The Selected Poems of Joanna Baillie, 1762-1851 PDF Download
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Author: Joanna Baillie
Publisher: Manchester University Press
ISBN: 9780719054747
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Joanna Baillie's poetry ranges from songs and lyrical ballads to dramatic monologues and realistic blank verse. This edition of her work gives readers the opportunity to assess her significance and her craft.
Author: Joanna Baillie
Publisher: Manchester University Press
ISBN: 9780719054747
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Joanna Baillie's poetry ranges from songs and lyrical ballads to dramatic monologues and realistic blank verse. This edition of her work gives readers the opportunity to assess her significance and her craft.
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 410
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Book Description
Author: Robert Chambers
Publisher:
ISBN:
Category :
Languages : en
Pages : 896
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Book Description
Author: Henrik Ibsen
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 14227
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Book Description
The Essential Feminist Collection 60 Powerful Classics in One Volume' is a seminal anthology that encapsulates the multifaceted nature of feminist literary expression across two centuries. This collection traverses a vast landscape of literary styles from the penetrating realism of Henrik Ibsen to the nuanced social commentary of Charlotte Brontë, and the pioneering environmentalism of Gene Stratton-Porter. It underscores the incredible diversity and significant impact of feminist literature, showcasing standout pieces that have fundamentally shifted the cultural and literary discourse surrounding gender, society, and human rights. The range of narratives, from novels and essays to speeches and letters, provides a comprehensive view of the feminist literary canon, highlighting the enduring relevance of its themes. The contributing authors and editors, coming from varied backgrounds, epochs, and disciplines, bring together a rich tapestry of perspectives that reflect the historical, cultural, and literary movements of their times. From the enlightened essays of Mary Wollstonecraft and John Stuart Mill to the poignant novels of Virginia Woolf and Edith Wharton, each contributor has played a pivotal role in shaping the contours of feminist thought. The anthology serves not only as a literary collection but as a dynamic conversation among some of the most influential feminist voices, examining the intersectionality of gender, class, and race, and advocating for social and political reform. 'The Essential Feminist Collection 60 Powerful Classics in One Volume' is an indispensable resource for readers seeking to delve into the depths of feminist literature. It offers an unparalleled opportunity to engage with the works of trailblazing authors who have articulated the struggles, aspirations, and triumphs of women across generations. This anthology is recommended for its educational value, its breadth of insights, and the rich dialogue it fosters between the diverse authors' works. Readers are invited to explore this comprehensive collection, which serves not only as a testament to the progress of feminist thought but also as an inspiration for ongoing advocacy and discourse in the quest for gender equality.
Author: Punter David Punter
Publisher: Edinburgh University Press
ISBN: 1474432387
Category : Art, Gothic
Languages : en
Pages : 831
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Book Description
Provides new definitions of the Gothic in a variety of artistic contexts Explores a range of Gothic from architecture through literature to music and the technological artsProvides an opportunity to hear new thinking from established scholars as well as showcasing work by new scholarsHighlights new definitions of the Gothic from a wide variety of perspectivesThe Gothic in all its artistic forms and ramifications is traced from the medieval to the twenty-first century. From architecture, painting and sculpture through music, ballet, opera and dance to installation art and the graphic novel, each of the 33 chapters reflects on and weighs in on the ways in which the Gothic is taken up in the art forms and modes under examination. An Introduction discusses Gothic as a changing cultural form across the centuries with deep psychological roots. This is followed by sections on: architectural arts; the visual arts; music and the performance arts; the literary arts; and media and cultural arts.
Author: Andrea Fischerová
Publisher: Cambridge Scholars Publishing
ISBN: 1527561763
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
This study focuses on the six writing men who have been throughout decades regarded as the alpha and omega of British Romanticism: Byron, Coleridge, Keats, Scott, Shelley, and Wordsworth. It sees these men as a representative cohort of their time and examines their letters as results of a reading process. Although letters are usually seen as additional sources of reference in literary studies, in this book they are treated as the dominant information material: correspondence enables to reconsider British Romanticism on the basis of the epistolary communication of the first half of the nineteenth century. The target information from the letters are references to women writers and to their writings. A detailed analysis of the correspondence manages to answer the question whether male Romantics regarded writing women as “provoking” from time to time, as Duncan Wu assumes, and whether the gender identity of the woman author influenced the way male readers read her literary works. The examination of the correspondence thus takes a gendered perspective on British Romanticism. This approach to the target research data discloses a long list of almost 120 names of women writers from different periods and of different literary genres. Whereas the male readers in question have acquired a well-established, stable long-term position within literary history, the women were often marginalized, even forgotten. The study presents plentiful examples proving the discrepancies between what the twenty-first-century reader regards as the core of women’s Romantic literary tradition, and what the Romantic reader did. The following women writers are discussed in the study in detail: Susannah Centlivre, Anne Finch (Lady Winchelsea), Ann Radcliffe, Mary Robinson, Felicia Hemans, Mary Shelley, Joanna Baillie, Maria Edgeworth, Maria Jane Jewsbury, Catherine Grace Godwin, and Emmeline Fisher.
Author: Mathew R. Martin
Publisher: Routledge
ISBN: 1351898213
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
Bookending the chronology of this collection are two crucial moments in the histories of pain, trauma, and their staging in British theater: the establishment of secular and professional theater in London in the 1580s, and the growing dissatisfaction with theatrical modes of public punishment alongside the increasing efficacy of staging extravagant spectacles at the end of the eighteenth century. From the often brutal spectacle of late medieval mystery plays to early Romantic re-evaluations of eighteenth-century appropriations of spectacles of pain, the essays take up the significance of these watershed moments in British theater and expand on recent work treating bodies in pain: what and how pain means, how such meaning can be embodied, how such embodiment can be dramatized, and how such dramatizations can be put to use and made meaningful in a variety of contexts. Grouped thematically, the essays interrogate individual plays and important topics in terms of the volume's overriding concerns, among them Tamburlaine and The Maid's Tragedy, revenge tragedy, Joshua Reynolds on public executions, King Lear, Settle's Moroccan plays, spectacles of injury, torture, and suffering, and Joanna Baillie's Plays on the Passions. Collectively, these essays make an important contribution to the increasingly interrelated histories of pain, the body, and the theater.
Author:
Publisher: BRILL
ISBN: 900441035X
Category : Literary Criticism
Languages : en
Pages : 572
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Book Description
Read an interview with Norbert Bachleitner. In this 200th volume of Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft the editors Norbert Bachleitner, Achim H. Hölter and John A. McCarthy ‘take stock’ of the discipline. It focuses on recurrent questions in the field of Comparative Literature: What is literature? What is meant by ‘comparative’? Or by ‘world’? What constitute ‘transgressions’ or ‘refractions’? What, ultimately, does being at home in the world imply? When we combine the answers to these individual questions, we might ultimately reach an intriguing proposition: Comparative Literature contributes to a sense of being at home in a world that is heterogeneous and fractured, rather than affirming a monolithic canon marked by territory and homogeneity. The volume unites essays on world literature, literature in the context of the history of ideas, comparative women and gender studies, aesthetics and textual analysis, and literary translation and tradition.
Author: Various
Publisher: BEYOND BOOKS HUB
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
Women of History is a book published in 1890, and which contains various short writings on famous women of the past. Included are Lucretia, Sappho, Aspasia of Pericles, Xantippe, Aspasia of Cyrus, Cornelia, The Mother of the Gracchi, Portia, Octavia, Cleopatra, Mariamne, Julia Domna, Zenobia, Valeria, Eudocia, Hypatia, The Wife of Maximus, The Lady Rowena, Olga, The Lady Elfrida, The Countess of Tripoli, Jane, Countess of Mountfort, Laura de Sade, The Countess of Richmond, Elizabeth Woodville, Joan of Arc, Jane Shore, Catharine of Arragon, Anne Boleyn, Margaret Roper, Elizabeth Lucas, Gaspara Stampa, Anne Askew, Queen Elizabeth, Lady Jane Grey, Tarquinia Molza, Mary, Queen of Scots, Gabrielle D'Estrees, Anne, Duchess of Pembroke, Esther Inglis, Margaret, Duchess of Newcastle, Lady Pakington, Noor Mahal, Pocahontas, Lucy Hutchinson, Lady Fanshawe, Dorothy Osborne, Catherine Philips, Madame de Maintenon, Countess de Grammont, Mademoiselle de la Valliere, Madame Dacier, Lady Masham, Anne Killigrew, Queen Anne, Esther Johnson, Esther Vanhomrigh, Mary Astell, Madame des Ursins, Lady Grizel Jerviswoode, Madame de Pontchartrain, Elizabeth Halkett, Lady Mary Wortley Montagu, Madame du Deffand, Phœbe Bentley, Marquise du Chatelet, Lady Huntingdon, Maria Theresa, Meta Moller, Elizabeth Blackwell, Lætitia Barbauld, Hannah More, Anna Seward, Catherine Cockburn, Elizabeth Berkeleigh, Caroline Herschel, Madame D'Arblay, Madame Roland, Marie Antoinette, Sarah Siddons, Mrs Grant, Elizabeth Inchbald, Elizabeth Hamilton, Countess de Vemieiro, Joanna Baillie, Josephine, Anne Radcliffe, Miss Edgeworth, Charlotte Corday, Madame de Stael, Madame de la Rochejaquelein, Madame Recamier, Mary Brunton, Felicia Hemans, Augustina Saragoza, and Charlotte Bronte.
Author: Susan J. Matt
Publisher: Bloomsbury Publishing
ISBN: 1350090956
Category : History
Languages : en
Pages : 232
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Book Description
Between 1780 and 1920, modern conceptions of emotion-conceptions still very much present in the 21st century-first took shape. This book traces that history, charting the changing meaning and experience of feelings in an era shaped by political and market revolutions, romanticism, empiricism, the rise of psychology and psychoanalysis. During this period, the word emotion itself gained currency, gradually supplanting older vocabularies and visions of feeling. Terms to describe feelings changed; so too did conceptions of emotions' proper role in politics, economics, and culture. Political upheavals turned a spotlight on the role of feeling in public life; in domestic life, sentimental bonds gained new importance, as families were transformed from productive units to emotional ones. From the halls of parliaments to the familial hearth, from the art museum to the theatre, from the pulpit to the concert hall, lively debates over feelings raged across the 19th century.
