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Author: Neelum Saran Gaur
Publisher: Penguin UK
ISBN: 8184755465
Category :
Languages : en
Pages : 299
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Book Description
In ‘Connectivity’ a retired bureaucrat’s telephone line is accidentally connected to that of a grieving man’s; while a heart surgeon helps his patient across the great abyss in ‘Song without End’. The skilful grooming of a poet is described in ‘A Lane in Lucknow’; and a senile old nawab finds himself a stranger to an altered world in ‘The Taste of Almonds’. In ‘Through the Looking Glass’ a man losing his sight finds he can get to the heart of all the books in his library by an inexplicable miracle; and in ‘Play’ the roles an actor enacts are a source of important life lessons. Song without End and Other Stories is a collection of fifteen captivating short stories by Neelum Saran Gour that amuse and absorb by their lively engagement with people; places and ideas in an unforgettable way. Funny; humane and culturally vibrant; these tales portray characters who are challenged by life and who arrive at their own individual truths.
Author: Neelum Saran Gaur
Publisher: Penguin UK
ISBN: 8184755465
Category :
Languages : en
Pages : 299
Get Book Here
Book Description
In ‘Connectivity’ a retired bureaucrat’s telephone line is accidentally connected to that of a grieving man’s; while a heart surgeon helps his patient across the great abyss in ‘Song without End’. The skilful grooming of a poet is described in ‘A Lane in Lucknow’; and a senile old nawab finds himself a stranger to an altered world in ‘The Taste of Almonds’. In ‘Through the Looking Glass’ a man losing his sight finds he can get to the heart of all the books in his library by an inexplicable miracle; and in ‘Play’ the roles an actor enacts are a source of important life lessons. Song without End and Other Stories is a collection of fifteen captivating short stories by Neelum Saran Gour that amuse and absorb by their lively engagement with people; places and ideas in an unforgettable way. Funny; humane and culturally vibrant; these tales portray characters who are challenged by life and who arrive at their own individual truths.
Author: Hilda White
Publisher:
ISBN:
Category : Musical fiction
Languages : en
Pages : 332
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Book Description
Author: Jonathan Rhodes Lee
Publisher: Routledge
ISBN: 1000091287
Category : Music
Languages : en
Pages : 1096
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Book Description
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1004
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Book Description
Author: Will Kitchen
Publisher: Bloomsbury Publishing USA
ISBN: 1501361341
Category : Music
Languages : en
Pages : 261
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Book Description
The relationship between Romanticism and film remains one of the most neglected topics in film theory and history, with analysis often focusing on the proto-cinematic significance of Richard Wagner's music-dramas. One new and interesting way of examining this relationship is by looking beyond Wagner, and developing a concept of audio-visual explanation rooted in Romantic philosophical aesthetics, and employing it in the analysis of film discourse and representation. Using this concept of audio-visual explanation, the cultural image of the Hungarian pianist and composer Franz Liszt, a contemporary of Wagner and another significant practitioner of Romantic audio-visual aesthetics, is examined in reference to specific case studies, including the rarely-explored films Song Without End (1960) and Lisztomania (1975). This multifaceted study of film discourse and representation employs Liszt as a guiding-thread, structuring a general exploration of the concept of Romanticism and its relationship with film more generally. This exploration is supported by new theories of representation based on schematic cognition, the philosophy of explanation, and the recently-developed film theory of Jacques Rancière. Individual chapters address the historical background of audio-visual explanation in Romantic philosophical aesthetics, Liszt's role in the historical discourses of film and film music, and various filmic representations of Liszt and his compositions. Throughout these investigations, Will Kitchen explores the various ways that films explain, or 'make sense' of things, through a 'Romantic' aesthetic combination of sound and vision.
Author: Kenneth Hamilton
Publisher: Oxford University Press
ISBN: 0198039654
Category : Music
Languages : en
Pages : 321
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Book Description
Kenneth Hamilton's book engagingly and lucidly dissects the oft-invoked myth of a Great Tradition, or Golden Age of Pianism. It is written both for players and for members of their audiences by a pianist who believes that scholarship and readability can go hand-in-hand. Hamilton discusses in meticulous yet lively detail the performance-style of great pianists from Liszt to Paderewski, and delves into the far-from-inevitable development of the piano recital. He entertainingly recounts how classical concerts evolved from exuberant, sometimes riotous events into the formal, funereal trotting out of predictable pieces they can be today, how an often unhistorical "respect for the score" began to replace pianists' improvisations and adaptations, and how the clinical custom arose that an audience should be seen and not heard. Pianists will find food for thought here on their repertoire and the traditions of its performance. Hamilton chronicles why pianists of the past did not always begin a piece with the first note of the score, nor end with the last. He emphasizes that anxiety over wrong notes is a relatively recent psychosis, and playing entirely from memory a relatively recent requirement. Audiences will encounter a vivid account of how drastically different are the recitals they attend compared to concerts of the past, and how their own role has diminished from noisily active participants in the concert experience to passive recipients of artistic benediction from the stage. They will discover when cowed listeners eventually stopped applauding between movements, and why they stopped talking loudly during them. The book's broad message proclaims that there is nothing divinely ordained about our own concert-practices, programming and piano-performance styles. Many aspects of the modern approach are unhistorical-some laudable, some merely ludicrous. They are also far removed from those fondly, if deceptively, remembered as constituting a Golden Age.
Author: Maurice Hinson
Publisher: Alfred Music
ISBN: 9781457439780
Category : Music
Languages : en
Pages : 68
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Book Description
A three-volume series that provides the intermediate-level pianist with classical music that is appropriate for the worship service. Pieces are arranged in each volume alphabetically and by classification (Preludes, Offertories, Solos, Postludes).
Author: Douglas Pye
Publisher: Wayne State University Press
ISBN: 0814346448
Category : Performing Arts
Languages : en
Pages : 561
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Book Description
Perkins on Movies gives unimpeded access to one of the most distinctive and distinguished of critical voices and will be widely welcomed by academics, students of film, and informed film enthusiasts.
Author: John C. Tibbetts
Publisher: Yale University Press
ISBN: 0300128037
Category : Music
Languages : en
Pages : 381
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Book Description
Amadeus . . . Yankee Doodle Dandy . . . Swanee River . . . Rhapsody in Blue. Even before movies had sound, filmmakers dramatized the lives of composers. Movie biographies—or biopics—have depicted composers as diverse as Wolfgang Amadeus Mozart, George M. Cohan, Stephen Foster, and George Gershwin. In this enticing book, the first devoted entirely to such films, John C. Tibbetts surveys different styles and periods from the Hollywood of the 1920s and 1930s to the international cinema of today, exploring the role that film biographies play in our understanding of history and culture. Tibbetts delves into such questions as: How historically accurate are composer biopics? How and why have inaccuracies and distortions been perpetrated? What strategies have been used to represent visually the creative process? The book examines the films in several contexts and considers their role in commodifying and popularizing music. Extensive archival research, dozens of illustrations, and numerous interviews make this an appealing book for film and music enthusiasts at all levels.
Author: Brian Hannan
Publisher: McFarland
ISBN: 1476619107
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
The story behind The Magnificent Seven could have been a movie in itself. It had everything--actors' strike, writers' strike, Mexican government interference and a row between the screenwriters that left one removing his name from the credits, all under the lingering gloom of post-McCarthy era Hollywood. A flop on release, it later became a box office hit. This book tells the behind-the-scenes story: how Yul Brynner became the biggest independent producer in Hollywood; why John Sturges was not the first choice after Brynner surrendered the director's chair; why Sturges quit; the truth about the Mirisch Company (producers); the details of the film's botched release and unlikely redemption; the creation of Elmer Bernstein's classic score; and how internecine fighting prevented the making of the television series in 1963. Myths about Steve McQueen, his feud with Brynner and the scene-stealing antics of the cast are debunked. A close examination of the various screenplay drafts and the writers' source material--Akira Kurosawa's Seven Samurai--shows who wrote what. Extensive analysis of Sturges' directorial work is provided.
