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Author: Ping Zhu
Publisher: Hong Kong University Press
ISBN: 9888528017
Category : History
Languages : en
Pages : 233
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Book Description
WINNER — 2020 Choice’s Outstanding Academic Title During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres—including dance, cartoon, children’s literature, comedy, regional oral performance, film, and fiction—uncover many nuanced innovations and experiments with laughter during what has been too often misinterpreted as an unrelentingly bleak period. In Mao’s China, laughter helped to regulate both political and popular culture and often served as an indicator of shifting values, alliances, and political campaigns. In exploring this phenomenon, Maoist Laughter is a significant correction to conventional depictions of socialist China. “Maoist Laughter brings together prominent scholars of contemporary China to make a timely and original contribution to the burgeoning field of Maoist literature and culture. One of its main strengths lies in the sheer number of genres covered, including dance, traditional Chinese performance, visual arts, film, and literature. The focus on humor in the Maoist period gives an exciting new perspective from which to understand cultural production in twentieth-century China.” —Krista Van Fleit, University of South Carolina “An illuminating study of the culture of laughter in the Maoist period. Focusing on much-neglected topics such as satire, jokes, and humor, this book is an essential contribution to our understanding of how socialist culture actually ‘worked’ as a coherent, dynamic, and constructive life experience. The chapters show that traditional culture could almost blend perfectly with revolutionary mission.” —Xiaomei Chen, University of California, Davis
Author: Ping Zhu
Publisher: Hong Kong University Press
ISBN: 9888528017
Category : History
Languages : en
Pages : 233
Get Book Here
Book Description
WINNER — 2020 Choice’s Outstanding Academic Title During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres—including dance, cartoon, children’s literature, comedy, regional oral performance, film, and fiction—uncover many nuanced innovations and experiments with laughter during what has been too often misinterpreted as an unrelentingly bleak period. In Mao’s China, laughter helped to regulate both political and popular culture and often served as an indicator of shifting values, alliances, and political campaigns. In exploring this phenomenon, Maoist Laughter is a significant correction to conventional depictions of socialist China. “Maoist Laughter brings together prominent scholars of contemporary China to make a timely and original contribution to the burgeoning field of Maoist literature and culture. One of its main strengths lies in the sheer number of genres covered, including dance, traditional Chinese performance, visual arts, film, and literature. The focus on humor in the Maoist period gives an exciting new perspective from which to understand cultural production in twentieth-century China.” —Krista Van Fleit, University of South Carolina “An illuminating study of the culture of laughter in the Maoist period. Focusing on much-neglected topics such as satire, jokes, and humor, this book is an essential contribution to our understanding of how socialist culture actually ‘worked’ as a coherent, dynamic, and constructive life experience. The chapters show that traditional culture could almost blend perfectly with revolutionary mission.” —Xiaomei Chen, University of California, Davis
Author: Bassem Youssef
Publisher: HarperCollins
ISBN: 0062446916
Category : Biography & Autobiography
Languages : en
Pages : 210
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Book Description
“Hilarious and Heartbreaking. Comedy shouldn’t take courage, but it made an exception for Bassem.” --Jon Stewart "The Jon Stewart of the Arabic World"—the creator of The Program, the most popular television show in Egypt’s history—chronicles his transformation from heart surgeon to political satirist, and offers crucial insight into the Arab Spring, the Egyptian Revolution, and the turmoil roiling the modern Middle East, all of which inspired the documentary about his life, Tickling Giants. Bassem Youssef’s incendiary satirical news program, Al-Bernameg (The Program), chronicled the events of the 2011 Egyptian Revolution, the fall of President Hosni Mubarak, and the rise of Mubarak’s successor, Mohamed Morsi. Youssef not only captured his nation’s dissent but stamped it with his own brand of humorous political criticism, in which the Egyptian government became the prime laughing stock. So potent were Youssef’s skits, jokes, and commentary, the authoritarian government accused him of insulting the Egyptian presidency and Islam. After a six-hour long police interrogation, Youssef was released. While his case was eventually dismissed, his television show was terminated, and Youssef, fearful for his safety, fled his homeland. In Revolution for Dummies, Youssef recounts his life and offers hysterical riffs on the hypocrisy, instability, and corruption that has long animated Egyptian politics. From the attempted cover-up of the violent clashes in Tahrir Square to the government’s announcement that it had created the world’s first "AIDS cure" machine, to the conviction of officials that Youssef was a CIA operative—recruited by Jon Stewart—to bring down the country through sarcasm. There’s much more—and it’s all insanely true. Interweaving the dramatic and inspiring stories of the development of his popular television show and his rise as the most contentious funny-man in Egypt, Youssef’s humorous, fast-paced takes on dictatorship, revolution, and the unforeseeable destiny of democracy in the Modern Middle East offers much needed hope and more than a few healing laughs. A documentary about his life, Tickling Giants, debuted at the Tribeca Film Festival in 2016, and is now scheduled for major release.
Author: Joseph Plumb Martin
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 198
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Book Description
Joseph Plumb Martin (1760 – 1850) was a soldier in the Continental Army and Connecticut Militia during the American Revolutionary War, holding the rank of private for most of the war. His published narrative of his experiences has become a valuable resource for historians in understanding the conditions of a common soldier of that era, as well as the battles in which Martin participated. "My intention is to give a succinct account of some of my adventures, dangers and sufferings during my several campaigns in the revolutionary army." Contents: Campaign of 1776. Campaign of 1777. Campaign of 1778. Campaign of 1779. Campaign of 1780. Campaign of 1781. Campaign of 1782. Campaign of 1783.
Author: Jo Anna Isaak
Publisher: Routledge
ISBN: 1134895275
Category : Art
Languages : en
Pages : 262
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Book Description
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Neringa Klumbytė
Publisher: Cornell University Press
ISBN: 1501766708
Category : History
Languages : en
Pages : 306
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Book Description
Authoritarian Laughter explores the political history of the satire and humor magazine Broom published in Soviet Lithuania. Artists, writers, and journalists were required to create state-sponsored Soviet humor and serve the Communist Party after Lithuania was incorporated into the Soviet Union in 1940. Neringa Klumbytė investigates official attempts to shape citizens into Soviet subjects and engage them through a culture of popular humor. Broom was multidirectional—it both facilitated Communist Party agendas and expressed opposition toward the Soviet regime. Official satire and humor in Soviet Lithuania increasingly created dystopian visions of Soviet modernity and were a forum for critical ideas and nationalist sentiments that were mobilized in anti-Soviet revolutionary laughter in the late 1980s and early 1990s. Authoritarian Laughter illustrates that Soviet Western peripheries were unstable and their governance was limited. While authoritarian states engage in a statecraft of the everyday and seek to engineer intimate lives, authoritarianism is defied not only in revolutions, but in the many stories people tell each other about themselves in jokes, cartoons, and satires.
Author: Melody Clark
Publisher: Melody Clark Books
ISBN: 1465817034
Category : Fiction
Languages : en
Pages : 106
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Book Description
Author: Vladimir Ilʹich Lenin
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 144
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Book Description
Author: Anca Parvulescu
Publisher: MIT Press
ISBN: 0262514745
Category : Philosophy
Languages : en
Pages : 227
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Book Description
Uncovering an archive of laughter, from the forbidden giggle to the explosive guffaw. Most of our theories of laughter are not concerned with laughter. Rather, their focus is the laughable object, whether conceived of as the comic, the humorous, jokes, the grotesque, the ridiculous, or the ludicrous. In Laughter, Anca Parvulescu proposes a return to the materiality of the burst of laughter itself. She sets out to uncover an archive of laughter, inviting us to follow its rhythms and listen to its tones. Historically, laughter—especially the passionate burst of laughter—has often been a faux pas. Manuals for conduct, abetted by philosophical treatises and literary and visual texts, warned against it, offering special injunctions to ladies to avoid jollity that was too boisterous. Returning laughter to the history of the passions, Parvulescu anchors it at the point where the history of the grimacing face meets the history of noise. In the civilizing process that leads to laughter's “falling into disrepute,” as Nietzsche famously put it, we can see the formless, contorted face in laughter being slowly corrected into a calm, social smile. How did the twentieth century laugh? Parvulescu points to a gallery of twentieth-century laughers and friends of laughter, arguing that it is through Georges Bataille that the century laughed its most distinct laugh. In Bataille's wake, laughter becomes the passion at the heart of poststructuralism. Looking back at the century from this vantage point, Parvulescu revisits four of its most challenging projects: modernism, the philosophical avant-gardes, feminism, and cinema. The result is an overview of the twentieth century as seen through the laughs that burst at some of its most convoluted junctures.
Author: Juan Wang
Publisher: UBC Press
ISBN: 0774823410
Category : History
Languages : en
Pages : 248
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Book Description
The end of the Qing dynasty in China saw an unprecedented explosion of print journalism. By the turn of the twentieth century, not only had Chinese-owned newspapers become more influential than anyone could have anticipated, but it was the supposedly frivolous xiaobao, the “little” or “minor” papers, that captivated and empowered the public. Merry Laughter and Angry Curses reveals how the late-Qing-era tabloid press became the voice of the people. As periodical publishing reached a fever pitch, tabloids had free rein to criticize officials, mock the elite, and scandalize readers. Tabloid writers produced a massive amount of anti-establishment literature, whose distinctive humour and satirical style were both potent and popular. This book shows the tabloid community to be both a producer of meanings and a participant in the social and cultural dialogue that would shake the foundations of imperial China and lead to the 1911 Republican Revolution.
Author: International Association for Philosophy and Literature. Meeting
Publisher: SUNY Press
ISBN: 9780791424339
Category : Philosophy
Languages : en
Pages : 472
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Book Description
This is a collection of essays focusing on conventions of change in the arts, philosophy, and literature.
