A Souvenir of Salisbury Museum. [Previously Published in the Salisbury Journal. With Illustrations, Including Portraits.]. PDF Download
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Author: Hugh de Sausmarez Shortt
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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![A Souvenir of Salisbury Museum. [Previously Published in the Salisbury Journal. With Illustrations, Including Portraits.]. PDF](https://books.google.com/books/content/images/frontcover/KAToOwAACAAJ?fife=w80-h100)
Author: Hugh de Sausmarez Shortt
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
![A Souvenir of Salisbury Museum. By Hugh Shortt. [With Illustrations.]. PDF](https://books.google.com/books/content/images/frontcover/3W_vMgEACAAJ?fife=w80-h100)
Author: Salisbury and South Wilts and Blackmore Museum (SALISBURY, Wilts.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: Salisbury and South Wiltshire Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: Martin Sailsbury
Publisher: Thames & Hudson
ISBN: 0500777594
Category : Design
Languages : en
Pages : 372
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Book Description
This essential handbook explores the subject of drawing for illustration in-depth, with an emphasis on drawing as a skill and fundamental language that every illustrator should master. It aims to encourage students through examples and case studies, by showcasing the often-unseen world of draughtsmanship that underpins the finished graphic. From book illustration to graphic novels, caricatures to commercial design, it draws on contemporary sketchbooks, projects and historical examples to make the connection between the practice of drawing from observation and drawing from imagination. Martin Salisbury sets out by explaining the fundamentals of this exciting discipline, before outlining the basic principles of line, tone, composition and colour through inspiring examples. Different approaches to drawing including anecdotal, sequential and reportage are examined, to enable students to acquire their own personal visual language. Interviews with illustrators also provide invaluable insight into the creative process, as they outline their challenges and motivations, and what drawing personally means for them. Packed with visual inspiration, this book features detailed analysis of works by key illustrators from past and present including George Cruikshank, Egon Schiele, Ronald Searle and Sheila Robinson through to Laura Carlin, Alexis Deacon and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time.
Author: Elijah Howarth
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 402
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Book Description
"Indexes to papers read before the Museums Association, 1890-1909. Comp. by Charles Madeley": v. 9, p. 427-452.
Author:
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 562
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 848
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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 840
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Book Description
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
Author: Royal Society for the Encouragement of Arts, Manufactures and Commerce
Publisher:
ISBN:
Category :
Languages : en
Pages : 888
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Book Description
Author: Julian Stallabrass
Publisher: Rowman & Littlefield
ISBN: 1538141817
Category : Photography
Languages : en
Pages : 353
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Book Description
See firsthand how war photography is used to sway public opinion. In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck which may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict—through film, photographs, and pixels—has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In this fully illustrated and passionately argued account of war imagery, Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. The relationship between war and photograph is constantly in transition, forming new perspectives, provoking new challenges: what is allowed to be seen? Does an image have the power to change political opinion? How are images used to wage war? Stallabrass shows how photographs have become a vital weapon in the modern war: as propaganda—from close-quarters fighting to the drone’s electronic vision—as well as a witness to the barbarity of events such as the My Lai massacre, the violent suppression of insurgent Fallujah or the atrocities in Abu Ghraib. Through these accounts Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Killing for Show offers: 190 photographs encompassing photojournalism, artists’ images, photographs by soldiers and amateurs and drones A comprehensive comparison of the role of photography in the Vietnam and Iraq Wars An explanation of the waning power of iconic images in collective memory An analysis of the failure of military PR and the public display of killing A focus on what can and cannot be seen, photographed and published An exploration of the power and limits of amateur photography Arguments about how violent images act on democracy This full-color book is an essential volume in the history of warfare and photography
