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Author: Sascha T. Scott
Publisher: University of Oklahoma Press
ISBN: 080615151X
Category : Art
Languages : en
Pages : 281
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Book Description
Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.
Author: Sascha T. Scott
Publisher: University of Oklahoma Press
ISBN: 080615151X
Category : Art
Languages : en
Pages : 281
Get Book Here
Book Description
Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.
Author: Javed Majeed
Publisher: Springer
ISBN: 023028681X
Category : Social Science
Languages : en
Pages : 316
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Book Description
This book examines concepts of travel in the autobiographies of leading Indian nationalists in order to show how nationalism is grounded in notions of individual selfhood, and how the writing of autobiography, fused with the genre of the travelogue, played a key role in formulating the complex tie between interiority and nationality in South Asia.
Author: Mary Anne Francis
Publisher: Bloomsbury Publishing
ISBN: 1350211397
Category : Art
Languages : en
Pages : 249
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Book Description
This book celebrates and seeks to understand the overlooked appearances of hybrid forms in visual culture; artefacts and practices that meld or interweave incongruous elements in innovative ways. And with an emphasis on the material aspects of such entities, the book adopts the term 'mixed form' for them. Focusing on key phenomena in the last half millennium such as the cabinet of curiosities, the broadside ballad and the chapbook as early forms of image-text, the scrapbook, assemblage, and, in digital times, so-called 'mixed reality,' the book argues that while the quality of inconsistency is traditionally dismissed, its expression nevertheless plays a vital role in social life. Crucially, Mixed Forms of Visual Culture relates its phenomena to the emergence of the division of labour under capitalism and addresses the shifting relationships between art and life, when singularity and uniformity are variously valued and dismissed in the two arenas, and at different points in history. Two of the book's chapters take the form of visual essays, with one comprising an anthology of found scrapbook pages and the other offering an analysis of artists' scrapbooks. The book is richly illustrated throughout.
Author: Willis J. Buckingham
Publisher: University of Pittsburgh Pre
ISBN: 0822976595
Category : Literary Criticism
Languages : en
Pages : 656
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Book Description
This work reprints, annotates, and indexes virtually all mention of Emily Dickinson in the first decade of her publication, tripling the known references to the poet during the nineties. Much of this material, drawn from scrapbooks of clippings, rare journals, and crumbling newspapers, was on the verge of extinction. Modern audiences will be struck by the impact of Dickinson's poetry on her first readers. We learn much about the taste of the period and the relationship between publishers, reviewers, and the reading public. It demonstrates that Dickinson enjoyed a wider popular reception than had been realized: readers were astonished by her creative brilliance.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 548
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Book Description
Author: Brennan Storr
Publisher: Llewellyn Worldwide
ISBN: 0738749648
Category : Body, Mind & Spirit
Languages : en
Pages : 180
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Book Description
Revelstoke: Where the worlds of the living, dead, and extraordinary collide Embark on a fascinating journey into Revelstoke, Canada, a world-renowned ski destination with a well-kept secret: it has a long and active paranormal history just as breathtaking as its mountain views. Packed with stories of hauntings, UFOs, Sasquatch, missing time, and much more, A Strange Little Place takes you into a small town full of thrilling secrets and bizarre encounters. Chronicling over seventy years of unusual occurrences in his hometown, Brennan Storr provides exciting, first-hand accounts of unexplainable phenomena. Discover the sinister mysteries of Rogers Pass, the strange craft and spectral music of the Arrow Lakes, and generations of hauntings in the infamous Holten House. As a magnet for the supernatural, Revelstoke invites you to experience things you never thought possible.
Author: Wolfram Schmidgen
Publisher: University of Pennsylvania Press
ISBN: 0812207181
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
The culture of late seventeenth- and early eighteenth-century Britain is rarely credited with tolerance of diversity; this period saw a rising pride in national identity, the expansion of colonialism, and glorification of the Anglo-Saxon roots of the country. Yet at the same time, Wolfram Schmidgen observes, the concept of mixture became a critical element of Britons' belief in their own superiority. While the scientific, political, and religious establishment of the early 1600s could not imagine that anything truly formed, virtuous, or durable could be produced by mixing unlike kinds or merging absolute forms, intellectuals at the end of the century asserted that mixture could produce superior languages, new species, flawless ideas, and resilient civil societies. Exquisite Mixture examines the writing of Robert Boyle, John Locke, Daniel Defoe, and others who challenged the primacy of the one over the many, the whole over the parts, and form over matter. Schmidgen traces the emergence of the valuation of mixture to the political and scientific revolutions of the seventeenth century. The recurrent threat of absolutism in this period helped foster alliances within a broad range of writers and fields of inquiry, from geography, embryology, and chemistry to political science and philosophy. By retrieving early modern arguments for the civilizing effects of mixture, Schmidgen invites us to rethink the stories we tell about the development of modern society. Not merely the fruit of postmodernism, the theorization and valuation of hybridity have their roots in centuries past.
Author: Sangharakshita
Publisher: Windhorse Publications
ISBN: 1911407082
Category : Religion
Languages : en
Pages : 610
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Book Description
This is the continuing story of Milarepa and his disciple Rechungpa, first encountered in volume 18 of The Complete Works. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.In the story that begins this volume, matters come to a head when Milarepa burns the books that Rechungpa went all the way to India to acquire, but by the end of the volume, Rechungpa is able to set out on his own mission to teach the Dharma. Much happens in between.Sangharakshita's commentary, based on seminars given in the late 1970s and early 1980s, draws from the stories of Milarepa and his wayward disciple much valuable advice for any would-be spiritual practitioner.
Author: Ashley Weaver
Publisher: Minotaur Books
ISBN: 1250780497
Category : Fiction
Languages : en
Pages : 288
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Book Description
The first in the Electra McDonnell series from Edgar-nominated author Ashley Weaver, set in England during World War II, A Peculiar Combination is a delightful mystery filled with spies, murder, romance, and the author's signature wit. “Filled with wry humor, tight suspense, and a delightful cast of characters.”—Alyssa Maxwell, author of the Gilded Newport mysteries FIRST RULE: DON’T LOSE YOUR CONCENTRATION. Electra McDonnell and her family earn their living outside the law. Breaking into the homes of the rich and picking the locks on their safes may not be condoned by British law enforcement, but with World War II in full swing, Uncle Mick’s locksmith business just can’t pay the bills anymore. SECOND RULE: DON’T MAKE MISTAKES. So when Uncle Mick receives a tip about a safe full of jewels in an empty house, he and Ellie can’t resist. All is going as planned—until the pair is caught red-handed. But instead of arresting them, government official Major Ramsey has an offer: either Ellie agrees to help him break into a safe and retrieve blueprints crucial to the British war effort, or he turns her over to the police. THIRD RULE: DON’T GET CAUGHT. Ellie doesn’t care for the major’s imperious manner, but she has no choice. However, when they break into the house, they find the safe open and empty, and a German spy dead on the floor. Soon, Ellie and Major Ramsey are forced to put aside their differences to unmask the double agent, and stop Allied plans from falling into enemy hands.
Author: Hallvard Fossheim
Publisher: Bloomsbury Publishing
ISBN: 1350082503
Category : Philosophy
Languages : en
Pages : 265
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Book Description
Plato's philosophical dialogues can be seen as his creation of a new genre. Plato borrows from, as well as rejects, earlier and contemporary authors, and he is constantly in conversation with established genres, such as tragedy, comedy, lyric poetry, and rhetoric in a variety of ways. This intertextuality reinforces the relevance of material from other types of literary works, as well as a general knowledge of classical culture in Plato's time, and the political and moral environment that Plato addressed, when reading his dramatic dialogues. The authors of Philosophy as Drama show that any interpretation of these works must include the literary and narrative dimensions of each text, as much as serious the attention given to the progression of the argument in each piece. Each dialogue is read on its own merit, and critical comparisons of several dialogues explore the differences and likenesses between them on a dramatic as well as on a logical level. This collection of essays moves debates in Plato scholarship forward when it comes to understanding both particular aspects of Plato's dialogues and the approach itself. Containing 11 chapters of close readings of individual dialogues, with 2 chapters discussing specific themes running through them, such as music and sensuousness, pleasure, perception, and images, this book displays the range and diversity within Plato's corpus.
