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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Marjorie Garber
Publisher: Anchor
ISBN: 0307490815
Category : Drama
Languages : en
Pages : 1010
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Book Description
A brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country’s foremost authorities on his life and work. Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare’s life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.
Author: Pia Witzel
Publisher: GRIN Verlag
ISBN: 3640157494
Category : Language Arts & Disciplines
Languages : en
Pages : 42
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Seminar paper from the year 1999 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Dusseldorf "Heinrich Heine" (Anglistisches Institut), course: Shakespeare's Romeo and Juliet and Othello, the Moor of Venice, 16 entries in the bibliography, language: English, abstract: Introduction There has been a long critical debate about the figure of Iago in Shakespeare s Othello and especially about his motivation. Most complex of all for actors and critics is the Iago problem. This villain is much more dangerous than Cinthio s. He not only betrays the Moor and the Captain (Cassio); he injures everyone in his vicinity. How can so evil a man be plausible? How can he win the confidence of so apparently noble a man as Othello? And more important, what is his motivation? Why should any man hurt others so much? Is he simply a dramatic mechanism? A symbol of the devil? The devil himself? Or is he in fact a good man who has been provoked to revenge by wrongs done him? Was he unfairly denied promotion by Othello? Cuckolded by him? By Cassio? Finally, how can a character who does so much wrong involve audiences so deeply in his fate? The controversy has produced many different views and, rereading them, one could get the impression that Iago has become a real person with real traits of character and that he is responsible for what he has "done", and some critics withdraw more and more from the original text. Therefore any consideration of Iago s or any other character refers to his "character" as a stage personage in Shakespeare s Othello. After seeing the bulk of literature written on the character of Iago, one tends to agree with Adamson: So many critics over the years have made so much sense (not to mention nonsense) of Iago that one naturally hesitates to dig over the plot again. Criticism on Othello is very diverse. Following are a few examples of the manifold interpretations of Iago s character.
Author: William Shakespeare
Publisher: Simon and Schuster
ISBN: 1476788529
Category : Fiction
Languages : en
Pages : 416
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In Othello, Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona that begins with elopement and mutual devotion and ends with jealous rage and death. Shakespeare builds many differences into his hero and heroine, including race, age, and cultural background. Yet most readers and audiences believe the couple’s strong love would overcome these differences were it not for Iago, who sets out to destroy Othello. Iago’s false insinuations about Desdemona’s infidelity draw Othello into his schemes, and Desdemona is subjected to Othello’s horrifying verbal and physical assaults. The authoritative edition of Othello from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -The exact text of the printed book for easy cross-reference -Hundreds of hypertext links for instant navigation -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently linked to the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Susan Snyder The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
Author: Harold Bloom
Publisher: Scribner
ISBN: 1501164236
Category : Literary Criticism
Languages : en
Pages : 160
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From one of the greatest Shakespeare scholars of our time, Harold Bloom presents Othello’s Iago, perhaps the Bard’s most compelling villain—the fourth in a series of five short books about the great playwright’s most significant personalities. Few antagonists in all of literature have displayed the ruthless cunning and deceit of Iago. Denied the promotion he believes he deserves, Iago takes vengeance on Othello and destroys him. One of William Shakespeare’s most provocative and culturally relevant plays, Othello is widely studied for its complex and enduring themes of race and racism, love, trust, betrayal, and repentance. It remains widely performed across professional and community theatre alike and has been the source for many film and literary adaptations. Now award-winning writer and beloved professor Harold Bloom investigates Iago’s motives and unthinkable actions with razor-sharp insight, agility, and compassion. Why and how does Iago use lies and deception—the fake news of the 15th century—to destroy Othello and several other characters in his path? What can Othello tell us about racism? Bloom is mesmerizing in the classroom, treating Shakespeare’s characters like people he has known all his life. He delivers exhilarating intimacy and clarity in these pages, writing about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that Iago also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. “There are few readers more astute than Bloom” (Publishers Weekly), and his Iago is a provocative study for our time.
Author: Angela McAllister
Publisher: Lincoln Children's Books
ISBN: 1786031159
Category : Juvenile Fiction
Languages : en
Pages : 131
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Book Description
Step on to a stage full of stories with this beautiful anthology of 12 stories from Shakespeare. Featuring much-loved classics such as The Tempest, A Midsummer Night’s Dream, Romeo and Juliet, Hamlet and Othello, each story is rewritten in a comprehensive way that is accessible for children and stunningly illustrated by collage artist Alice Lindstrom. This lavish follow-up to A Year Full of Stories and A World Full of Animal Stories is the perfect gift for book lovers young and old.
Author: Emma Smith
Publisher: Cambridge University Press
ISBN: 0521195233
Category : Drama
Languages : en
Pages : 259
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Book Description
An indispensable reference tool for Shakespeare students and enthusiasts, this compact guide provides authoritative summaries of each of Shakespeare's works.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author: Shane Barnes
Publisher: Insight Publications
ISBN: 1921088540
Category : Drama
Languages : en
Pages : 226
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Book Description
Even the most resolutely disengaged students can finally 'discover' and thrill to the rhythms and passions of Shakespeare's plays! Award-winning teachers and Shakespearean scholars have extensively trialled their approach to teaching Shakespeare's plays in the classroom, and this series is the result! The plays in this series are becoming increasingly popular for student resources in schools as English and Drama teachers discover their fabulous teaching and learning qualities.
Author: Marguérite Corporaal
Publisher: Liverpool University Press
ISBN: 1800858620
Category : Drama
Languages : en
Pages : 248
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Book Description
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is highly conscious of the ways in which theatre can foster social emancipation. This volume of essays uncovers a wide range of marginalised histories by reflecting on the emancipatory role that the Dublin Gate Theatre (est. 1928) has played in Irish culture and society, both historically and in more recent times. The Gate’s founders, Hilton Edwards and Michéal mac Liammóir, promoted the work of many female playwrights and created an explicitly cosmopolitan stage on which repressive ideas about gender, sexuality, class and language were questioned. During Selina Cartmell’s current tenure as director, cultural diversity and social emancipation have also featured prominently on the Gate’s agenda, with various productions exploring issues of ethnicity in contemporary Ireland. The Gate thus offers a unique model for studying the ways in which cosmopolitan theatres, as cultural institutions, give expression to and engage with the complexities of identity and diversity in changing, globalised societies. CONTRIBUTORS: David Clare, Marguérite Corporaal, Mark Fitzgerald, Barry Houlihan, Radvan Markus, Deirdre McFeely, Justine Nakase, Siobhan O'Gorman, Mary Trotter, Grace Vroomen, Ian R. Walsh, Feargal Whelan
