and early twentieth centuries – the modern era.
Author: Paul E. Bolin
Publisher: Teachers College Press
ISBN: 0807779423
Category : Education
Languages : en
Pages : 360
Get Book Here
Book Description
Representing the first extensive volume on the history of art education to be published in 20 years, this book will generate new interpretations of both local and global histories for 21st-century readers. Steppingstones captures pivotal moments in art education history within the United States and globally. Chapters are situated within the broad and active stream of history, identified by the authors as places to pause, step down, and deeply explore these moments and the vibrant terrain that surrounds them. Some steppingstones in the volume are new and fresh reappraisals of familiar and well-recognized landing places in art education history. Other steppingstones contain discussions of previously unknown or overlooked material uncovered by the authors. Digging deep, getting beneath, and revealing steppingstones that embrace a pathway through the past, this book explores dynamic and spirited narratives about various people, institutions, events, tensions, and international perspectives that have shaped and continue to direct the course of art and design education. Book Features: Investigates contemporary issues through a lens toward the past, including issues of race, cultural protocols, intersectionality, international influence, White privilege, disability studies, and other social concerns.Presents contributions from well-known senior scholars alongside new voices of several emerging scholars of color.Includes biographical accounts of African American artists and educators, and the role and influence of the Harlem Renaissance.Contains discussion of art education in colonial India and explores complex relationships between colonizer-colonized histories.Focuses on art education in the United States with discussion of specific international influences.Offers contemporary best practices for doing historical research and strategies for teaching art education history courses at the university level.Highlights the significance of digital humanities and digital scholarship.
